It’s rare you get to see legends in real life, especially this up close and personal, but there’s still just one key word that keeps coming to mind when we think of seeing Bruce Springsteen in Manchester at the Co-op Live last night: surreal.
We still can’t quite believe that he was here in Manchester, in the flesh, for three separate nights, but we do intend to replay it in our heads over and over again until it fully sinks in.
Springsteen, ‘The Boss’, Brucey, whatever you want to call him, there really is something to be said for someone who’s been going this long and still exerts so much energy at 75.
That goes for his desperately loyal and dedicated crowds, too. The legions that marched down ‘Thunder Road’ and back down the CityLink walking route and the Ashton canal in supreme spirits after all was said and done gave as good as they got.
We can only assume Springsteen was as incredible on the first night at Co-op Live as he was on the last. (Credit: Audio North)
From singing back every chorus to the chants of “Bruuuuuuuce!” between every single song, it was more apparent than ever that being a Springsteen fan is quite literally a way of life for these people; they know every line, every call and response, every micro-dance move and regular on-stage ritual.
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Each show is roughly three hours long, by the way – he does have an absolute treasure trove of discography to work through, in fairness.
Put simply, there’s no messing about, just non-stop rock and roll of the highest order. Well, there are some brief pauses, but for good reason…
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As a passionate political and philanthropic person throughout a career which spans more than six decades, he took the time to talk about America and the turbulent times they are once again facing.
He spoke about the craven billionaire class, poverty, uniting through art and, just as he did on night one in Manchester, Springsteen railed against a particular tyrant who happens to have found himself in the seat of power yet again back over in the States. He made sure to do this every single night.
‘Born in the U.S.A.’ (which he did decide to play, along with a plethora of the other biggest hits) now feels more like a protest song than ever. The war may no longer be in Vietnam, but there is one raging back home, and he’s even more wary of it than before.
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He thanked those in the pit and the stands for indulging him, as well as the “wonderful space” of the Co-op and its “beautiful sound” for hosting him, but we have a feeling the New Jersey poet could have said just about anything and he’d still have 23,500+ in the palm of his hands.
All that being said, it wasn’t like this was a pseudo-rally or anything like that, nor was anything of this being foisted upon the audience, but there was a real sense of a congregation gathering in the church of Bruce to take in his sermon.
His followers have often been referred to in this way, and despite only previously considering ourselves a very casual Springsteen enthusiast, having now been to a sell-out arena gig with one of the biggest Boss fans we know, we can understand why millions of people around the world idolise this absolute icon.
It goes without saying that a huge amount of applause must go to The E Street Band themselves, who are just as much a part of what makes Springsteen sets so special as he is.
From the ever-charismatic Steven Van Zandt (still hard not to see him as ‘Sil’ from The Sopranos) to Jake Clemons on sax – who has been part of the group since 2012 and shared a touching embrace with Bruce as tributes to his predecessor and uncle, Clarence, played behind them – these lot are a family.
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Our only minor gripe is that we sorely missed hearing ‘Atlantic City’, but what the concert did confirm is that much like the effect the recent Bob Dylan biopic had on us, we’re now more committed than ever to working through the Springsteen back catalogue from start to finish and seeing how obsessed we get.
To end on one final thought and echo the words of the man himself: “peace, love and freedom.”
Alison Moyet has announced a huge European tour, including multiple Northern dates in the UK
Danny Jones
Seasoned British singer-songwriter and pop legend Alison Moyet is coming back to Manchester and more after announcing an extensive run of 2026 EU, UK and IE tour dates.
No rest for the wickedly talented and long adored.
Alison Moyet last visited Manchester in February last year, playing the stunning Bridgewater Hall in support of her latest album, Key, the 10th studio LP of her solo career.
However, now the 64-year-old artist and music veteran is set to play songs from her eighth record, the minutes, as well astracks from her days with Yazoo and more across Europe.
NEW: @alisonmoyet is headed on tour! Playing songs of Yazoo, including cuts from the minutes & Other, with a date at #O2ApolloManchester Fri 16 Oct.
— O2 Apollo Manchester (@O2ApolloManc) March 9, 2026
Moyet (real name Geneviève Alison Jane Ballard) formed Yazoo with ex-Depeche Mode member Vince Clarke in 1981, releasing two albums and becoming one of the most influential British groups of the time.
While clashes on multiple fronts saw the synth-pop duo ultimately break up in ’83, a handful of Yazoo hits like ‘Only You’, ‘Don’t Go’ and ‘Situation’ have continued to crop up in the Basildon-born artists over the years.
Once nicknamed ‘Alf’ as a youth – the same title she gave to her seminal debut album, released the year after the split – the young ‘tomboy’, turned teen punk, then synth, soul and pop act has experimented with everything from electronica to printmaking.
Put simply, she remains just as much of a creative force today as she was back then.
2025 saw her first full headline tour in eight years, playing shows not just here and over in Ireland, but across the mainland continent, Australia and New Zealand.
This current calendar will also see her touring with fellow 80s icons The Human League and Soft Cell on their ‘The Generations Tour’ in the summer – but by the autumn, she’ll be rolling back the years and working through her own back catalogue.
As you can see, as well as coming to Manchester’s O2 Apollo, other dates to see Alison Moyet live in the North this October include the Empire Theatre in Liverpool, Sheffield‘s City Hall, Buxton, Blackpool and several others.
Speaking on the upcoming tour, Alison said: “Many years touring the same pool of songs, and I am keen for a palate refresher.
“Specifying which years I will be fishing from, too, I think, is a grand way to serve potluck for specific tastes. No bones…” Ever the wordsmith.
The domestic pre-sale window here opens at 10am this coming Wednesday, 11 March, with general admission tickets going live at the same time the following Friday (13 Mar); you can get ready to grab yours right HERE.
Oh, and if you were wondering how her live performances sound these days, look no further than her recent Isle of Wight slot.
Featured Images — Publicity picture (supplied)/Hinnerk Rümenapf (via Wikimedia Commons)
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A special The Smiths reissue was cancelled due to a dispute between Morrissey and Johnny Marr
Danny Jones
According to some new information, a special reissue of The Smiths’ debut album was reportedly abandoned due to disagreements between Morrissey and Johnny Marr.
Since the Gallagher brothers have buried the hatchet, guess someone’s got to keep the Manchester music feuding alive.
Yes, as per a high-profile source from Rough Trade, ‘Moz’ and Marr couldn’t settle on one key issue which would have seen the self-titled first Smiths LP re-released for their label and indie record store’s 50th anniversary.
Speaking on the German music podcast, Vinyl &…, one of Rough Trade’s European bosses revealed that aside from not exactly being chummy these days, the band’s two most famous members couldn’t agree on what the album artwork would be.
Whack on English subtitles to see what was said.
Yes, that really was the main sticking point, apparently.
Curt Keplin, who is the managing director for Rough Trade’s EU presence, said that The Smiths were a big part of their golden jubilee/half-century celebrations.
Sadly, The Smiths’ inaugural outing then had to be pulled from the plans at the last minute, with the ‘Smooth Operator’ herself, Sade, taking their place.
Initially set to fly the flag for the 1984 retrospective, Keplin said: “Actually, The Smiths were supposed to be included, but Johnny Marr and Morrissey couldn’t agree on how the packaging should look. So, things remain relatively difficult between those two.”
‘Difficult’ is probably putting it mildly, with Morrissey having long since accused his former bandmate, lead guitarist and co-songwriter turned solo artist, of controlling key rights that could see him tour as The Smiths without him.
He went on to add: “You first have to find an artist who is basically open to it and thinks it’s great and then gives us the rights – or rather, the label then says, ‘Ok, this is now being repressed in a different colour, in new packaging’, and so on and so forth.”
The anniversary stuff first began being compiled last summer, with 2026 being the start of a year-long schedule of limited edition vinyl releases and more – but unfortunately, The Smiths aren’t looking like they’ll be part of it.
While it may seem slightly petty to some, more than anything, it’s probably just symptomatic of the simmering resentment between the two that still remains.
However, fans of either or both have still been treated to Morrissey‘s latest and divisive drop, Make-Up Is a Lie, and Johnny Marr will be coming back to town for a massive homecoming gig at Castlefield Bowl.
Danny Jones -
21st May 2025 
