Tuesday night saw thousands head towards the Etihad Campus for two massive events: one of them being Man City playing in the Champions League and the other one, arguably the biggest metal gig of the year as Sleep Token made their Co-op Live debut.
The alternative prog metal group have had an unreal 12 months or so and while the mysterious, masked rockers have actually been around since 2016, the past year has been truly seismic for their now global profile – hence why they were able to sell out Manchester’s biggest arena at the first time of asking.
Bands don’t just walk into places like the 23,500-capacity Co-op Live arena; anyone playing gigs of that size needs to have earned a rather massive audience in order to do and, in the case of this particular artist, that following feels a little bit more cult-like and fanatical.
We mean that in the nicest way possible, by the way, and we now well and truly have faith in the musical and slightly macabre church of Sleep Token. It all started with an unforgettable intro.
Actually, first off, we have to give a huge hand to warm-up act Bilmuri. We were admittedly almost just as excited to see these guys for the first time and they pulled an absolute blinder landing the support slot for this modern metal gig as, much like the main event, their music is just a bit different.
ADVERTISEMENT
In the same way that Sleep Token aren’t just straight-up heavy, thrash, death or any particular kind of metal for that matter, neither are Bilmuri. For one, they’re straight-up hilarious, with frontman Johnny Franck spending lots of time both cracking up and ‘cranking’ up the crowd by ‘the hog’ in between songs, amidst playing a mix of alternative metal, post-hardcore and pop-punk.
The various genres being fused on stage are truly wild. Growling and Kevin James at the Daytona 500 samples (yep) are followed by everything from catchy pop choruses to wonderful jazzy solos from their incredible saxophonist and backing singer Gabi Rose, and that’s just the tip of the iceberg. Point is, us fans in the crowd may have only been few, but it worked because their style is every bit as sprawling.
ADVERTISEMENT
Bilmuri will be back playing the Ritz here in Manchester in March of next year; we sincerely recommend you give them a listen and grab a ticket because they were just non-stop fun. We can only imagine how good value for money a full headline show in a smaller venue filled their listeners is. Now onto the ‘cult’.
Sleep Token took Manchester to mass
Although the London-formed five-piece has fully lent into this whole semi-religious angle – even labelling attendance to one of their gigs and singing along to the often celestial vocals of their once anonymous frontman as ‘worship’ – it’s a theme that’s sadly been used as a stick to beat metalheads with in the past.
There is undoubtedly a gothic and somewhat satanic element to their aesthetic, especially on the face of things with the painted black arms, Japanese-influenced masks covered in ritualistic markings and dripping with blood etc., but when you actually look beyond the surface it’s simply good world-building.
ADVERTISEMENT
Lead singer ‘Vessel’ (all of the band members go by specific monikers) had his identity figured out not too long ago, but the whole idea of his overall style, purpose and allure is that he’s supposed to be the physical embodiment of something bigger and a conduit within the wider Sleep Token lore.
Oh yeah, this stuff is super detailed.
Most notably, though, it was probably the visuals overall that really struck us the most. It wasn’t just in looking at the various slightly demonic-looking characters on stage and hooded figures that served as the most enchanting backing singers, it was the utterly stunning production levels.
When we say it was possibly the most impressive use of lighting and effects we’ve come across in our many years of gigging, we’re not exaggerating. From that incredible entrance and hanging LEDs dripping with colour throughout slow songs, to the smoke literally creeping along broad beams of light like some kind of ghostly presence, it felt like we were in a trance at several points throughout the gig.
Mesmerising (Credit: The Manc Group)
Metal isn’t just lots of aggressive guitar and drums – at least not any more
It was in moments like this that we were taken aback by just how wholesome the crowd had been all night – again, something that heavier rock gigs never get credit for. In fact, a current trend at metal shows is for people to hold up pictures of their cats and that was exactly what we walked into. Adorable.
ADVERTISEMENT
The point we’re getting at is that while this particular show had plenty of headbanging of course, especially with how insane some of the bass and drum work is in Sleep Token’s many breakdowns, Co-op Live wasn’t pure moshpits and carnage. Far from it, to be honest.
When those aforementioned lights were tracing around the massive arena, we constantly found ourselves looking around the room and staring up at the sky, before immediately noticing thousands of other people doing the same. There were just as many heart symbols in the air as there were devil horns.
Phone torches were held high during ‘Euclid’ and the room lit up like a night sky. That’s nothing at gigs these days, we know, but it’s worth noting just to put things into perspective for those who may have long misunderstood the metal crowd, ‘moshers’ and ’emos’ – whatever meaningless word gets thrown around most these days.
