Iconic 90s boy band and homegrown heroes Take That played the first of their five-night run at the AO Arena this Tuesday night and boy do these lads know how to put on a show.
I’m going to start this off by admitting I wasn’t necessarily the biggest Take That fan going in – the hordes of huns, mums and tipsy grans firmly won that – but I did walk out with my headphones full blast listening back to all the greatest hits I’d just had brought to life in front of me in glorious technicolour.
At one point, it looked like they might not get to play their truly massive Manc arena shows after the drama with Co-op Live’s ‘opening’ fortnight was derailed but, fortunately, the AO Arena were there to rescue this week’s performances and put together the frankly barmy production in just a few days.
So, first of all, big props have to go to them and they rightly did on the night; the venue helped keep lots of people’s dream gig alive, with both the headliners themselves and support act Olly Murs encouraging a huge round of applause from the packed-out 23,000 cap arena.
‘Olly olly’ opening (yes, he did chant get the entire crowd to chant that)
Speaking of Olly, again, I can’t pretend to be the biggest Murs fan but two things are true, I knew most of the words to his biggest hits (he played a medley of his career from start to finish), and the man has bundles of energy.
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He cut a George Michael and almost Harry Styles-esque figure at times (even if a few years older, sure), sprinting from one side of the stage to another, cycling through the whole roster of dance moves and giving the crowd exactly what they wanted: that cheeky chappy vibe that got him where he is.
While the 2010s UK chart-topper was a deeply unserious performer for the most part, simply having fun and pratting about as he wished – he even had a fun little stunt where people could call his number on stage – we’re not mad at it because make no mistake, he showed everyone a good time.
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And it wasn’t all just playing forgotten pop tunes to his main and admittedly adoring demographic, he he paid a touching tribute to his late friend Caroline Flack with a slower ballad and gave plaudits to his live band who helped bring plenty more. And then these three other lads emerged through the fog…
Non-stop shenanigans and we loved every second of it
Take That performing in the AO Arena in Manchester. Credit: RHM ProductionsHoward Donald of Take That. Credit: RHM Prouctions
Quite literally, we mean: Take That’s entrance felt like some kind of weird second coming and, to be fair, it looked to be a biblical experience for the die-hards who began to scream at pitches we’ve rarely heard as they walked out to ‘Keep Your Head Up’, the opener from their last year’s album.
An obvious way to start their Manc tour dates off, we had some idea of the shenanigans about to happen after spotting a few videos on social media but in no way we’re prepared for the thematic whiplash that was about to take place. Or how much we were going to enjoy it.
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We’re not joking when we say we lost track of how many costume changes there were, how many times the set design shifted from a set of stairs (think of a Vegas-style cabaret show, only at one point they were on fire) to a walkway descending from the ceiling and so much more madness.
The overarching narrative, in short, was a slightly sardonic twist on a Take That TV show, with Gary, Mark and Howard introducing and flicking through all the big moments down the years. It reminded us of The 1975 stage production at times, only a little less artsy and a bit more wink-wink, nudge-nudge.
Take That’s staggering show at AO Arena in Manchester. Credit: RHM ProductionsTake That’s staggering show at AO Arena in Manchester. Credit: RHM ProductionsGary Barlow taking to the piano in Manchester. Credit: RHM Productions
If we had to give you a top-line summary of the show overall, it’s intentionally camp, over-the-top and often silly by design, but all with plenty of self-awareness underpinned by the lads who, just like Olly did beforehand, did nothing but have a laugh on stage. Oh, and yes, Gary did ‘the thing’, don’t you worry.
Be it marching up and down stairs in synchronicity before running out of breath when they remember they’re 50, to delivering dance routines galore and getting the rest of the band to come and sway side-to-side with everyone sitting round a sofa, they pull out of the stops when it comes to pageantry.
