It takes a lot to cheer up a cloudy Manchester day – but Ziggy Alberts and his sunny Aussie folk proved to be just the ticket last weekend.
Ziggy Alberts is an Australian singer/songwriter whose music follows a very narrative structure. He’s an acoustic artist whose songs include elements of folk and Americana, with most tracks using stripped back instrumentals underneath the his prominent vocals.
For newcomers to this performer and even those who want to learn a little bit more about the star, he has a playlist on his Apple Music profile dedicated to his influences, where you’ll find artists including American band The Lumineers and Irish talent Hozier. The 90’s R&B group En-Vogue even make an appearance in the list with their song ‘Whatta Man’.
But this world tour is not a solo mission. Ziggy Alberts is accompanied by Steph Strings, a fellow Australian, who is supporting him on this 2024 concert run including at his Manchester show.
The 23-year-old even switched her setlist up for the ‘rowdy crowd’ as Mancs proved to be simply too energetic. On behalf of all Mancunians, we’ll accept the compliment.
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The Melbourne-based singer had all grounds covered, with guitar in hand, kick pedal on the right foot and tambourine on the left.
Keeping spirits high, Ziggy opened with ‘Days in the Sun’, with a steady drum kick which built adrenaline amongst the already bubbly crowd. Using the two elements he knows best – his voice and his guitar – Alberts brought the crowd to life, and replaced buses and bustling streets for sun, sand and sea much like the title of his 2014 debut ‘Land & Sea’.
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With 1.35 million Spotify listeners, the 30-year-old singer is no stranger to performing to packed out crowds, performing in this lovely city just over 12 months ago. Manchester’s Albert Hall is one of the city’s many iconic live music venues and Alberts definitely didn’t feel out of place, especially with his own iconic look… that impressive moustache.
Alberts has three rules for anyone visiting his shows “Don’t diss the moustache”, “Take care of each other” and “Sing loud”.
He may live a 24 hour-flight away from the UK, but he made sure to make it his home, rocking the stage with a snazzy rug and no footwear in sight.
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Steph Strings, who supported Ziggy Alberts at the Albert Hall in Manchester. Credit: The Manc GroupZiggy Alberts played at Albert Hall in Manchester last weekend. Credit: The Manc Group
Halfway through the show during an interlude, the Australian star ran off the stage and into the crowd. There’s a real sense of fan-love and this moment proved it. Ziggy created a call and response with an unreleased song titled ‘Where Does The Love Go?’, and fans were all for it.
The show concluded with an encore of three songs, the banjo-laced ‘New Love’ was a real highlight. The song itself opens with Ziggy Albert confessing: “Feels like I’ve been running for most my life,” and when you’re currently embarking on a world tour it’s safe to say this is more than reasonable.
His newest release and also the title of his current world tour, if Ziggy is ‘Making space for new love’ then you could say we’re making space for a permanent residency in Manchester – we don’t want him to leave.
Finishing with the Australian’s 2018 single ‘Laps Around The Sun’, Alberts found himself repeating the lyrics “Oh how much there is left to learn” with echoes from the crowd (Primary School taught us well).
The crowd have been so captivated by this man and his guitar that we didn’t realise almost two hours had passed by, and the singer’s performance had to come to an end.
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What a phenomenal show and as he said himself, he’s ‘done it all independent’.
Grammy-winning hardcore band Turnstile perform ‘exceptional’ cover of a Stone Roses classic
Danny Jones
In a cover version we never knew we needed, multiple Grammy award-winning hardcore band Turnstile have taken social media timelines by storm with a cover of a true British rock classic by The Stone Roses.
Described as everything from “pretty damn brilliant” and “exceptional” by CLASH Magazine to “one of the best triplej covers ever”, it’s fair to say they smashed it with this one.
This one was always likely to go down well with us Mancs, but you never know how possessive people are going to be with iconic tunes treasured not just by regions but entire eras like this.
Without further ado, please enjoy Turnstile’s cover of ‘I Wanna Be Adored’ by The Stone Roses:
Lost track of how many times we’ve watched this now.
