One of our favourite live acts we’ve ever seen is coming back to Manchester as Unknown Mortal Orchestra are set for a stunning return to the city – and at one of our most beloved venues, no less.
The New Zealand psychedelia-infused rock and indie outfit may not be on everyone’s radar just yet, but the genre-bending outfit is comfortably up there with some of the best we’ve ever had the privilege of seeing in the flesh.
Currently based in Portland, Oregon, in the States, Unknown Mortal Orchestra (UMO) is fronted by multi-instrumentalist and visionary experimentalist producer, Ruban Nielson, who first began the project on his own over a decade and a half ago.
Closer to a three-piece these days, you won’t find many bands that boast a collection of such varied and talented musicians, and they’re heading to Albert Hall.
As detailed by Albert Hall themselves, this show is also just one among a very small handful of dates here in the UK as part of their run of shows across Europe.
ADVERTISEMENT
Other shows include one on the night following their Manchester gig over in Yorkshire, which our friends at The Sheff will no doubt be buzzing about, as well as on opening night at Barrowland in Glasgow ahead of a four-show residency in London.
Dubbing their work as nothing short of “psychedelic mastery” (we couldn’t agree more), the iconic live music space will be welcoming them early next year after landing on the mainland continent.
ADVERTISEMENT
Other stops on the 2026 Unknown Mortal Orchestra European tour include Lithuania, Latvia and Poland; Germany, Denmark, Norway, Sweden, Holland, Belgium and Paris.
Now consisting of Nielsen, bassist Jacob Portait, and often Ruban’s brother as well as fellow singer-songwriter, musician and engineer, Kody Neilson – also known for his work with The Mint Chicks, Opossom, Silicone and more – all of whom are as talented in the studio as they are on stage.
They also happen to have one of our favourite Tiny Desks of all time.
ADVERTISEMENT
Sorry, but this HAS to be up in there in the top 10.
The London residency already looks to be in high demand, so you can bet their only date here in Manchester and at a venue like Albert Hall will sell out extremely fast.
As well as an entirely instrumental outing earlier this year, UMO also dropped their latest EP entitled CURSE back in June, and it’s fair to say it’s some of the most ‘out-there’ material to date.
If you haven’t listened to it yet and are just expecting more art-poppy indie bops like ‘Hunnybee’, you couldn’t be more wrong…
Unknown Mortal Orchestra play the Albert Hall in Manchester on Friday, 27 March, and you can get ready to grab your tickets right HERE.
The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
Audio
Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Danny Jones -
1st October 2025 
