Pep Guardiola is a man with influence and has been somewhat of a style icon since joining Manchester City and the Premier League back in 2016 – and his latest fashion choice has fans everywhere in football talking.
His recent touchline uniform has come in the form of a jumper which dons a melted Manchester City badge, but while millions assume that the obscure badge is simply a printing error, there is actually a lot of history behind it.
The jumper, which comes in black as well as grey, is part of a deal between Manchester City, Puma and JD, but is spearheaded by legendary fashion brand founders Anthony and Christopher Donnelly.
The Manchester-born Donnelly brothers recently released their MDCR clothing collection, which celebrates the generation-defining indie-dance scene that put Manchester on the map and took the world by storm – something that the Donnelly brothers were an instrumental part of. MDCR is an abbreviation of Donnelly brothers brand madchester.com.
Pep Guardiola and Ederson sporting the MDCR collection
In Anthony Donnelly’s own words, the melted crest on the jumper is based on a t-shirt from the acid house period “when nightclubs such as Stuffed Olives and the Hacienda had no air conditioning” and “being p*ss wet through, melting on the dance floor, smiling like Cheshire cats” was the norm.
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The design was created by Anthony’s brother, Christopher, along with designers from Puma HQ in Germany. Christopher is also responsible for the many iconic designs behind Gio-Goi – his and Anthony’s iconic British fashion brand that originated here in Manchester.
Anthony and Christopher are the proud sons of scrap metal merchant Arthur Donnelly and hard-working straight-laced mum June Donnelly. They were raised in the south of Manchester in Benchill with sister Tracey and quickly made a name for themselves in both the British fashion industry with Gio-Goi and the thriving rave scene here in Manchester and London.
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A typical early days Gio-Goi brand shootFrom left to right, Paul Davis of the Happy Mondays, Christopher and Anthony Donnelly, Andy Barker of 808 state and Andy Rourke of The smiths
It is worth noting that Pep Guardiola has been wearing the MDCR collection out of personal choice, which has driven droves of Manchester City fans to go out and purchase a piece of authentic Manchester music history – it is believed that this is the first time ever in the history of the Football Association that a club has allowed outside parties to dramatically change a club’s badge design.
But this is the exact kind of disruption and influence that drove the Donnelly brothers to create Madchester, along with a small group of others, in the late 1980s – a movement and collective that fought the government for your right to party with Sweat It Out, Manchester’s first illegal rave.
The brothers have an unmatched reputation for effective marketing campaigns, which includes the time they got themselves on the front page of Vogue magazine with Gio-Goi and Dior, photographed by legendary portrait photographer Mario Testino, so it was no surprise to find that Anthony and Christopher were behind the MCFC x PUMA collaboration.
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Chris Donnelly building an illegal rave stage in the late 1980sPast and present: Bernard Sumner of New Order, left and Tom Grennan, right, both sporting Gio-Goi
The Madchester music scene gave birth to the illegal rave and its protests against the authorities are what made an acid house rave so alluring for young (and old) partygoers back in the day. The Donnelly’s were instrumental during this time and quickly rose to prominence.
On what Madchester means to the Donnelly’s, Anthony says: “Madchester to myself and Christopher brings back memories that are mad and brilliant at the same time – never to be repeated I would imagine.
“However, Madchester is often hijacked by brands everywhere who were not even there. Most recently, a famous deodorant used the brand without permission – which was one of the reasons behind creating Madchester as a brand so that we can ensure the intellectual property is protected.
The Donnelly brothers in the early days of Benchill
“It can be annoying in some cases, for example, how our councils are using the history of Madchester as something they are proud of in order to sell the city. I suppose this is understandable given what we created, however, those same councils were actually instrumental in trying to crush Madchester, the Hacienda, and our illegal Sweat It Out raves.”
To date, the Donnelly brothers and Madchester exist predominantly as a live events brand that leans more towards tourism and there is a lot planned on the horizon that Anthony and Christopher believe will bring much-needed revenue to Manchester’s Night Time Economy.
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A spokesperson for the Madchester brand says: “Madchester is to Manchester what the Beatles are to Liverpool, or Nirvana is to Seattle. People flock here in their thousands and we are expected to give them a good time.”
Proper Mancunians Chris Donnelly, left, Anthony Donnelly, right, back in the day
Anthony and Chris are deep in their plans to bring Madchester to the masses with an event at Depot Mayfield next April, alongside the founders of The Warehouse Project. There is also a second MDCR clothing collection dropping in November, which is part of the same collaboration with MCFC, JD and PUMA, and is more of a fashion-led line inspired by the era which will include staple items such as bucket hats and parka jackets.
With the Donnelly’s, one thing is for sure, you’ll be seeing a lot of them in the coming months and in 2022 – and while Manchester as a city grows and grows, the Donnelly’s will be working hard to keep its historic roots intact.
Watch the story of Joy, the first outdoor rave up North, organised by Anthony and Christopher Donnelly, below.
Manchester
Music TV show Spill The Sound has announced a brand new series
Thomas Melia
Manchester-based music TV show, Spill The Sound, is back with its latest series filmed at The Yard, featuring plenty of exciting indie and alternative music faces.
Hosted by Louise Schofield and, Spill The Sound evokes the good old days of music TV shows incorporating styles from Popworld, Snub TV and Granada TV’s ‘So It Goes’.
The series itself is produced by Laura Graham of StreamGM, Greater Manchester’s multi-award streaming and media platform, who create and broadcast the show.
As an official partner with Audio North, this brand aims to spotlight creative voices across Greater Manchester and helped launch an industry careers podcast just last month.
Throughout March, the latest season of Spill The Sound (STS) will be bringing three episodes centred around some independent artists with very unique styles.
Listeners will be able to hear the likes of Andrew Cushin, The Guest List, Dirty Blonde and Megan Wyn, all of which have achieved incredible things while on the rise.
Another big get for the show is Andrew Cushin, who’s been mentored by none other than Noel Gallagher and already appeared on the bill as a supporting act for the likes of Paul Weller, Louis Tomlinson and many more.
Alt-rock duo Dirty Blonde are also featuring in this latest series and it’s no surprise either as they’ve already seen a buzz in the UK airwaves with praise from BBC Radio 1 and Radio X.
The latter of the newest lineup isn’t one to ignore either as Megan Wyn has been hailed as the ‘woman to watch’ by Clash Magazine and is set to support Alanis Morissette.
The Guest List playing hook-a-duck throughout their interview.Credit: Spill The Sound (supplied)
Every episode has been filmed at local music venue, The Yard Manchester, which provides the perfect space for these lighthearted interviews and spectacular pared-down performances.
This music platform has hosted and promoted lots of local talent including Antony Szmierek, Red Rum Club, The K’s, Hi Sienna and Seb Lowe, just to name a few.
The latest series of Spill The Sound kicks off with Andrew Cushin on Wednesday, 19 March with the remaining two episodes released in three-day instalments.
You can give it a watch when each episode goes live exclusively on StreamGM HERE or via the STS YouTube channel down below:
Featured Image – Publicity Picture (via Supplied)/Audio North
Manchester
Local artist Michael Browne unveils striking new piece after controversial Donald Trump portrait
Danny Jones
Local artist Michael Browne recently debuted another striking new work in central Manchester following his much-talked-about Donald Trump painting.
And if you’ve seen that one, you’ll know that’s quite the statement.
The 62-year-old Moss Side-born artist has enjoyed an increased level of popularity since and his statement piece and de-facto political cartoon following the result of 2025 US presidential election popped up centre-stage in a window on the corner of Deansgate earlier this year.
Now, just a couple of months on from his piece’s debut, Browne is back with another painting loaded with historical and social material that serves as a commentary on contemporary UK culture.
Taking a rather stark look not only at the British Empire and global politics – subjects he’s already flirted with plenty in the past – this towering new painting is entitled Sovereign Servant.
Designed to be a thought-provoking reflection on the legacy on the Empire and its impact on modern UK society as we know it today, it takes stylistic inspiration from Jean-Auguste-Dominique Ingres’ The Apotheosis of Homer, as seen at the Louvre.
Reimagining Britain’s colonial history, controversial impact across the globe; economic exploitation and ever-evolving national identity in a vibrant and truly eye-catching multi-character portrait.
Several faces can picked out from the crowd, including two very obvious royals smack back in the middle of the picture, but other standout aspects include Big Ben and the Palace of Westminster as the backdrop, as well the high contrast colour palette.
All set on the deck of a ship in the most obvious nod towards the nation’s naval fleet and centuries colonialism, not to mention a swirling stormy sky, there is a real sense of the movement to the image even with so many figures standing straight towards the the viewer.
Credit: Supplied
Unveiled to the public in a special event featuring a live Q&A at the museum, as well as series of drop-in sessions with Browne himself last week, his latest neo-classical creation certainly left an impression.
Speaking on its reveal, Browne said: “As a mixed heritage man from the North, I have often compared London’s royal heritage and standing as the centre of the British Empire with Manchester’s working- class heritage born out of industrial hard labour.
“I couldn’t resist juxtaposing these themes within one visual arena, contrasting the British desire for one overarching identity and the reality of a thriving multicultural society. I wanted to revisit those triumphant depictions of Empire to present a vision of how it appears to me today.”
Now on public display, it’s certainly something worth seeing up close for yourselves.