It also has to be said that no matter how big a Take That fan you are, hearing a full AO Arena belting out ‘Patience’, ‘The Greatest Day’, ‘Never Forget’; ‘Rule The World’, ‘Back For Good’, ‘Relight My Fire’ and oh my they really do have a shed load of absolute bangers, don’t they?…
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I mean, just look at this:
Probably the best moment of the night – even if they were wearing strange, Daft Punk-type space helmets.
To cut a long story short, while Take That obviously wished “all the best” to the Co-op Live for when it hopefully opens next week, it felt rather fitting for them to return once again to the venue that first started playing decades ago and still how the record for having played the most shows at.
Better still, the whole bells and whistle spectacle did add something to the experience and it wasn’t as gratuitous as it perhaps looks in some of the clips that have been memed up online. Still daft, don’t get us wrong, but they know it is and it made moments when the vocals were front and centre memorable.
It doesn’t matter how many years on they are, Take That’s latest show proves exactly why your mum, grandma, auntie and probably your uncle loved them in their heyday, why it was such a big deal when they came back in the noughties and why they’re still selling out arenas to this day.
They’ve been doing this for years and they’re absolute pros – we don’t see them going away again any time soon. Roll on the next few nights!
The Lottery Winners champion the ‘working class’ after notching their second number one album
Danny Jones
Another UK Official Charts gold trophy is heading Wigan Way as Leigh’s very own The Lottery Winners have notched another number one album,and you can rest assured these lot will never forget where they came from.
Being awarded the accolade for the second time in the space of just four LPs, the much-loved Greater Manchester band emerged as increasing favourites in the race for the top spot this past week, but nothing is ever certain until the race is run – and thankfully, they crossed the finish line on Friday evening.
Having previously claimed an inaugural number one for their third outing, ART (Anxiety Replacement Therapy), back in April 2023, their presence on the British indie and pop scene has only continued to grow, and they’ve been fittingly rewarded for their efforts.
Not only one of the most popular artists coming out of the region right now but prolific creators and performers, we couldn’t be happier for them. Here’s what happened when they heard the news:
Nevertheless, and annoying nose rings aside, their latest record KOKO (Keep On Keeping On), which dropped on 21 March, not only showcases some of The Lottery Winners‘ best material to date but it’s gone straight to number one.
Including another stunning lineup of special guests including Reverend and The Makers’ Jon McClure, Shed Seven, Nickelback’s Chad Kroeger and Frank Turner for the third time as a featured artist, the album has gone down an instant hit with their fan base and plenty of new listeners too.
Speaking on the massive achievement, bassist Katie Lloyd said: “I hope that people from a background that we’re from can look at what we’ve managed to achieve, with two of these now, and see that you can do it if you work hard and put everything into your dreams.”
Echoing her sentiment, frontman Thom Rylance went on to add: “This is for grassroots music, this is for the working class; this is for Leigh, this is for anybody who has a dream – go out there and get it.
“Make it happen.” Well said, lad.
“Sometimes the path to something like this can seem impossible, but hopefully we’re proof you can do it!” ✊#TheLotteryWinners (@LotteryWinners) have some inspiring words as they celebrate their second Official Number 1 album #KOKO 🏆🌼 pic.twitter.com/HhMi2XEOXb
Even Mayor Andy Burham chipped in, telling the Official Charts Company: “I’ve been a big fan of The Lottery Winners since they started out playing pubs and clubs around Leigh, and I know the whole town will be proud of them today.
“Landing a first Number 1 album was brilliant, but to do it again is something properly special. They’re one of the hardest working bands in the business and they deserve every bit of this success.”
Congratulations again to The Lottery Winners on KOKO and a second UK number one. We’re sure they’ll keep flying the flag for Greater Manchester and Northern music as a whole.
As well as headline dates to come, not to mention supporting the one and only Robbie Williams later this year, they’ve got a big festival season ahead as they’re set to return to the likes of Neighbourhood Weekender, Kendal Calling and more.
Roll on the summer and in the meantime, Keep On Keeping On.
