It takes a lot to cheer up a cloudy Manchester day – but Ziggy Alberts and his sunny Aussie folk proved to be just the ticket last weekend.
Ziggy Alberts is an Australian singer/songwriter whose music follows a very narrative structure. He’s an acoustic artist whose songs include elements of folk and Americana, with most tracks using stripped back instrumentals underneath the his prominent vocals.
For newcomers to this performer and even those who want to learn a little bit more about the star, he has a playlist on his Apple Music profile dedicated to his influences, where you’ll find artists including American band The Lumineers and Irish talent Hozier. The 90’s R&B group En-Vogue even make an appearance in the list with their song ‘Whatta Man’.
But this world tour is not a solo mission. Ziggy Alberts is accompanied by Steph Strings, a fellow Australian, who is supporting him on this 2024 concert run including at his Manchester show.
The 23-year-old even switched her setlist up for the ‘rowdy crowd’ as Mancs proved to be simply too energetic. On behalf of all Mancunians, we’ll accept the compliment.
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The Melbourne-based singer had all grounds covered, with guitar in hand, kick pedal on the right foot and tambourine on the left.
Keeping spirits high, Ziggy opened with ‘Days in the Sun’, with a steady drum kick which built adrenaline amongst the already bubbly crowd. Using the two elements he knows best – his voice and his guitar – Alberts brought the crowd to life, and replaced buses and bustling streets for sun, sand and sea much like the title of his 2014 debut ‘Land & Sea’.
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With 1.35 million Spotify listeners, the 30-year-old singer is no stranger to performing to packed out crowds, performing in this lovely city just over 12 months ago. Manchester’s Albert Hall is one of the city’s many iconic live music venues and Alberts definitely didn’t feel out of place, especially with his own iconic look… that impressive moustache.
Alberts has three rules for anyone visiting his shows “Don’t diss the moustache”, “Take care of each other” and “Sing loud”.
He may live a 24 hour-flight away from the UK, but he made sure to make it his home, rocking the stage with a snazzy rug and no footwear in sight.
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Steph Strings, who supported Ziggy Alberts at the Albert Hall in Manchester. Credit: The Manc GroupZiggy Alberts played at Albert Hall in Manchester last weekend. Credit: The Manc Group
Halfway through the show during an interlude, the Australian star ran off the stage and into the crowd. There’s a real sense of fan-love and this moment proved it. Ziggy created a call and response with an unreleased song titled ‘Where Does The Love Go?’, and fans were all for it.
The show concluded with an encore of three songs, the banjo-laced ‘New Love’ was a real highlight. The song itself opens with Ziggy Albert confessing: “Feels like I’ve been running for most my life,” and when you’re currently embarking on a world tour it’s safe to say this is more than reasonable.
His newest release and also the title of his current world tour, if Ziggy is ‘Making space for new love’ then you could say we’re making space for a permanent residency in Manchester – we don’t want him to leave.
Finishing with the Australian’s 2018 single ‘Laps Around The Sun’, Alberts found himself repeating the lyrics “Oh how much there is left to learn” with echoes from the crowd (Primary School taught us well).
The crowd have been so captivated by this man and his guitar that we didn’t realise almost two hours had passed by, and the singer’s performance had to come to an end.
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What a phenomenal show and as he said himself, he’s ‘done it all independent’.
Chatting the return of Northern Soul live and Orchestrated with radio legend Stuart Maconie
Danny Jones
Ahead of the wildly successful and cult-favourite Northern Soul Orchestrated UK tour returning to the likes of Manchester, Liverpool and more, we were lucky enough to get some time with the man curating the latest run of sensational shows.
Following the success of its debut at the Royal Albert Hall as part of last year’s BBC Proms, what was intended to be a one-off night of music is now a fully-fledged live production coming to the O2 Apollo this winter alongside a small handful of select and equally special venues.
Similarly, the classic Northern Soul tracks being pulled out of the archives are just as carefully hand-picked by radio legend and the event’s much-loved host, Stuart Maconie, a revered veteran broadcaster for the best part of three decades.
Set to take his baby and the brilliant BBC Orchestra on the road once again for four nights only, we sat down with Stu to break down why people are once again going mad for the music and dance movement.
Northern Soul Orchestrated returns this November, how are you feeling ahead of the tour?
Oh, really excited. I mean, the shows so far have been incredible. People always talk up things obviously, but I couldn’t have predicted the level of excitement we’ve got from the crowd.
I mean, it all comes out of that one performance, as you know, that Northern Soul prom at Albert Hall last year, which was just a triumph and almost immediately we all thought, “We can’t only do this once.”
And so we did we did a string of dates in April, including at Factory International in Manchester, and the audiences have been incredible. I mean, this music is music that it’s hard not to love, you know what I mean? It’s passionate, it’s dramatic, it’s brilliant, and people don’t just quite like Northern Soul, you know what I mean? They love it.
