Legendary blues band, The Black Keys, are heading back to Manchester next year, set to play Castlefield Bowl for the very first time. This one’s a biggie.
As the latest headliner announced for Sound of the City 2025, the soulful Ohio rock and alternative duo are returning to 0161 for the third year running, having swapped the AO Arena for Co-op Live this past May, but now they’re set to tick another huge Manc venue off their list.
Confirmed amongst plenty of other big music news released on Monday, 2 December, The Black Keys will be heading to the Bowl as part of a new UK and European tour, with many of the dates including festival slots all over the continent.
While Manchester’s annual outdoor festival has seen some big names in the past, getting an act that boasts this kind of prestige and influence is a huge coup for Sound of the City (SOTC), the lineup for which already looks pretty stacked as it is.
Legendary rock duo @theblackkeys have just announced a run of outdoor headline shows across July 2025 🕺
The Black Keys released their 12th studio album, Ohio Players, back in April: a record heavily inspired by the vibe of band members Dan Auerbach and Patrick Carney’s ongoing ‘record hang’ parties, which have become just as big a deal as their live shows themselves.
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Hailed by Rolling Stone, who wrote, “Whether they set their retro-rock wayback machine to Memphis in the Sixties, the Midwest in the Seventies, or Manchester, England, and L.A. in the Nineties, it all flows together like a beautifully paced DJ set”, their latest here took place at YES over on Charles Street.
The album itself – met with vast critical acclaim (including Audio North‘s humble opinion) – was re-released as an expanded Trophy Edition on 15 November and features collaborations with everyone from our very own Noel Gallagher to Beck, Greg Kurstin, Juicy J and more, earning another Grammy nod too.
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Even more excitingly, their latest collab on tour will see the mighty Miles Kane join them on the road for all three UK dates, meaning Castlefield Bowl will welcome the Birkenhead-born solo artists and Last Shadow Puppets star too. What a billing that is.
The other two shows held here on British shores will be at Alexandra Palace Park in the capital and over at Millenium Square as part of Leeds’ Sound of the City lineup for next year.
With a new music video for their latest single ‘Sin City’ having just debuted too, it’s well and truly going to be a Black Keys-heavy day on the office playlist.
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General admission goes live this Friday, 6 December at 9am but fans can also get exclusive presale access which will begin at the same time on Wednesday morning (4 Nov).
You can get ready to grab your tickets to see The Black Keys at Castlefield Bowl and what will no doubt be one of the biggest shows of the summer on HERE – we’ll see you there.
Meanwhile, Manchester’s month-long music series over at its iconic amphitheatre just keeps getting better, with a whole host of UK and global favourites now confirmed for SOTC 2025.
Featured Images — Larry Niehues/Press Image (supplied)/The Manc Group
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Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Danny Jones -
2nd December 2024 
