Well, how now music fans!? We’re back again for February with five more Greater Manchester-based artists, be they new, old or already high-flying, that we’ve been listening to over the past 28 days in this case.
And believe us, this month’s a corker.
If you’re new to the series this year, it’s pretty self-explanatory: every month we round up five up-and-coming or just downright entertaining artists from around the region to spotlight and remind ourselves why our hometown is the absolute best place for music in Britain – nay, the planet.
Hyperbole? Maybe. Do we care? Nah, so let’s waste any more time and introduce to to some Manchester artists that might be new to you.
Greater Manchester artists of the month
1. Bou
First up on our list new Manchester music you need to be listening to is, rather fittingly, Bou. We didn’t plan for that to rhyme, but what we can tell you is that the 25-year-old producer and DJ is making some serious waves.
ADVERTISEMENT
Having just announced a tour of the USA and Canada this spring into summer, the Algerian-British beatmaker’s name could soon go stratospheric as our friends across the pond continue to immerse themselves in more UK dance and electronic music, as well as grime and DnB.
Bou made a big name for himself in 2023 after hopping on ‘Baddadan’ with the legendary Chase and Status; he’s just dropped a big new track with Aitch too but he’s actually been grinding since 2015. He’s only getting better but we’d say start with ‘Raving In The Studio’, ‘Wicked & Dark’ and ‘Streetside’.
From the EDM side of things to indie excellence from over Wigan way and one of the most promising bands to have come out of Greater Manchester—sorry, Lancashire* (they were insistent on that) and that is, of course, The Lathums.
We’ve made no secret of our love for these lads over the last few years in which they’ve seen a meteoric rise and now their third studio album, Matter Does Not Define, has officially dropped, we were more than willing to dive back in. Interview dropping on socials soon, by the way, so keep your eyes peeled…
You’ll get more of those charming folk vibes with plenty of swaggering guitars, trotting drums and more of their trademark “dark Western” approach intros and riffs, but the decibels, rock feel and vocals have been dialled up a notch. ‘Leave No Stone Unturned’, ‘No Direction’ and ‘Long Shadows’. You’re welcome.
ADVERTISEMENT
TRUCK FESTIVALLLL!!!🚛🎪
We are absolutely buzzing to announce we’re back at @TruckFestival this year🔥
We cannot wait for this, gonna be one to remember 🫡 (vid is from last year😮💨) pic.twitter.com/cVOxS8dMhI
Now this one is for all the moshers, throwback rock and pop punk fans, as well as anyone who loves it when British rock bands aim to recreate that unmistakably American sound – only this stuff is contemporary.
Maybe it’s the nostalgia talking, but we’re pretty confident if you regularly tuned into the likes of Kerrang TV, NME and Scuzz back in their heyday, not only would you instantly fall in love with them but they’d already be massive now.
We saw these local lads live and Night and Day recently and not only were they brilliant but their unapologetic frontman was great value. They’ve just released their debut EP Northern Blood, on which you can see the Manchester skyline and hear ‘Can’t Get Over It’, ‘Principles’ and ‘Remember His Name’.
As far as new Manchester music goes, we’re glad the city is pumping out stuff like this.
4. Oceans on Mars
Next up is another band we saw that very same random weeknight on a whim and also managed to get us very excited. Opening up for All Now were fellow Manc rockers Oceans on Mars, who provided everything from Pearl Jam and Alice in Chains to Nirvana, hints of Soundgarden, Deftones and more.
It felt rather fitting that we got all these vibes before the headliners finished with a cover of ‘Be Quiet And Drive (Far Away)’, but it’s also rare that you get a night full of growly-guitar, gravelly-throated grunge like this in 2025. Not that we were complaining. It was ace.
ADVERTISEMENT
The intro to ‘Mousetrap’ makes us instantly think of ‘All Apologies’ only instead of Kurt Cobain you get Haydyn Biddle’s voice and it certainly sticks with you. ‘Let Me Know’ is another catchy track and third place goes to ‘Mirror’, which kicked off the post-2020 era with their new frontman. Give them a go.
Last but not least is a reminder that not every new discovery necessarily has to be new; in this case, it can just be a rediscovery of an experimental genre-bending collection of musicians that were way ahead of many other Manchester artists of the time.
If you’ve never taken a deep dive into the world of Durutti Column, we will warn you that it can turn into a bit of a rabbit hole. In fact, beyond the most well-known tracks like ‘Otis’, ‘Jaqueline’ and so on, we’re not going to even recommend tracks this time: just immerse yourself in the incredible soundscapes that Vini Reilly and co. built over several decades.
Be it making a sandpaper LP sleeve that damaged other records stored around it (so nonchalantly punk), or their sheer amount of variety in the discography, we firmly believe they’re among the most overlooked artists in Manchester music history. They even featured in the soundtrack of the most recent series of The Bear, which gave us an immense amount of joy, especially with just how well they used it.
Oop! Would you look at that? Once again, we’re out of time already. Sad face.
ADVERTISEMENT
We hope you enjoyed digging into more Manchester music, both new and old, that you might not have heard before. Do go away and do your extra research on them too, that’s part of the fun.
In the meantime, you can find out our first picks of the year in our list of new Manchester bands and artists we were in January, but for now, we’ll catch you next time.
Oh, and don’t forget to keep it locked to Audio North for more round-ups, music news, gig guides and interviews like this one:
Featured Images — Press Shot (supplied)/@djenvert (via Flickr)/The Manc Group
Audio
Kendal Calling turns 21 in fine form with a brilliant bunch of headliners – and that was just the start…
Danny Jones
Oh, what a long weekend we had at Kendal Calling 2026, our fourth consecutive visit to the beloved festival proclaimed as ‘the favourite’ by many across the North West, and forever ‘the best’ if you hail from in and around Cumbria.
Now 21 editions into its run, the Penrith party down in Lowther Deer Park has gone from being a cult classic among natives in and around the Lake District a couple of decades ago, to one celebrated all over – and for good reason.
Apart from delivering stellar lineups year in, year out, it’s also one of the most family-friendly festivals you’ll ever come across.
But having said that, they still know how to kick a party into gear when the sun sets…
With The Kooks, The Cribs, Manchester up-and-comers Spangled, Oldham’s very own Tim Burgess, and many more opening up the party on Thursday night, they hit the ground running early doors.
Speaking of the turf, the wider arena was nice and dry this year, with punters only being treated to very short showery intervals, and most overnight.
Having the perfect conditions obviously helps, but we will say that Kendal Calling remains one of the brave few that powers in through regardless of the weather.
Nevertheless, we didn’t have to worry about it for KC2026, and maybe it’s just recency bias, but the entire festival site somehow looked prettier than ever, especially soaked in all that sun.
The dappled rays coming through trees over in the ‘Lost Eden’ definitely made the Woodlands stage as special as we’ve ever seen it – including those magical neon nights – and we even got to chat with Yorkshire lass Ellur ahead of her spellbinding set out in the forest.
Still surprising people more than two decades in
Lots caught us by surprise this year, such as Dutch indie pop group Son Mieux (our new obsession, by the way), as well as Fletchr Fletchr, who we now believe really need to be seen live to truly appreciate every aspect of their huge potential.
And then there was rising Sunderland star Tom A. Smith (again, over in the Woodlands), who joked he was “never there” after filling in on short notice at the same festival he first played when he was 12.
Fair to say he’s come some way since then, and you won’t find many more electric performers from this very confident, talented and still very young man.
But nothing more so than the surprise acoustic set starring the legendary Pete Doherty ahead of The Libertines’ main stage slot later that day, which we had to sprint across the fields to just about catch after hearing about. We had to climb up the side of a window to get the view of those that beat us there.
This year, we also thought we’d go around and ask those who know it best just what makes it so special, and more importantly, what keeps them coming back. Here’s what they had to say:
“I’ve been five times over 11 years. I’m Cumbrian-born but based in Manchester, so there’s always the pull to travel back home for it, and I’d definitely come more if I could. First memory that pops into mind is seeing The Vaccines when they were just getting big, and now over a decade on I got to see them on the main stage all these years and albums later – really full circle.
“One of the best parts about it is just how much there is on; back when I first started coming, they still were spotlighting local bands like Colt 45, but they just so happened to be on the same bill as Snoop Dog – and now I’ve seen everyone from Tom Jones and the Sugarhill Gang to The Darkness and now Biffy.
“Despite the festival growing in size and in terms of the acts that flock to it now, it still feels like one that looks after smaller names; it’s still got that wholesome, all-ages feel, and can be enjoyed for lots more than the music. I’ve definitely grown a new appreciation for everything it has to offer as I’ve gotten older.”
Nick, 32, from Dearham
The LathumsBiffy ClyroRed Rum ClubDeaf Havana, and SO many more…Credit: Audio North
We also asked another seasoned veteran of the annual summer fest how they’d sum it up in as few words as possible, to which they responded: “Nature, variety and (at times) questionable weather.”
Once again, we’ve definitely had wetter ones in the past – it is the North of England after all – but the music gods were smiling down on us all weekend long, and that extra dose of vitamin D definitely helped keep us going.
More personal highlights include closing headliners Wolf Alice, as well as Circa Waves and Groove Armada on the final night, as we somehow managed to catch a bit of all three, not to mention Deaf Havana, who drew their loyal crowd of passionate fans and gave us one of the best sets of the whole weekend.
And then, of course, there was ‘Biffy… F***ing… Clyroooo’. The Manc arm of the Audio North team were lucky enough to catch the Scottish gods at their huge headline gig at Co-op Live, but BOY did jumping around in a sea of people from all over as confetti, streamers, fireworks, and literal fire hit even harder.
With Kendal, Tramlines, Parklife, Beat-Herder, and Neighbourhood Weekender all under our belt already this year, we feel truly blessed to be in what is undoubtedly one of the best periods for live music festivals we’ve known; you can check out some of our other reviews down below.
Other than that, all we have left to say is thank you to Hanglands and the KC crew as always for having us along, and we’ll catch you in the fields the same time next year. Over and out.
A reimagined dance music celebration is coming to Manchester later this year
Thomas Melia
Get ready to hear some of the biggest anthems in dance music, reimagined and given an orchestral transformation right here in Manchester city centre.
Powerhouse music business Ministry of Sound has been uplifting and promoting dance music through its varied and electric live events for over three decades.
Now, it’s putting an all-new take on all your favourite dancefloor fillers that have been released over the past 30 years with a 31-piece orchestra, a whole team of vocalists and a stacked setlist.
Expect to hear the likes of Fatboy Slim with his huge tune ‘Right Here, Right Now’ alongside Darude’s standout hit ‘Sandstorm’, as performed by a live orchestral arrangement and light production.
After receiving a great reception at major music settings like Gone Wild, The Big Feastival and Silverstone Festival, paired with a sold-out show at the Royal Albert Hall, this all-new live show now visits the music capital of the North.
Of course, it’s only fitting that Manchester gets the chance to experience this innovative twist on classics and anthems, considering the city’s vibrant club contributions like the Madchester scene and legendary music institution the Hacienda.
Now, dance, house and trance spanning the past 30 years come together courtesy of the Ministry of Sound Classical, playing out across UK locations like Brighton, Newcastle and Birmingham, as well as Manchester.
The show is playing out at city-centre gig hotspot O2 Apollo, and is about to teach 3,500 Mancunians dance music history through a dance-meets-orchestra concert like no other.
This live music extravaganza is organised and led by dance music pioneers Ministry of Sound, who developed and defined the 1990s house music scene in London and across the country.
Ministry of Sound Classical is heading to O2 Apollo in Manchester on Friday 18 December with tickets and more information available HERE.
Featured Image – Press Shot (Supplied via Ministry of Sound)
Danny Jones -
28th February 2025 