There are some real devotees who know every song, and you can see that they know every word of these songs even though they were never hit records.
Yeah, it’s always had a real cult-like following, right?
For sure. These songs mean so much to them because they’ve been the soundtrack of their life since they were teenagers so they’ve grown up to them: they got their first job to them, they got their first partner to them; they got married, they got divorced, they’ve lost loved ones, they’ve lost jobs etc.
I also think they speak about the things that really concern people in their lives. Heartbreak, work, family, and you can see it in their eyes just how much this music means to them.
Having said that, if you’ve never heard a note of Northern Soul, if it’s a baffling mystery to you – less these days than it used to be because back in the day, in the 1970s, it was very much an underground thing; little clubs, people exchanging records almost in secret. That was part of its allure, I think.
You went to these clubs and heard this music that nobody else knew about. You met like-minded people from all around the country so, yeah, it was a real cultish scene. But now, thanks to the internet – although the internet’s got many things to answer for – it’s been great for putting people together like Northern Soul fans.
You can now buy compilation CDs of records that would’ve been as rare as hen’s teeth back in the 70s, so it’s helped ‘keep the faith’ as the phrase goes and spread the word and I’m really excited about it.
Absolutely, and you kind of have the ideal role as curator, don’t you?
Oh yes, I mean, the shows like the April were astonishing, emotional and thrilling, and I’ve got such a great day ahead of me, it’s fantastic.
I’ve got the best job there because yeah, most of the work’s already done; I just sit back and enjoy it basically, yeah. I come on five or six times, I wave and people go mad, you know. The crowd’s having a great time and loving it – I just get a chance to be part of this fantastic party.
It is good and useful to have me there though [he laughs] because you need to set the music in some kind of context and it’s good to go to places and talk a little about their time and their experience of Northern Soul.
All the places we’ve been so far have got their own rich bit of Northern Soul heritage. Manchester, obviously, with the Twisted Wheel [nightclub] – arguably the birthplace of the movement – and I guess there might be one or two people that actually went there then and are now reliving it.
Yeah, I think it’s also having a real renaissance at the minute too – like Northern Soul Nights are a thing once again all over Greater Manchester and beyond, be it in Stockport or under the arches at Thirsty Scholar as it has for years...
—You know it and, more importantly, new generations are hearing it now. It’s a bit like folk music or the Beatles or whatever: new generations hear it and there’s something just so brilliant about the music, it transcends genre, it transcends generation.
Anybody who likes music hears ‘Do I Love You’ by Frank Wilson or these records, and goes “God, this is good”, and it transcends those usual boundaries. I think it’s just quintessentially brilliant pop music.
What is it you think about the genre and maybe the era as well that you think makes it so special? Because like you say it’s not just the music, it’s the aesthetic, the style of movement, the fashion…
Yeah, everything. I think that a lot of it has to do with that cultishness we mentioned. You’re not just getting into a style of music, you’re getting into a way of life in a way, of like-minded people. There’s a lot about friendship and a lot about class, I think, in the best sense of the word.
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One of the things I love about the music, and I say this a lot, is this was music primarily made by working-class Black people in Detroit and New York and American industrial cities in the late 1960s, mid-60s, then embraced by working-class white people in the north and the middles in the early 1970s.
I really love that sense of kinship between those two communities. I think that they have a lot in common and I think it’s important to showcase that. They were people who worked hard, often in demanding jobs that were not well paid, and I think they sang about the things that were true to them, like their lives, their jobs; their heartbreaks, their love lives and their families. I think that’s why people relate to it.
It just looks good too; the dancing’s great and it has a whole associated aesthetic, as you say – a real built-in subculture and you can buy into different bits of it as well. Like, I know some of the big Northern Soul DJs never dance. Yeah. I mean, they’re into the collecting and the curation, but they don’t dance.
In fact, I’ve only very rarely seen some of the top DJs dance. Some people are into it for the dancing, some people are into it for the clothes, some people are into it for just the music.
There are even people who actively track down everything on the Revilot or Ric-Tic label and stuff like that. There’s so much to enjoy and it has a real sense of joy and community at its heart I think.
Yeah, it’s a very upbeat and uplifting scene. Will we be seeing you pulling out any moves at all?
You know what, I think I might do. I’m not sure if I’ve done that yet. The trouble is, it’s a bit difficult for me because, with the best will in the world, if I go out into the crowd while it’s happening, people then want to stop and talk. I’d love to but I’d be there forever, you know, but it is a lovely atmosphere.
At the prom, I snuck out into the bit where the promenade is for a bit during ‘The Night’ by Frankie Valli and The Four Seasons, brilliantly sung by Darrell Smith. It was an amazing moment, I’ll never forget it. The whole other hour that I was on their feet.
I love that. I mean, obviously, you mentioned the debut at the Proms – what’s changed in the production since then?
