A life-saving study set in memory of Girls Aloud star Sarah Harding has seen her lasting legacy extend far beyond music, as now women across the country are getting cancer tests more frequentlythanks to the research.
Funded by The Christie, The Sarah Harding Breast Cancer Appeal began its first phase of the BCAN-RAY (Breast Cancer Risk Assessment in Younger Women) back in May 2023.
Led by Dr Sacha Howell, who was Harding’s consultant, the work explores risk factors and creates personalised early screening options for women as young as 30.
This is extremely important as currently women are only invited for routine breast screenings every three years from 50 onwards. Awareness and being proactive are just as important as research.
Sarah Harding, who passed away in 2021, has a dedicated mural in her hometown of Stockport.Credit: The Manc Group
The studies set up in Sarah‘s legacy are vital now more than ever as breast cancer is the leading cause of death in women aged 35-50 years in the UK.
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These more frequent and routine checks from a younger age will be vital, especially since an estimated 10,000 women a year are diagnosed under 50.
The BCAN-RAY study has recruited 500 women aged between 30 and 39 years old, who have had their risk assessment appointments.
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Out of this number – 404 patients have been given their risks – 316 as ‘average risk’ and 88 were found as ‘increased risk’.
88 were found as ‘increased risk’ with 58 of these receiving telephone calls to discuss further implications and discuss strategies to reduce this such as diet, exercise and medication.
So far 18 women have had their first mammogram, with no recalls or cancer identified. Following this, each woman is offered regular screening every year until their NHS breast screening starts at age 50.
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Dr Sacha Howell commented, “We’re really confident that we have a system that is working, from the results so far, which is great news, these findings mean that we may be able to offer personalised ways to predict and prevent breast cancer more widely in the population in future”.
Girls Aloud featured a glorious tribute to Sarah Harding each night of the show.The lovely Sarah Harding singing to Manchester one last time.Credit: Audio North
In 2022, The Christie art and relaxation room received a wonderful makeover from proceeds raised at the Primrose Ball organised by Girls Aloud.
Within this room, visitors can find a lovely framed picture of Sarah Harding with the quote, “The darkest nights produce the brightest stars” and with all the work accomplished so far, we couldn’t agree more.
If you would like to show your support and help fund this life-changing research set up in Sarah’s legacy, you can donate HERE.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Thomas Melia -
20th March 2025 
