This time last month, South Korean star, SHINee and SuperM boyband member, Taemin showed Manchester the real meaning of ‘The Rizzness’. It was our first K-pop gig and won’t be our last.
Normally, if you ask me what I’m getting up to on a Tuesday night, I’d respond with the usual: “Nothing.” Ask me this random but eye-opening night back in March 2025, and I’d say, “Watching the ‘Ephemeral Glaze’ tour”.
Opening with a song labelled ‘Déjà vu’, ironically, felt from the truth, as the minute the performer stepped onto the stage, the whole crowd was watching what felt like an all-new spectacle come to life – even for some of the already inducted K-pop fans inside the AO Arena.
Following up with ‘Guilty’, I’d be lying if I told you we didn’t love this performance. It wasn’t overshadowed by that unbelievable grand opening either – if anything, it was even better.
A majestic pose from Taemin at AO Arena in Manchester, performing to a lively crowd.Credit: Audio North
This was a setlist that just keeps on giving: after this, ‘Advice’ greets our ears and fans erupt in various screams and cries, to which Taemin, 31, certainly appreciated.
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It’s high energy through and through, as the next song, ‘Idea’, felt like the missing piece of the jigsaw puzzle for those of us not so used to this kind of music, well and truly captivating the Manc crowd.
Closing what was merely his opening segment with this song was definitely a good ‘Idea’… (sorry).
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Its title may draw from a comedic viral term used to describe someone with great flirting skills, a.k.a. ‘rizz’, but ‘The Rizzness’ is no laughing matter.
Fans caught on quickly, and as soon as the first note was pumped out into the arena, the atmosphere reached whole new heights and those familiar screams at an other-worldly pitch returned.
I never thought I’d see the day where AO Arena screamed, “You know I got the rizz, the rizzness”, but there’s a first time for everything, I guess.
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Taemin and his dancers were electric at AO Arena.Credit: The Manc Group
Being from Korea, 31-year-old Taemin tried his best to communicate with the crowd throughout the night, taking breaks after back-to-back performances to gauge the audience’s reactions.
The South Korean superstar didn’t take long to warm up to the crowd and showed off his cheeky side, telling the arena, “Only 4 more songs” before finishing the sentence with “I lied”.
‘Criminal’ had me and the rest of Manchester weak in the knees; the choreography was flawless throughout, but this was a true highlight. Ending with ‘Say Less’, Taemin knew exactly what he was doing, putting a song that catchy right at the end, as this was all that replayed in my head on the train home.
Put it this way, we may still be relative newbies to the world of Korean pop music, but with another big name heading to Manchester, we’re definitely keen to find out more.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Thomas Melia -
19th April 2025 