We’re still talking about what to do for the event dates and it’s a nice dilemma to have. It works so well and you’re taking it to new audiences, so we have been debating do we freshen it up or ‘if ain’t broke don’t fix it’?
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We dropped and added a few songs between the Prom and the live show but we’re still in discussion about what to do because these are new audiences and also a lot of people saw that performance because it was the most watched televised Prom after the annual Last Night of, I believe.
So a lot of people watched it and recorded it; you also don’t want it to disappoint and people do want to have that experience recreated in a live setting, so you don’t want to disappoint them. Last year it was very important to me and Joe [Duddell] that we had the same singers and BBC Concert Hall Orchestra,
I think if people had come along and seen, frankly, an inferior orchestra or an inferior set of singers, maybe they’d have felt shortchanged, so it was important that we replicated as much as we could and that’s what we’re doing. To those who come along and help, we can guarantee you a brilliant night out.
Stu at the helm on stage for the Northern Soul Orchestrated debut in 2023 (Credit: Andy Paradise via supplied)
Yeah, obviously the classics are gonna be a mainstay and you just touched on Joe there, a very talented Manchester local – how special is it to have him on board?
Yeah, so it’s weird now thinking that when we go out and we go on stage and there are waves of love and passion from the audience. I remember in our early Zoom calls where we were just with a big spreadsheet going, “What should we do? What about this Should we put that there?”
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I remember us having those discussions and very quickly realising these songs are really short and that we were going to be doing about 34 songs, so a lot of it was thinking how do we pace it? Because obviously, you could just have banger after banger and have people exhausted after an hour and a half.
Sometimes, you know, you need a little bit of texture – a little bit of tempo change – but by the end, it’s just one big party. It’s amazing to think that we started swapping emails and sending Spotify links to see if this would work and specifics like whether we’d need bassoons, and now we’ve brought it to life.
A lot of it was me saying, “Well, you know Joe mate, I’ll leave that up to you!”
Fair enough haha – but yes, there has to be a lot more hard work that goes into building the set on both ends, surely?
One of our great decisions early on, I think, was we have a band, we have the orchestra, we’re fantastic, but at the centre of the stage we have another little band, so we have a bass a drummer and electric guitars, and that’s really neat because the record themselves had those elements.
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The difference is that when people put orchestras on pop music nowadays, this is how the people who made these records would have wanted them to sound if they had the money back then. The people who made these records back in Detroit in 1966 would have loved to have them sound like this if they could have afforded the BBC Concert Orchestra, so really we’re giving this music the treatment it deserves.
I love that. And yeah, there are obviously some stunning venues to play like the Apollo at the Philarmonic Hall in Liverpool and the beautifully refurbished Stockton Globe – how magical is it for you guys to be playing these venues like so many before you?
Yep, The Beatles and The Stones, Paul Robeson and many others have tread those boards and they’ve all got a really rich and storied history. It’s going to be great and I hope there’ll be many more to come after this as well.
Fingers crossed. Lastly, if you could sum up Northern Soul Orchestrated in three words, what would those three words be?
Featured Images — Charles Patch/Andy Paradise/Press Images (supplied)
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US rapper Ice Spice to play massive Manchester show next month on her Y2K World Tour
Thomas Melia
Things are about to get a whole lot chillier in Manchester next month, as Ice Spice is set for a massive show in our city.
Fresh off-the-back of headlining Wireless Festival in July, the princess of rap is coming back to the UK next month, and will be bringing the world of Y2K to Manchester, taking over one of the city’s most iconic venues.
Ice Spice, who is most notable for her heavy-hitting beats and collaborations with acts like Nicki Minaj and PinkPantheress, will be arriving in Manchester in a couple of weeks time for the first of three UK dates on her world tour.
After stopping off in Manchester, the rapper will also performing in Birmingham and London in November, so us Mancs need to set the bar high first.
The 24-year-old only came onto the rap scene three years ago, and since then has seen herself become a social media music phenomenon – with each drop gaining more traction than the last.
Her recent single ‘Did It First’ features UK drill artist Central Cee, who joined her on stage at Wireless Festival as part of her headlining slot this July, where she wowed a crowd of 50,000.
‘Y2K’ is the name of the rapper’s debut album, not to be confused with the early noughties fashion resurgence of the same name. However, the real meaning behind the project’s name is due to the American star being born on 1 January 2000.
She may only be 5ft 3, but Ice Spice sure packs a punch, and if it’s not her fiery orange hair, then it’s her carefree stage presence that sets her apart from the rest.
O2 Victoria Warehouse has been a hotspot for many artists including Mabel, Aitch and Becky Hill since its rebrand in 2018, and now the 3,500 capacity venue will be housing The Bronx native Ice Spice on Wednesday 30 October.
Tickets are now on sale, with a general admission ticket setting you back £58.35, but there’s also the option to purchase a meet and greet package for £216.35.
Thomas Melia -
6th August 2024 