Truly excellent.
Not only did they manage to capture the ambient atmosphere of that legendary intro, but they managed to tow the thin paint-splattered line between simply trying to imitate the original and making it their own.
There’s something about frontman Brendan Yates’ vocals that suits this particular cover so very well right from the off.
We’re, of course, not saying that he sounds like Ian Brown in any way, but his range and top notes, in particular, seemed to fit almost perfectly.
Pair that with a contemporary rock band helping rejuvenate their particular guitar-driven genre, and those raw, driving D-beat-centric drums, and you’ve got a winning combo.
As you can see, the majority of the internet seems to agree with us…
.@TURNSTILEHC step into the @triplej studio to recover their take on The Stone Roses' debut album opener 'I Wanna Be Adored'.
The bulk of social media didn’t just hail the reimagining as one that did Brown, John Squire, Reni and the late, great Mani justice, but perhaps one of the greatest that the popular Australian radio station, YouTube channel and Spotify playlisters have seen in a long time.
In fact, in Audio North‘s humble opinion, we’d go so far as to say this is the best we’ve heard in the platform since their native Royel Otis’ delightful duo of The Cranberries and Sophie Ellis-Bextor covers.
Safe to say it’s been an incredible year for Turnstile, who mopped up all manner of accolades in 2025 and were even nominated for International Group at the BRITs here in Manchester this past weekend. They might not have won that one, but they get all the plaudits from us for their song selection alone.
What did you make of it? Better still, do you have a favourite triplej ‘Like a Version’? Actually, no – scrap that: is there a better cover of a Manc artist‘s track that you can think of?
Featured Images — triplej (screenshot via YouTube)/Silverstone Records
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Harry Styles One Night Only will be strictly phone-free – with thousands of real cameras handed out instead
Daisy Jackson
Harry Styles’ show in Manchester on Friday night will have a strict no-phones policy, it’s been confirmed.
Instead, the lucky few thousand of fans heading to his One Night Only gig will be handed proper disposable cameras to capture moments from the night.
Rumours of a phone ban had been swirling online for weeks after job adverts appeared for extra staff to help promote a phones-free event.
But the news has now been confirmed by the Co-op Live itself, following the announcement that Netflix would be filming the full Harry Styles show.
In a statement, the venue said it hopes fans will ‘take this opportunity to enjoy the show fully and allow yourself to be fully immersed in the experience’.
Any use of cameras, smart glasses, smart watches, or other recording devices won’t be permitted in the venue on Friday night.
Fans will instead have to secure their phones inside recyclable bags, which will allow them to be used in normal ways for communications, but without the camera.
At the end of the night, your phone will be removed from the bag and the bag will be recycled.
Anyone caught using a digital recording device during the Harry Styles One Night Only phones-free show may be asked to leave the venue.
Instead of a sea of phones, Harry Styles will be asking fans to capture their memories from the night on disposable cameras, which will be included with every pair of tickets sold.
Harry Styles’ One Night Only gig in Manchester will be the subject of a Netflix documentary
The statement shared by Co-op Live says: “We are looking forward to seeing you on Friday 6th March to be part of a very special live performance – Harry Styles One Night in Manchester at Co-op Live! We’re pleased to announce Netflix will be filming the full show for everyone to enjoy and re-live again and again, it will be available globally from Sunday 8th March at 7pm GMT.
“We hope you will take this opportunity to enjoy the show fully and allow yourself to be fully immersed in the experience.
“The use of cameras, smart glasses, smart watches and similar recording devices will not be permitted in the event space. Phones will be secured in a recyclable bag, kept on your person upon entry to the event, and will still be able to be used in a normal way including all communication functions but without the camera. All other recording devices will not be permitted in the building.
“At the end of the night your phone will be removed from the bag and the bag will be recycled. Please note that anyone using a digital recording device during the performance will be asked to stop and if they do not, they may be asked to leave.
“Each pair of tickets sold will receive a disposable camera on the night so you can still capture your own special moments and share them after the show.”
Thomas Melia -
6th August 2024 