Who wore it better?He truly was a godly figure up there on that stage at times.Cosplays and a Manc choir? There was nothing ‘devil-worshipping’ about this crowd, they were wholesome AF. (Credit: The Manc Group)
The highlights were as you would expect if you’re a fan: ‘The Offering’ got those grumbly distorted guitars in nice and early, ‘Granite’ had everyone from the goth girls to the middle-aged blokes doing their very best sexy dance; ‘Alkaline’ put literal chills on our spine – as did all of the vocals from start to finish.
It may have just been our ears playing tricks on us but Vessel’s voice and quivering hands were so full of emotion that we swear we could hear him crying through the lyrics on more than one occasion. Whether for the pageantry or not, there were plenty of very real people smiling up at him with teary eyes.
ADVERTISEMENT
You’ll never hear quite as much genre-bending as you do in ‘The Summoning’ and watching everyone change gears from just pure, no-nonsense heavy metal to grooving out to the sudden shift to funk rock was a real joy. It was probably the standout of the whole night, but it was a triumph all-round.
We’ve been enjoying Sleep Token from afar for a while now and always really appreciated how technically impressive and groundbreaking the music felt, even just on a pure sonic level, but it’s only now we’ve been to one of their shows that we think we ‘get‘ the obsession and why more and more followers are flocking to see them live in the flesh.
Call it unique, strange, disturbing — call it whatever you want, the fans couldn’t care less. It was a pseudo-religious experience for a lot of people in that room and while it may take us a while to fully convert, we’re very open to the concept. Even if just for that magical intro alone, to be honest.
Live music has always been like church to us, so we can always get behind hero-worshipping like this.
An incredible performance of Marvel’s ‘Infinity Saga’ by a live orchestra is coming to Manchester
Danny Jones
If you’re a massive Marvel fan or just love the full body, sweeping sound of a live orchestra, then this one is for you, as an audio-visual concert experience of the ‘Infinity Saga’ is coming to Manchester.
‘AVENGERS!… Assemble…’
Whatever you make of superhero films and TV, one thing that never comes into question in these titles is the music: it’s always powerful, uplifting, moving, sometimes chilling and the absolute epitome of what it is to sound cinematic.
That being said, there is no bigger movie franchise on the planet than the Marvel Cinematic Universe (MCU) and now you can witness the awe-inspiring soundtracks behind their 23-film collection of films played in person by the Novello Orchestra right here in our hometown.
After first debuting back in August 2024 at a sell-out Hollywood Bowl – which saw the Los Angeles Philharmonic Music and Artistic Director Gustavo Dudamel bring the iconic scores to life on stage in front of thousands of movie and music fans – the comic book characters are superhero-landing in Europe.
Better yet, 2025 also marks the debut UK tour of Marvel Studios’ Infinity Saga Concert Experience, with just six lucky cities being selected to enjoy the show; two London shows have been announced along with two in Scotland, but you can bank on Manchester being the best. It always is.
Set to take place at the veritable entertainment institution that is the beautiful Bridgewater Hall for just one night only, audiences will be treated to movie scores from The Avengers, Iron Man, Black Panther, Black Widow, Thor, Captain America, Captain Marvel, The Incredible Hulk, Ant-Man and MANY more.
Showcasing original compositions by the likes of Alan Silvestri, Danny Elfman, Ludwig Göransson, Michael Giacchino, Ramin Djawadi and several other classical experts who have created unforgettable cinematic soundscapes, it promises to make the hairs on the back of your neck stand up.
Here’s just a glimpse of what you can expect:
The best audio-visual moments in Marvel history performed by a live orchestra in Manchester – it’s a sci-fi/fantasy fan’s dream.
Officially licensed Disney Concerts and in full collaboration with Marvel Studios’ live experiences team, the Hall will get to enjoy a unique way of not just rewatching but truly reliving some of the most legendary sequences and sounds from all 23 films in the MCU’s unparalleled Infinity Saga.
Without giving too much away, we think it’s fair to say you can expect the performance to culminate in one of the best movie moments and all-time greatest live cinema experiences: Marvel’s magnum opus and conclusion to the saga, Endgame — it feels strange to think that was 2019 by the way.
The Infinity Saga Concert Experience comes to Manchester on 8 June and tickets will be available from 10am this Friday, 7 February. You can get ready to grab yours HERE.
Videogame fans can expect a similar live score experience coming to another magical venue later this year too.
Featured Images — The Manc Group/Press Image (supplied via Bridgewater Hall)
Audio
Five Manchester artists we’ve been listening to this month | January 2025
Danny Jones
Happy New Year! Can you really get away with that at the end of January?… Who knows?
Either way, 2025 is underway and we just know it’s going be another fantastic 365 days for music.
If you’re new here then first off, hello – we appreciate you clicking and hope you’ll be back here on a regular basis; secondly, for those of you who joined us in 2024, you know the drill: every month we put together a list of Greater Manchester music we’ve been listening to over the past few weeks.
It is to our perennial sadness that we’ll never be able to ‘complete’ all of the music that will ever be released in the world, but we can certainly give keeping up with everything 0161 is doing and has done a good old go or so help us, almighty tunage gods! Enough pratting about, let’s get stuck in:
Five Manchester bands and artists we’ve been listening to recently
1. Casino Club
Ok, landing our inaugural artist nod of 2025 is a group we truly believe is going to go very far this year and part of what is a promising new creative boom down the road in the WN postcode area.
That’s right, we’re heading to Wigan first and foremost and giving a very big shout-out to local band, Casino Club, who are helping spearhead the next generation of music coming out of the Greater Manchester borough. This isn’t just indie rock, it’s indie rock and roll that we’re very excited about.
With rip-roaring guitar riffs that hint at everything from Green Day to Sterephonics and Catfish, as well as frontman Marcus Grimshaw’s fantastic vocals, they’ve struck an infectious and extremely listenable balance already. As for songs, there are plenty, but we’d say start with ‘The Fear’, ‘Kick a Hole Into the Sun’ and ‘Runaway’.
Buzzing to announce our new single ‘Begging You’ will release on 14•02•25
Oh yeah, we do old bands too; this series is just as much about spotlighting perhaps forgotten or underrated Manc music as it is about the new blood and The Chameleons are a great example of that.
The Middleton-formed band came to the fore at the start of the 80s when so many other massive names were coming through the Greater Manchester scene, so it was hard to carve out even a slither of the spotlight let alone one rivalling the likes of The Smiths, New Order, Inspiral Carpets and so on.
But make no mistake, this lot are still going strong, with a die-hard following eagerly awaiting their new album. It might sound like a sweeping generalisation but their sound does typify that era. Most will start with ‘The Swamp Thing’ but their 1993 debut album Script From The Bridge is still their best.
Now up next is a singer-songwriter and chief Manc music queen in charge of ‘devastating alt-pop’: her words, not ours – though we do to tend agree and heartily recommend you give her a listen. She’s actually been going since 2016, unbelievably, but she’s gaining more and more traction year after year.
The BIMM graduate was actually born over in Lytham St Annes, Lancashire, but she’s been studying, living and making a new for herself here in Manchester for a good long while now, so yes, we’re absolutely claiming her as one of our own – especially after becoming a Neighbourhood Festival fave.
Her style has definitely evolved but, more importantly, there’s no genre she won’t put a distorted electronic twist on. At present, you’ll get notes of St Vincent, 070 Shake, MARINA and more; ‘Break My Heart’ and ‘Lucky Me’ make for the perfect starting point and ‘IDK’ was on Killing Eve. ‘Nuff said.
Our penultimate pick for January is the iconic electronic and techno outfit 808 State, who made new waves with their sound in the late 1980s, well into the 90s and are partly still going to this day.
If you’ve never come across them before, their influence on modern electronica and the wider dance music is massive, not only being labelled among the pioneers of acid house but former member Gerald Simpson (A Guy Called Gerald) went on to lay the foundations for what would go on to become jungle.
That’s right: we have them to thank for not just drum and bass but many sub-genres of electronic music as a whole. With such and varied long career (even if it’s only co-founder Graham Massey now) there’s plenty to enjoy: ‘Cübik’, ‘Spanish Heart’, and the Bicep remix of ‘In Yer Face’, just to name a few.
They took their name from the Roland TR-808 drum machine, which also played a big role in revolutionising modern music production.
5. The Falls
Last but not least, we’re giving an early seal of approval to a young bunch of lads going by ‘The Falls’ and while they might not sound anything like the predecessors from Prestwich – with which their name differs only because it’s a plural – we’re hoping they’re bound for similar success.
Hailing from Salford, this fledgling four-piece has barely even got going yet but they’ve definitely got a good feel for the indie warehouse from the off and
They’ve only released four songs thus far too, so you can get on board with these boys early doors. ‘The Millionth Time’ and ‘Waiting For Yesterday’ promise lots of solo showing off in the future, and the loose-wristed main riff on ‘My mind’ almost reminds us of the fast-paced part of ‘Shiver’ by Coldplay before turning into something very different. We look forward to seeing where they go.
And just like that, the first Manc artists of the round-up of the year is all said and done – we hope enjoyed it and at least we’re introduced to a couple of names you haven’t come across before.
That’s basically how it works: we’ll be back here, ‘same bat-time, same bat-place’ every month with another batch of Manchester bands, solo artists and more for you to feast your ears on.
Until next time, you can get stuck into our final round-up from 2024 down below, not to mention all the others from last year and, as always, keep your eyes peeled on Audio North for all the big and interesting music news.
Oh, and of course, if there are any Manchester artists that you think we should check out then let us know in the comments.