DJs from Manchester’s iconic club The Hacienda are returning with a new gig series that lets concertgoers get up close and personal.
The Hacienda might be one of the greatest pieces of Manchester music history, and now people can relive it all over again with a new experience that is bringing clubbing back to its original roots.
Running across 2025, party people have multiple opportunities to relive the high life of traditional clubbing in a venue situated in the heart of Manchester city centre.
Well-established pub and frequent club-night host, Joshua Brooks, is bringing back The Hacienda but on a much more personal level, not like the Warehouse Project event hosting around 10,500 fans.
‘The Hacienda: All Night Long’ is a bi-monthly residency starting in February with a performance from Graeme Park followed by a packed line up of incredible music makers and lovers.
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The original Hacienda club in its hay-day / Credit: Jon Shard.
The next event after the initial launch is in April with David Morales on the decks throughout the evening with good tunes and usual sleek style.
Greg Wilson is taking up a slot in June known for his work in dance music and the ‘re-edit movement’ which is still shaping music today.
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Keeping spirits high and vibes even higher, in August, attendees are in good company with your night soundtracked by Manc legend DJ Paulette.
Finishing off a phenomenal run of music mixing events is K-Klass who are notorious within the music scene for working with musical forces like Whitney Houston and Rihanna. The group even first met each other in The Hacienda!
Each event will include an extended set up to six hours long (or even more, if you’re lucky).
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Graeme Park putting on a show.K-Klass in their element behind the decks.Credit: Supplied
This run of live DJ sets are set to be an unmissable experience, partly due to the fact that there is a ‘No Photos, Just Music’ policy to help people live their life in real time and not through a digital device.
This rule is put in place by event organisers so that people can relive or first-hand experience an original club setting with no distractions and fully focus on the music being played out across the venue.
Graeme Park said of Haçienda – All Night Long: “A long time ago, in a nightclub, far, far away, I started DJing in a dark booth in the corner of a dark room, in a dark nightclub.
“I had absolutely no idea what I was doing, but over the next few years I learnt my craft by DJing all night long. Back then, it was all about the music and the crowd with the DJ being the person in the corner playing the tunes that mattered.
“This is why, after more than 40 years on the decks, I’m really excited to be back at the fabulous Joshua Brooks in February for another All Night Long session where I can play an extended DJ set in intimate surroundings, close up and personal with a superb sound system and an enthusiastic crowd right in front of me.
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“Last time we were all connected through the music and I can’t wait to do it all again.”
If you fancy celebrating clubbing in its truest form guided through the night by some Hacienda greats, you can grab tickets here.
Featured Image: Supplied
Gigs & Nightlife
First wave of acts confirmed for Manchester’s Outbreak Festival 2025
Danny Jones
The first wave of acts has been officially announced for Outbreak Festival Manchester 2025 and the lineup is already shaping up to be a rager.
Having quickly established itself as the biggest celebration of hardcore, pop-punk and alternative in Greater Manchester, Outbreak Festival is growing fast, especially after a super successful pair of events earlier this year.
Broken down into summer and autumn events, the two lineups just gone had the likes of Hot Mulligan, American Football, Movements; Action Bronson, Soccer Mommy, comeback kings The Story So Far and many more take the stage. Summer 2025’s weekender is looking equally promising so far.
Landing back in Manchester on the 15 and 16 June, the next edition of Outbreak Fest will be here before you know it. That’s what we’re telling ourselves, anyway – we’re literally fidgeting with excitement.
Founded back in 2011 by two teenagers, Jordan Coupland and Lee Follows (and by teenagers, we’re talking literally 14), Outbreak is approaching a decade and a half on the live music circuit, having seen a noticeable ramp up in popularity over the past couple of years.
Taking place over at the Bowlers Exhibition Centre, more commonly known as the BEC Arena – a hugely underrated venue, by the way – the next summer lineup not only features shoegaze legends Slowdive, hardcore heavyweights Knocked Loose, as well Manchester’s genre-bending Maruja and more.
One of the best things about the festival is the mix of music on show too, with alternative hip-hop favourites Danny Brown and Denzel Curry both joining the lineup.
Better still, this is just the tip of the iceberg: there are yet more artists to be confirmed and if previous years are anything to go by, there’ll be some big hitters still to come for the BEC over in Stretford.
Outbreak is also heading outdoors and to London’s Victoria Park for the first time ever later this year, with contemporary icons Turnstile already confirmed as the headliners for the one-day festival. Fire.
Outbreak comes to London Victoria Park for the first time on Friday 13th June 2025. A curated one day event headlined by @TURNSTILEHC , with many more artists still to be announced.
We can only pray that they will be making their way to Manchester too but even if not, a name this huge must mean there’s someone just as big coming to 0161, surely?
Sign-up for pre-sale is already live with tickets going on sale from 10am this Thursday, 28 November; as for general admission, they go live at the same time on Friday (29 Nov).
You can get ready to smash and grab your tickets to see that incredible lineup at Outbreak Festival Manchester HERE – and believe us, it will be a smash and grab…
If this is a cult, we’re into it – Sleep Token hypnotise a sold-out Co-op Live crowd
Danny Jones
Tuesday night saw thousands head towards the Etihad Campus for two massive events: one of them being Man City playing in the Champions League and the other one, arguably the biggest metal gig of the year as Sleep Token made their Co-op Live debut.
The alternative prog metal group have had an unreal 12 months or so and while the mysterious, masked rockers have actually been around since 2016, the past year has been truly seismic for their now global profile – hence why they were able to sell out Manchester’s biggest arena at the first time of asking.
Bands don’t just walk into places like the 23,500-capacity Co-op Live arena; anyone playing gigs of that size needs to have earned a rather massive audience in order to do and, in the case of this particular artist, that following feels a little bit more cult-like and fanatical.
We mean that in the nicest way possible, by the way, and we now well and truly have faith in the musical and slightly macabre church of Sleep Token. It all started with an unforgettable intro.
Actually, first off, we have to give a huge hand to warm-up act Bilmuri. We were admittedly almost just as excited to see these guys for the first time and they pulled an absolute blinder landing the support slot for this modern metal gig as, much like the main event, their music is just a bit different.
In the same way that Sleep Token aren’t just straight-up heavy, thrash, death or any particular kind of metal for that matter, neither are Bilmuri. For one, they’re straight-up hilarious, with frontman Johnny Franck spending lots of time both cracking up and ‘cranking’ up the crowd by ‘the hog’ in between songs, amidst playing a mix of alternative metal, post-hardcore and pop-punk.
The various genres being fused on stage are truly wild. Growling and Kevin James at the Daytona 500 samples (yep) are followed by everything from catchy pop choruses to wonderful jazzy solos from their incredible saxophonist and backing singer Gabi Rose, and that’s just the tip of the iceberg. Point is, us fans in the crowd may have only been few, but it worked because their style is every bit as sprawling.
Bilmuri will be back playing the Ritz here in Manchester in March of next year; we sincerely recommend you give them a listen and grab a ticket because they were just non-stop fun. We can only imagine how good value for money a full headline show in a smaller venue filled their listeners is. Now onto the ‘cult’.
We love these guys so much – give them a try. (Credit: The Manc Group)
Sleep Token took Manchester to mass
Although the London-formed five-piece has fully lent into this whole semi-religious angle – even labelling attendance to one of their gigs and singing along to the often celestial vocals of their once anonymous frontman as ‘worship’ – it’s a theme that’s sadly been used as a stick to beat metalheads with in the past.
There is undoubtedly a gothic and somewhat satanic element to their aesthetic, especially on the face of things with the painted black arms, Japanese-influenced masks covered in ritualistic markings and dripping with blood etc., but when you actually look beyond the surface it’s simply good world-building.
Lead singer ‘Vessel’ (all of the band members go by specific monikers) had his identity figured out not too long ago, but the whole idea of his overall style, purpose and allure is that he’s supposed to be the physical embodiment of something bigger and a conduit within the wider Sleep Token lore.
Oh yeah, this stuff is super detailed.
Most notably, though, it was probably the visuals overall that really struck us the most. It wasn’t just in looking at the various slightly demonic-looking characters on stage and hooded figures that served as the most enchanting backing singers, it was the utterly stunning production levels.
When we say it was possibly the most impressive use of lighting and effects we’ve come across in our many years of gigging, we’re not exaggerating. From that incredible entrance and hanging LEDs dripping with colour throughout slow songs, to the smoke literally creeping along broad beams of light like some kind of ghostly presence, it felt like we were in a trance at several points throughout the gig.
Mesmerising (Credit: The Manc Group)
Metal isn’t just lots of aggressive guitar and drums – at least not any more
It was in moments like this that we were taken aback by just how wholesome the crowd had been all night – again, something that heavier rock gigs never get credit for. In fact, a current trend at metal shows is for people to hold up pictures of their cats and that was exactly what we walked into. Adorable.
The point we’re getting at is that while this particular show had plenty of headbanging of course, especially with how insane some of the bass and drum work is in Sleep Token’s many breakdowns, Co-op Live wasn’t pure moshpits and carnage. Far from it, to be honest.
When those aforementioned lights were tracing around the massive arena, we constantly found ourselves looking around the room and staring up at the sky, before immediately noticing thousands of other people doing the same. There were just as many heart symbols in the air as there were devil horns.
Phone torches were held high during ‘Euclid’ and the room lit up like a night sky. That’s nothing at gigs these days, we know, but it’s worth noting just to put things into perspective for those who may have long misunderstood the metal crowd, ‘moshers’ and ’emos’ – whatever meaningless word gets thrown around most these days.
Who wore it better?He truly was a godly figure up there on that stage at times.Cosplays and a Manc choir? There was nothing ‘devil-worshipping’ about this crowd, they were wholesome AF. (Credit: The Manc Group)
The highlights were as you would expect if you’re a fan: ‘The Offering’ got those grumbly distorted guitars in nice and early, ‘Granite’ had everyone from the goth girls to the middle-aged blokes doing their very best sexy dance; ‘Alkaline’ put literal chills on our spine – as did all of the vocals from start to finish.
It may have just been our ears playing tricks on us but Vessel’s voice and quivering hands were so full of emotion that we swear we could hear him crying through the lyrics on more than one occasion. Whether for the pageantry or not, there were plenty of very real people smiling up at him with teary eyes.
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You’ll never hear quite as much genre-bending as you do in ‘The Summoning’ and watching everyone change gears from just pure, no-nonsense heavy metal to grooving out to the sudden shift to funk rock was a real joy. It was probably the standout of the whole night, but it was a triumph all-round.
We’ve been enjoying Sleep Token from afar for a while now and always really appreciated how technically impressive and groundbreaking the music felt, even just on a pure sonic level, but it’s only now we’ve been to one of their shows that we think we ‘get‘ the obsession and why more and more followers are flocking to see them live in the flesh.
Call it unique, strange, disturbing — call it whatever you want, the fans couldn’t care less. It was a pseudo-religious experience for a lot of people in that room and while it may take us a while to fully convert, we’re very open to the concept. Even if just for that magical intro alone, to be honest.
Live music has always been like church to us, so we can always get behind hero-worshipping like this.
Thomas Melia -
27th November 2024 
