In the beating green heart of South Manchester, Sam Fender delivered a night for the books at Wythenshawe Park – swapping the safety of arenas for something far more raw and electric under the open sky.
The Geordie hero – now a household name and one of Britain’s most beloved live acts – took to the stage with the confidence of someone who’s played stadiums, but the humility of a lad still jamming with his mates in a garage. And if you thought he’d rest on the hits, think again.
But before he unleashed his arsenal of chart-toppers, support from Bugman, Charlie Noordewier, and Olivia Dean warmed things up. Dean was the name on everyone’s lips, with an almost sell-out capacity turning up for the East London star who released her latest track ‘Man I Need’ on the same day.
Hits like ‘Nice To Each Other’ and ‘Dive’ got people in the swing, but – it has to be said – there was a glaring omission of ‘Rein Me In’, Sam Fender’s tune which featured Dean on an updated chorus! I think when people were heading for the exits at the end of the night, some stayed in their spots waiting for the inevitable classic that never came…
Sam Fender sounded great in the open air of Wythenshawe Park. (Credit: Audio North)
A track from his 2021 album got us going with ‘Angel in Lothian’ opening the show for the very first time – a bold move, but the right one. Fender, bathed in flashbulbs, delivered the track with aching intensity, and from the first note, Wythenshawe knew it was in for something special. No crowd warm-up needed. They were going for it tonight.
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Then came the EP sledgehammer: ‘Spice’. The pit ignited. Flares. Flying pints. Lads and ladies on shoulders. Chaos in the best possible sense. Fender grinned, clearly feeding off the Manc crowd’s energy. “It’s good to be back, Manchester!” he shouted. And we believed him.
‘Will We Talk?’ and ‘Getting Started’ kept the tempo going for the opening of the set – indie anthems bouncing off the trees like echoes from another era. Then came ‘Arm’s Length’, pulling things inward, a slower riff from the most recent People Watching album, and definitely a fan favourite, as evidenced by the number of streams.
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A reminder that Fender’s strength lies not only in volume, but can also pull out his softer side.
But in my eyes, it was ‘The Borders’ that provided the most memorable moment of the night. Mid-song, Sam invited a young fan, guitar in hand, on stage. Together, they nailed the song’s dramatic crescendo that speaks about Fender’s homelife growing up. Thousands watched, phone lights up, cheering on a moment that’ll surely live in that kid’s head forever.
No ‘Rein Me In’, ‘The Dying Light’ and no ‘Remember My Name’ was gutting, we’ll admit. (Credit:The Manc)
More People Watching material followed, including the haunting ‘Crumbling Empire’, giving us shades of Springsteen, which landed with a weight that silenced even the chattiest of crowd members. Then, halfway through the set, ‘Dead Boys’ brought it all crashing back – Fender’s OG storytelling at its most harrowing, the crowd singing every word with defiant pride. One of my all-time favourites!
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As dusk gave way to darkness, ‘People Watching’ and the thunderous new single ‘Tyrants’ brought a fresh edge. Fender was in his element, throwing himself into each lyric like it was the last song he’d ever play.
But the true peak? ‘Howdon Aldi Death Queue’, with its extended outro! It’s jaw-droppingly good. I’m calling it the North East’s equivalent to ‘Free Bird’, and those comparisons can’t be named lightly. The guitar solo roared across the park like a jet engine, Hendrix by way of North Shields, with saxophones soaring and the band absolutely letting rip. It was glorious noise. Controlled chaos. Pure rock.
Just when you thought he’d played every card, ‘Alright’ made its tour debut. The crowd reacted like it was an old friend returning home. It fit seamlessly – big, bold and born to be played live.
And then, the emotional punch: ‘Spit of You’, a quiet and tender account of a relationship between dad and lad, before the inevitable eruption of ‘Seventeen Going Under’ to close. Undeniably one of his best tunes, it literally takes you back to traversing adolescence, standing in a park, drinking tinnies, listening to your favourite music… oh wait!
Just when the dust seemed to settle, Fender and the band returned one last time for a thunderous encore. And what better way to close out a legendary night than with ‘Hypersonic Missiles’; pyrotechnics blazing, confetti raining down, and the Geordie hero grinning from ear to ear as he stood arms-wide in front of a sky full of stars and a crowd full of love.
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Sam Fender at Wythenshawe Park wasn’t just another tour date. It was a love letter to the North, to music, to the fans that got him here – and to the ones still screaming every lyric just like we do in our bedrooms.
Let’s hope the park’s grass recovers. We might need it again next summer.
You can line dance to Lily Allen’s West End Girl in full right here in Manchester
Thomas Melia
After a fun way to kickstart the New Year? Some people might suggest hobbies like ‘Tennis’, but how about a line dancing class playing Lily Allen’s new album in its entirety – we know which we’d rather do.
Grab your nearest ‘Nonmonogamummy’ or take ‘Madeline’, if you know one, because there’s a line dance class where you get to line dance to Lily Allen’s West End Girl in full right here in Manchester.
Hosted by Red Rodeo Club, a queer line dancing group based in Manchester, who have hosted monthly artist-inspired events city wide including Chappell Roan, Beyoncé, Charli XCX and more.
This troupe even managed to line dance all the way to one of Manchester’s most reputable LGBTQIA+ nights of the year, performing on the Archive stage at Homobloc just last month.
Now, Red Rodeo is returning with another special night that is sure to interest all the West Endand North West girls across Manchester, as it prepares a Lily Allen line dance spectacular later this month.
If you’re ‘Ruminating’ about attending this event, there’s absolutely no pressure or dance experience needed as the group prides itself on providing ‘classic boot-scootin tutorials with a party vibe’.
You’ll definitely be in good company regardless of your dance partners, as hosting the event is Violet Blonde, known for their extraordinary outfits and love of Country icon Dolly Parton.
We’re already onto a winner…
Your dance instructor for the night is the remarkable Shanika Sunrise, a rapper and producer, who boasts a seriously impressive roster of acts they’ve opened for, including Chappell Roan, Cupcakke and Moonchild Sanelly.
Opportunities like this aren’t always feasible for everyone, which is something this line dance group is aware of as they’re offering a ‘Red Rodeo Club Low Income Ticket’, suited for students, unwaged and disabled attendees.
Red Rodeo Club is bringing the ‘Lily Allen edition’ line dance class to Fairfield Social Club in Manchester on Thursday, 29 January 2026, from 7-10:30pm.
If you’re interested in grapevine stepping or electric shuffling your way to the Lily Allen West End Girl line dance event in Manchester, you can find tickets HERE.
The smash-hit daytime rave where you can still be in bed early is returning to Manchester
Clementine Hall
That’s right: Day Fever, the daytime rave designed to still get you tucked in at a reasonable hour, is coming back to Manchester city centre this year.
Following their biggest raft of shows across the UK and Ireland in 2025, the smash-hit night out that is very much aimed at those of us 30 and over – but fellow sleepy heads are obviously more than welcome – Day Fever are targeting big things in 2026.
Launched in early 2024 by actress Vicky McClure and Reverend & The Makers frontman, Jon McClure, Day Fever has become a cultural sensation.
From its debut in Sheffield to a tour that sees thousands of ravers hitting the dance floor each month, the message is clear: people want to dance and let loose, but still be in bed before 9pm – and let’s be honest, who can blame them?
The founders (L-R): Jon McClure, James O’Hara, Jonny Owen, Vicky and Chris McClure. (supplied)
Running from 3-8pm, Day Fever provides a proper night out that doesn’t completely write you off for the entire weekend.
“It started as a WhatsApp idea”, says Jon McClure. “Jonny just said, ‘A daytime disco, how good would that be?’ We’re all a bit nuts, so we just said, ‘Come on then!’”
“It feels like a massive house party at your nan’s,” laughs Vicky. “No drama, no egos, just people acting daft, getting dressed up, and having the best time.”
From here in 0161 and our mates over in Leeds, to Newcastle, Glasgow and many more, each Day Fever event has its own unique flavour.
There’ll be local DJs who know their crowds keep the energy high with a nostalgic mix of Northern Soul, disco, indie, and 90s classics. “Manchester goes mad for Oasis,” says Jon, “and if Vicky’s there, we have to play Whitney, it’s non-negotiable!”
For starters, just look at the turnout they got over Christmas: