UK girl group FLO visited Manchester Academy yesterday and let the crowd ‘Access All Areas’ of their discography on their tour of the same name.
Jorja, Stella and Renée, more widely recognised as R&B girl group FLO, had Manchester in awe, treating the crowd to a night of silky vocals, stylish choreography and expert harmonising.
After visiting New Century Hall in 2023, Gorilla in 2024 and Parklife twice, the latest being earlier this summer – this time they’re setting ‘The Mood’ in Manchester Academy.
As the show begins, the trio pop out one by one and poses in a way that harks back to cult classic action film Charlie’s Angels, with the girls only visible by their silhouettes.
FLO played to a very lively Manchester Academy crowd last night (Credit: Audio North)
The song soundtracking this initial greeting is none other than the Cynthia Erivo-narrated ‘AAA’, which gives each member their own individual time to shine.
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This girl group are ready to show off their musical skills in full force.
Next is the sassy and playful ‘Walk Like This’ which has the Manchester Academy crowd strutting their stuff while chanting “There’s a reason I walk like this / Side to side with a sway in my hip.”
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‘Check’, which clocks in at just under three minutes, sees the girls ticking off some important relationship traits: “Is he loyal? Check / He spoil you? Check”; “Is he faithful? Check / Gentleman? Check.”
Jorja, Stella and Renée wowing the Manchester crowd with their stacked musical roster (Credit: The Manc Group)
This fun-filled single keeps the vibes at a high with the girls finishing each chorus admitting, “The way I trust him, I ain’t gotta check”, while giving each other a smile or two.
The gospel influenced ‘Bending My Rules’ was nothing short of religious. FLO made sure to take us to church for four minutes with their vocal runs, belts and stellar harmonies.
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Following this is a number of much-loved album tracks like ‘Shoulda Woulda Coulda’, ‘Get It Till I’m Gone’ and the confident ‘How Does It Feel?’ which all go down a treat and show the girls in their elements or as they’d phrase it… in their bags.
As soon as the trumpet-heavy instrumental for ‘In My Bag’ plays out, the audience self-appoints themselves the role of US rapper GloRilla, making sure to recite her flow bar for bar – “On gang, gang”.
UK girl group FLO performing as part of their long-awaited ‘Access All Areas’ tour in Manchester (Credit: The Manc)
During this track, the girl group brought their A-game, recreating the choreography from this song’s music video with the audience acting as their hype men – it’s safe to say, it wasn’t just the girl group lapping up this moment; everyone was in their bag.
As Stella blurts “I got a confession”, the opening line to the band’s debut single ‘Cardboard Box’, there’s a flurry of screams from the crowd for this fan favourite.
Performing this penultimately really gave fans, such as myself, the time to process the journey these three have been on in the past five years and also to come to terms with the fact that the show was almost over.
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The introduction to ‘I’m Just a Girl’ plays out, and in that moment, it’s safe to say no one could name a better closing song, as this encapsulates the band’s feelings towards the industry they’re working in.
This R&B trio put on quite the performance at Manchester Academy last night (Credit: The Manc)
Lyrics like “What’s a girl got to do to be seen?” and “How many black girls do you see on centre stage now?” reinforce the harsh realities this girl group have had to face and how they’re slowly inserting themselves in mainstream conversations.
Although this rock-twanged R&B hit might not be the perfect fairytale ending, the fact that over 2,000 fans have shown up and shown out for FLO’s Manchester gig is.
Their fanbase isn’t leaving anytime soon, and last night was a prime example.
The Strokes at Co-op Live, Manchester – actually very hard to explain
Daisy Jackson
Manchester has waited a long, long time for this – The Strokes back on stage in our city.
I’ve been a fan of the band for as long as I can remember, but have never managed to catch them live, partly because they’ve left it TWENTY YEARS between shows here.
But back they are, with an enormous gig at the Co-op Live on their Reality Awaits tour.
The Strokes are known as one of the most solid indie bands of the 2000s, going triple platinum with their debut album Is This It and releasing massive anthems like Last Nite, Reptilia, and Someday.
They’re also known as a bit of an unpredictable live act – some will say they’re one of the best on the circuit, others will say they’re disappointing, and it really can depend on the night.
What they’re not known for is their audience interaction, so when frontman Julian Casablancas tries to have a bit of a chat with the audience, we all sort of stare blankly back at him. He’s speaking to us? What do we do?
“Wow, tough crowd,” he says, which is the first time I’ve ever heard anyone describe a Manchester audience as tough.
Then he turns back to drummer Fabrizio Moretti and says: “This is f*cking hideous, let’s play some songs.”
The setlist seems to get a shake-up every couple of shows, which is a nice surprise for us – and apparently also Julian, who regularly pops over to ask his bandmates what’s up next.
It doesn’t really matter that he’s not done his homework, because the second that drum kicks in, along with the impeccable guitar work of Schiltz, Fraiture and Hammond Jr., he snaps into action.
It’s impressive that their songs still have such singalong quality when Casablancas enunciates like a man with a dislocated jaw. For certain songs he’s so incoherent that if you weren’t a fan you’d walk in this room and wonder what the f*ck was going on.
But then, that’s sort of why us The Strokes fans love them so much. There’s a calamitous beauty to the work they put out and it’s so fun to belt out some words, even if they’re not the right ones.
I was hoping that seeing it live would sell that divisive new album, Reality Awaits, to me, but it didn’t. It’s too autotuney, too languid, and too often the victim of everyone’s toilet breaks.
Their earlier tracks still land best in a live setting, especially Reptilia, an absolute juggernaut in their back catalogue.
Rollercoaster set and tricky crowd interactions aside, we all had a great time – I’m just not sure I could say the same about Julian Casablancas.
Sam Fender describes his own ticket prices as ‘b*llocks’ and demands change for fans
Daisy Jackson
Sam Fender has kicked off about ticket prices for his own tour, ahead of his huge stadium summer next year.
The Geordie star announced his Proper Massive stadium tour last week, which will visit some of the UK’s biggest venues including The O2 in London, Etihad Stadium in Manchester, and St James’ Park in his home city of Newcastle.
But after ticket prices for the tour were announced, Sam Fender surprised us all by joining in with a moan about how expensive they were.
He described the ticketing strategy for his tour as ‘b*llocks’ and said he was ‘not happy’ with ticket prices.
And proving just how much sway an artist can have on ticket prices, Sam Fender then demanded that things be redone.
Sam first appeared in the comments on Gavin Davis’ Instagram account, which frequently shares tour leaks and ticket prices.
There, he wrote: “I’m not happy with these prices, they’re getting changed. It got inflated well more than I’d had in mind, it should only be inflated in relation to the cost of putting the show on.
“The standing will not be split as well, I had no idea about it. I have no idea how this was normalised in gigs.
“It’s bollocks and it won’t be happening on this tour.”
Then later, on his own Instagram stories, Sam Fender posted: “I’ve managed to get Front Standing tickets removed from the UK stadium tour. Whoever buys a standing ticket gets as much chance as anyone to be at the front.
“No more £120 standing tickets either.
“Costs are astronomical compared to two years ago, I can’t control the venue and ticketing fees, that’s a sad reality of today’s industry.
“This is gonna be the biggest and best show we’ve ever put on. Can’t wait to see everyone on the road next summer!”
The ticket prices for the Proper Massive tour are now confirmed by Sam Fender himself as being £85 for GA standing, and £55/£75/£95 for seats.
Thomas Melia -
2nd October 2025 