Featured Images — Official Charts Company/The Lottery Winners (supplied)/Audio North
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A Salford student has made history as BBC Radio 1’s newest presenter
Danny Jones
A University of Salford student has made history after becoming the latest radio presenter for mainstream national station BBC Radio 1.
And he’s only 20 years old.
Matt Hallsworth from Harleston in Norfolk has become the first ever Salford student to sign a contract with the station whilst still studying, and is now set to join fellow alumni such as Vicky Hawkesworth and Katie Thistleton in working for the BBC’s biggest radio station.
If that isn’t hitting the ground running in your career, then we don’t know what is.
👏 We are delighted to share that BA Television and Radio Production student Matt Hallsworth has made history as our first current student to sign as a presenter for @BBCR1!
— School of Arts, Media & Creative Technology (@UoS_ArtsMedia) March 27, 2025
Set to host the spin-off online stream ‘Radio 1 Anthems’ – available via BBC’s digital Sounds platform, which hosts live and pre-recorded broadcasts, podcasts, music playlists and more – Hallsworth will be taking charge of several shows in the coming weeks.
The BA Television and Radio Production student, who is currently Head of Radio at the University’s in-house station Shock Radio, has already won a number of awards in his fledgling broadcast career and is now set to present a total of 16 shows through next month, starting from 8am on Tuesday, 2 April.
Matt has already had a glimpse of life at the BBC, having joined in as one of their Christmas Presenters back in December; he won the coveted slot after being crowned winner of ‘Best Presenter’ at last year’s Student Radio Awards (SRAs) and was the youngest out of a total 27 guest hosts that got the chance.
In addition to that accolade, he also collected the Gold Award for ‘Best Chart Show’ at the 2024 SRAs, with his on-air partner and fellow student Issy Brand also joining him in earning the title of ‘Best On-Air Team’ for the second year in a row in the International Student Broadcasting Championship.
Since then, he’s already enjoyed experience as a freelance presenter for nearby Hits Radio, working and is now the lead host officer for The Student Radio Association’s annual conference over in Salford.
Speaking on the unbelievable opportunity, the rising radio star said: “I am so excited to be joining the BBC Radio 1 Anthems family across April! Since the stream’s launch in October, it’s been evident the BBC is using it as a platform to nurture new presenters, and I feel thrilled to be able to join that.
“I was working on some university assignment work in January when I got the text and call from Aled [Hayden Jones, Head of Station at BBC Radio 1], with feedback from my Christmas show and offering the opportunity.
“The shows have the best playlists, full of songs that I grew up with, forgot about, and play anyway. I can’t wait for people to hear them.”
As for UoS‘s Programme Leader for BA TV and Radio Production, Louise Ready-Syrat, she says: “I’m hugely proud and pleased for Matt, he is such a lovely person and a huge talent that will be amazing in every capacity.
“Watching his development over his time with us on the BA Television and Radio Production course has been a privilege and a real inspiration to his fellow students.
“Always quick to help out on our Open Days, award shows and as Head of Shock Radio, he has proven himself to be a true professional and a genuinely great guy! Super pleased for him, he will smash this!”
Lyndon Saunders, Senior Lecturer and Subject Group Head for Broadcast Media, went on to add: “As soon as we heard Matt take to the student airwaves at Salford, we knew he would be snapped up by somebody big before too long. It’s just amazing to discover that he’s going national on BBC Radio 1.
“He’s so hard working, so determined, but so humble about his on air talent. I’ve worked with Matt in a producer capacity as well and he has an incredible work ethic – a gift for the journalism and storytelling side of radio too. In short, radio is in his veins, and we’re thrilled he’s making his dream a reality.”
You’ve done your department, Salford and Greater Manchester as a whole proud, Matt – we look forward to hearing you on the airwaves for years to come!
As far as universities go, UoS continues to be a brilliant proving ground for up-and-coming media talent.
Danny Jones -
8th May 2024 
