It takes a lot to cheer up a cloudy Manchester day – but Ziggy Alberts and his sunny Aussie folk proved to be just the ticket last weekend.
Ziggy Alberts is an Australian singer/songwriter whose music follows a very narrative structure. He’s an acoustic artist whose songs include elements of folk and Americana, with most tracks using stripped back instrumentals underneath the his prominent vocals.
For newcomers to this performer and even those who want to learn a little bit more about the star, he has a playlist on his Apple Music profile dedicated to his influences, where you’ll find artists including American band The Lumineers and Irish talent Hozier. The 90’s R&B group En-Vogue even make an appearance in the list with their song ‘Whatta Man’.
But this world tour is not a solo mission. Ziggy Alberts is accompanied by Steph Strings, a fellow Australian, who is supporting him on this 2024 concert run including at his Manchester show.
The 23-year-old even switched her setlist up for the ‘rowdy crowd’ as Mancs proved to be simply too energetic. On behalf of all Mancunians, we’ll accept the compliment.
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The Melbourne-based singer had all grounds covered, with guitar in hand, kick pedal on the right foot and tambourine on the left.
Keeping spirits high, Ziggy opened with ‘Days in the Sun’, with a steady drum kick which built adrenaline amongst the already bubbly crowd. Using the two elements he knows best – his voice and his guitar – Alberts brought the crowd to life, and replaced buses and bustling streets for sun, sand and sea much like the title of his 2014 debut ‘Land & Sea’.
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With 1.35 million Spotify listeners, the 30-year-old singer is no stranger to performing to packed out crowds, performing in this lovely city just over 12 months ago. Manchester’s Albert Hall is one of the city’s many iconic live music venues and Alberts definitely didn’t feel out of place, especially with his own iconic look… that impressive moustache.
Alberts has three rules for anyone visiting his shows “Don’t diss the moustache”, “Take care of each other” and “Sing loud”.
He may live a 24 hour-flight away from the UK, but he made sure to make it his home, rocking the stage with a snazzy rug and no footwear in sight.
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Halfway through the show during an interlude, the Australian star ran off the stage and into the crowd. There’s a real sense of fan-love and this moment proved it. Ziggy created a call and response with an unreleased song titled ‘Where Does The Love Go?’, and fans were all for it.
The show concluded with an encore of three songs, the banjo-laced ‘New Love’ was a real highlight. The song itself opens with Ziggy Albert confessing: “Feels like I’ve been running for most my life,” and when you’re currently embarking on a world tour it’s safe to say this is more than reasonable.
His newest release and also the title of his current world tour, if Ziggy is ‘Making space for new love’ then you could say we’re making space for a permanent residency in Manchester – we don’t want him to leave.
Finishing with the Australian’s 2018 single ‘Laps Around The Sun’, Alberts found himself repeating the lyrics “Oh how much there is left to learn” with echoes from the crowd (Primary School taught us well).
The crowd have been so captivated by this man and his guitar that we didn’t realise almost two hours had passed by, and the singer’s performance had to come to an end.
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What a phenomenal show and as he said himself, he’s ‘done it all independent’.
Government to introduce price cap on ticket touts and launch consultation on dynamic pricing
Danny Jones
The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Justin Timberlake at Co-op Live Manchester was one of countless gigs where ticket prices fluctuated. (Credit: The Manc Group)
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
The Manc music legends themselves claim they had little control over the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
The AO Arena is giving away FREE tickets for a year to celebrate 30 years in Manchester
Daisy Jackson
The AO Arena has announced it’s giving away free tickets for a year to celebrate its 30th anniversary in Manchester.
The iconic music venue has welcomed the biggest names in the world in its three decades, with millions of us making memories for life inside its huge space.
And now you could win VIP tickets for an entire year, simply for sharing those memories with the AO Arena.
Fans who submit their old photos, videos and tickets will be in with a chance to win tickets to all the shows coming up in 2025 – which already includes massive gigs like Kylie Minogue, Katy Perry and Busted vs McFly.
AO Arena wants to dig deep into ‘first gig’ nostalgia territory, using fan-submitted snaps to build a collection of Manchester memories.
Were you in the same room as Taylor Swift, did you party like it was 1999 (because it was) with Spice Girls, did you cry over the sight of Gary Barlow or cry laughing with Peter Kay?
Britney Spears and Beyonce are among the names who have performed at AO Arena in its 30 year history. Credit: Supplied
Whatever your AO Arena memories are, you can share them before the end of the month to be entered into the competition to win VIP tickets for the year.
One overall winner picked at random will get the ultimate VIP experience, including access to a premium suite and The Beautiful North, as well as access to The Mezz with panoramic views of the main stage.
The 30th birthday campaign has been inspired by Adele’s monumental When We Were Young performance at Glastonbury, and all these memories will be projected around the arena before every performance.
You can submit your footage and enter the competition via the AO Arena website HERE.