UK hip-hop, garage and grime icons The Streets have become the latest act confirmed for the Sounds of the City musical festival 2026, announcing a huge outdoor gig in Manchester as part of their shows next summer.
One of the most influential bands in the space, having inspired countless others in adjacent genres over the past couple of decades, The Streets are up there with some of the biggest names to ever book Castlefield Bowl.
Revealing a brand new UK tour in line with a special album anniversary, which features just a handful of domestic live dates, we’re counting ourselves very lucky to be on the list.
Big news! The Streets @mikeskinnerltd will perform 'A Grand Don’t Come For Free' in full for the first time at Manchester Castlefield Bowl & @Yourallypally Park in July 2026 🔥
Set to play the fan favourite amphitheatre for the second time, the 46-year-old frontman and legendary British producer is bringing vocalist Kevin Mark Trail, guitarist Rob Harvey, and a number of other regular session players along for the ride.
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Other cities being treated to the experience include the likes of London, Bristol and our mates over in Leeds, too.
The tour itself is to mark 20 years since the release of their seminal second album, A Grand Don’t Come For Free, which remains arguably their most important work.
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Skinner and his mates join the likes of The K’s in being the first to join the lineup for Sounds of the City 2026; safe to say it’s already off to a good start.
An incredibly well-received follow-up to their already impressive debut, Original Pirate Material, the much-loved 2004 LP is set to be played in full for the first time EVER.
Speaking on the milestone, Skinner said:“A Grand Don’t Come For Free was a moment in time — for me, and for everyone who grew up with it. I wrote it as a story from beginning to end, even studying screenwriting to shape it and without the faintest idea how people would react.
“We’ve been looking for something bold to do with the live show, and we landed here: some tracks have never been played live, others haven’t surfaced in years.
“It’s a new challenge to bring the whole journey to life on stage, but I have an incredible band, and we always give everything every night. So I’m certain we’ll make finding out what happened to that thousand quid a party every night.”
You can see the full list of shows down below.
The Streets live UK tour dates 2026
Friday, June 26, 2026 – Dreamland – Margate
Saturday, June 27, 2026 – Bristol Sounds – Bristol
Saturday, July 18, 2026 – Alexandra Palace Park – London
Thursday, July 23, 2026 – Ludlow Castle – Ludlow
Friday, July 24, 2026 – Kirkstall Abbey – Leeds
Friday, August 7, 2026 – Audley End Estate – Essex
Friday, August 21, 2026 – Rock n Roll Circus – Norwich
You can get ready to grab your tickets for The Streets live for Sounds of the City at Castlefield Bowl by signing up for exclusive artist pre-sale access, or you can just go for general admission when they go live next Friday, 17 October HERE.
Featured Images — Ben Cannon/Press shots (supplied)
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Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Danny Jones -
9th October 2025 
