The multi-award winning Olivia Dean is coming to Co-op Live in Manchester for two nights of her The Art of Loving Tour this April.
Pop and Neo-soul superstar Olivia Dean is continuing her phenomenal past 12 months by performing an arrangement of her hits and deep cuts from her newest LP The Art of Loving across the globe.
Dean recently scooped up four BRIT awards and three MOBO awards at the end of March right here at Co-op Live and now she’s returning to teach Manchester how to be ‘Nice To Each Other’.
The ‘Man I Need’ singer entered the music scene back in 2019 and instantly caught the attention of music lovers and critics alike, going on to receive a Mercury Prize nomination for her debut album Messy.
Gig guide | Olivia Dean at Co-op Live, Manchester – all you need to know
Olivia Dean is heading to Manchester for two shows at the impressive Co-op Live this April / Credit: Gwen Trannoy (Press shot)
Olivia Dean UK tour dates
Wed 22 April – Glasgow, UK – OVO Hydro
Thu 23 April – Glasgow, UK – OVO Hydro
Sat 25 April – Manchester, UK – Co-op Live
Sun 26 April – Manchester, UK – Co-op Live
Wed 29 April – London, UK – The O2
Thu 30 April – London, UK – The O2
Fri 1 May – London, UK – The O2
Sat 2 May – London, UK – The O2
Thu 11 June – London, UK – The O2
Fri 12 June – London, UK – The O2
Are there tickets left for Olivia Dean at Co-op Live?
Olivia Dean is bringing The Art of Loving Tour to Manchester on 25 and 26 April / Credit: Jack Davison (Press Shot)
Now… here comes ‘The Hardest Part’, answering a question that’s on everybody’s lips and althought it might be ‘So Easy (To Fall In Love)’, getting tickets to Olivia Dean’s gig might be difficult.
These tickets are in very high demand and have sold-out on all major ticketing platforms, so if you’re up for seeing this powerhouse, you might have to set up reminders on Ticketmaster or official resale sites like Twickets.
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Olivia Dean setlist for 2026 tour
The ‘Man I Need’ songwriter is performing live in Manchester at Co-op Live / Credit: Jack Davison (Press Shot)
The Art of Loving Tour has now officially kicked off in Glasgow, so we finally have a good idea of the setlist Olivia Dean will play.
Act 1
The Art of Loving (Intro)
Nice to Each Other
Lady Lady
So Easy (To Fall in Love)
Close Up
Let Alone the One You Love
Act 2
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Messy
UFO
Touching Toes
I’ve Seen It
Act 3
Carmen
Echo
Time
Act 4 (B Stage)
Loud
A Couple Minutes
The Hardest Part
Act 5
Baby Steps
Ladies Room
Move On Up(Curtis Mayfield cover)
OK Love You Bye
It Isn’t Perfect But It Might Be
Dive
Man I Need
Stage times for Olivia Dean at Co-op Live, Manchester
Doors for the ‘I Could Be A Florist’ hitmaker are set to open from 6.30pm with no official starting time listed yet.
Co-op Live has a strict curfew of 11pm meaning you’ll have plenty of time to say ‘Ok Love You Bye’ and make it home in time before it gets to midnight.
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How to get to Co-op Live
Tram
For those of you heading to Co-op Live, you’ll be glad to know it’s right next door to a rather famous big blue stadium and its integrated Metrolink stop.
Head along the light blue or orange lines directly to the Etihad Campus or Ashton-under-Lyne, and you can get off the tram literally spitting distance from the arena. You can find the full map HERE.
Trams run frequently on the Ashton-Eccles line to the Etihad stop, with services leaving every six minutes from the city centre and until 1:00am on Fridays and Saturdays.
Bus
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You can find the full list of bus routes HERE, with the one in closest proximity to the venue being the 53 bus, which runs from Cheetham Hill through to Higher Crumpsall, Old Trafford and Pendleton, leaving just a two-minute walk to Co-op Live.
Getting there by car and parking
If you’re driving, there is limited parking available at the venue, but this must be pre-booked ahead of time, and there are designated drop-off areas.
The postcode is M11 3DU, and you can follow the signs towards the wider Etihad Campus as you get closer; directions to the adjacent drop-off points will also be signposted.
Keep in mind that congestion on the roads close to the stadium is expected to gather around two hours prior to any event, so if you are travelling on the road, these are the suggested times they provide on event day, though estimates will obviously vary:
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Alan Turing Way (both directions): plan an additional 20 minutes into any journey by road.
Hyde Road (eastbound): expect an additional 15 minutes to be added to your journey.
Mancunian Way (westbound): plan for an extra 10 minutes of travel time.
There are also three park-and-ride facilities near Co-op Live, but be advised that the Velopark and Holt Town stops will be closed post-event to help safely manage crowds:
Ashton West (Ashton line) – 184 spaces and 11 disabled spaces
Ladywell (Ashton-Eccles line) – 332 spaces and 22 disabled spaces
Walk/cycle
Lastly, Co-op Live is only a half-hour stroll from Manchester Piccadilly, and you could even walk along the canal all the way to the front door if you fancy taking the scenic route.
Greater Manchester now also offers the option to hire bikes on the Beryl app, with riders able to locate, unlock, get to their destination and then safely lock up the bike all through an easy-to-use app. There are hire points just near the south-west corner of the Etihad Stadium on Ashton New Road.
For more information on all travel options, you can check out the enhanced journey planner.
Featured Images – Gwen Trannoy / Jack Davison (Press Shots)
Gigs & Nightlife
Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms