Audio

Review | Sam Fender headlines an unforgettable night at Wythenshawe Park

He really is box office, isn't he?

Harry Quick Harry Quick - 17th August 2025

In the beating green heart of South Manchester, Sam Fender delivered a night for the books at Wythenshawe Park – swapping the safety of arenas for something far more raw and electric under the open sky.

The Geordie hero – now a household name and one of Britain’s most beloved live acts – took to the stage with the confidence of someone who’s played stadiums, but the humility of a lad still jamming with his mates in a garage. And if you thought he’d rest on the hits, think again.

But before he unleashed his arsenal of chart-toppers, support from Bugman, Charlie Noordewier, and Olivia Dean warmed things up. Dean was the name on everyone’s lips, with an almost sell-out capacity turning up for the East London star who released her latest track ‘Man I Need’ on the same day.

Hits like ‘Nice To Each Other’ and ‘Dive’ got people in the swing, but – it has to be said – there was a glaring omission of ‘Rein Me In’, Sam Fender’s tune which featured Dean on an updated chorus! I think when people were heading for the exits at the end of the night, some stayed in their spots waiting for the inevitable classic that never came…

A track from his 2021 album got us going with ‘Angel in Lothian’ opening the show for the very first time – a bold move, but the right one. Fender, bathed in flashbulbs, delivered the track with aching intensity, and from the first note, Wythenshawe knew it was in for something special. No crowd warm-up needed. They were going for it tonight.

Then came the EP sledgehammer: ‘Spice’. The pit ignited. Flares. Flying pints. Lads and ladies on shoulders. Chaos in the best possible sense. Fender grinned, clearly feeding off the Manc crowd’s energy. “It’s good to be back, Manchester!” he shouted. And we believed him.

‘Will We Talk?’ and ‘Getting Started’ kept the tempo going for the opening of the set – indie anthems bouncing off the trees like echoes from another era. Then came ‘Arm’s Length’, pulling things inward, a slower riff from the most recent People Watching album, and definitely a fan favourite, as evidenced by the number of streams.

A reminder that Fender’s strength lies not only in volume, but can also pull out his softer side.

But in my eyes, it was ‘The Borders’ that provided the most memorable moment of the night. Mid-song, Sam invited a young fan, guitar in hand, on stage. Together, they nailed the song’s dramatic crescendo that speaks about Fender’s homelife growing up. Thousands watched, phone lights up, cheering on a moment that’ll surely live in that kid’s head forever.

More People Watching material followed, including the haunting ‘Crumbling Empire’, giving us shades of Springsteen, which landed with a weight that silenced even the chattiest of crowd members. Then, halfway through the set, ‘Dead Boys’ brought it all crashing back – Fender’s OG storytelling at its most harrowing, the crowd singing every word with defiant pride. One of my all-time favourites!

As dusk gave way to darkness, ‘People Watching’ and the thunderous new single ‘Tyrants’ brought a fresh edge. Fender was in his element, throwing himself into each lyric like it was the last song he’d ever play.

But the true peak? ‘Howdon Aldi Death Queue’, with its extended outro! It’s jaw-droppingly good. I’m calling it the North East’s equivalent to ‘Free Bird’, and those comparisons can’t be named lightly. The guitar solo roared across the park like a jet engine, Hendrix by way of North Shields, with saxophones soaring and the band absolutely letting rip. It was glorious noise. Controlled chaos. Pure rock.

Just when you thought he’d played every card, ‘Alright’ made its tour debut. The crowd reacted like it was an old friend returning home. It fit seamlessly – big, bold and born to be played live.

And then, the emotional punch: ‘Spit of You’, a quiet and tender account of a relationship between dad and lad, before the inevitable eruption of ‘Seventeen Going Under’ to close. Undeniably one of his best tunes, it literally takes you back to traversing adolescence, standing in a park, drinking tinnies, listening to your favourite music… oh wait!

Just when the dust seemed to settle, Fender and the band returned one last time for a thunderous encore. And what better way to close out a legendary night than with ‘Hypersonic Missiles’; pyrotechnics blazing, confetti raining down, and the Geordie hero grinning from ear to ear as he stood arms-wide in front of a sky full of stars and a crowd full of love.

Sam Fender at Wythenshawe Park wasn’t just another tour date. It was a love letter to the North, to music, to the fans that got him here – and to the ones still screaming every lyric just like we do in our bedrooms.

Let’s hope the park’s grass recovers. We might need it again next summer.

Oh, and whilst you’re here, why not see some of the scenes from Fontaines D.C. on Friday night?…

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Featured Images — The Manc Group