The city has given the world so much, from Coronation Street, to Vimto, football, and even rain – but above all, it’s known for its musical roots, having set countless iconic bands on their road to success and most-notably inspiring the creation of the iconic Factory Records and the ‘Madchester’ scene that followed.
From Joy Division and The Smiths, to Oasis, Elbow, and more, there are pieces of music history hidden across Greater Manchester – some you may not even know about.
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86 Palatine Road
It may be in the heart of West Didsbury, but it would be easy to walk past 86 Palatine Road without giving it a second glance – but this unassuming detached house split into flats was where Factory Records was founded in 1978.
It was in one of the top floor apartments where Tony Wilson and Alan Erasmus set up Factory Records. They would go on to release the likes of Joy Division’s ‘Unknown Pleasures’ and become one of the most influential independent record labels – playing a major part in the city’s transformation from an industrial powerhouse to a beacon of art and culture by reclaiming its past and leading a new wave of creative industries.
Although music lovers can’t go inside, there is a blue plaque commemorating the important role the apartment played in musical history.
86 Palatine Road, West Didsbury, M20
The Haçienda
The most famous of all landmarks of the Manchester music scene had to be the Haçienda.
Opened on the 21 May 1982, the nightclub and music venue was the brainchild of Rob Gretton and largely financed by Factory Records and the band New Order, along with label boss Tony Wilson. Everyone from The Smiths to even Madonna – who appeared there for her very first UK performance – played at the Haçienda, and it is known for being instrumental in the careers of many of the UK’s biggest bands, including Oasis and The Happy Mondays.
But it was during the ‘Madchester’ scene that the venue rose to fame, before becoming world famous during the Acid House years.
The nightclub was demolished in 2002 after years of issues and replaced by modern flats – with a plaque being all that remains of the legendary ravers’ paradise.
15 Whitworth Street West, Manchester, M1
86 Palatine Road & Haçienda Apartments / Credit: Manchester Digital Music Archive | Flickr
Epping Walk Bridge
To some this is just another bridge in Hulme – but to Joy Division fans, this is an important piece of the band’s history as it’s the bridge where one of the most famous photos of the Macclesfield band was taken by photographer Kevin Cummins.
Hulme, Manchester, M15 6DU
Free Trade Hall
It may now be home to a Radisson Hotel, but this is one of the most significant buildings in Manchester’s music history thanks to playing host to the famous ‘gig that changed the world’ in its upstairs venue The Lesser Free Trade Hall, when the Sex Pistols played to a crowd of about 40 people in 1976.
While the gig itself wasn’t anything out of the ordinary, what was special was that many of the those who attended were inspired enough to go on to form some of Manchester’s biggest bands, including The Smiths, Joy Division, The Fall, and Buzzcocks.
Peter Street, Manchester, M2 5QR
FAC 251 Factory Manchester
A nightclub and live venue, FAC 251 Factory Manchester is based in the former Factory Records headquarters at 118 Princess Street and the name comes from the fact that the label employed a unique cataloguing system that gave a number not just to its musical releases, but to artwork and other objects as well.
118 Princess Street, Manchester, M1 7EN
Free Trade Hall / Credit: Wikimedia CommonsSalford Lads Club / Credit: Flickr
Salford Lads Club
A must-visit for any The Smiths fan is the Salford Lads Club.
Not only is it famous for appearing on the inner sleeve of The Smiths’ 1986 album The Queen is Dead, it’s also the perfect excuse to recreate your own version of one of band’s most iconic photos.
St Ignatius Walk, Salford, M5 3RX
Southern Cemetery Gates
Another one for diehard fans of The Smiths, the Southern Cemetery Gates at Barlow Moor Road in Chorlton were the inspiration for their song Cemetery Gates, which focuses on Morrissey’s fascination with death – singing about taking a stroll through the cemetery.
One of Britain’s legendary music venues and practice spaces, The Boardwalk is known as the place where Oasis made their live debut, and is also known for having hosted other ‘Madchester’ icons such as The Charlatans and The Stone Roses.
Although the club closed in 1999 and was converted into apartments, there is a blue plaque on the building paying homage to the venue’s importance.
Little Peter Street, Manchester, M15 4PS
The Temple of Convenience / Credit: Geograph (Thomas Nugent)Sifters Record Shop / Credit: Twitter (@matt_cork)
Sifters Record Shop
For any Oasis fan, it’s worth paying a visit to Sifters Record Shop on Fog Lane in Burnage.
It’s where Liam and Noel Gallagher used to buy their music when they were growing up and it’s even mentioned in the band’s song Shakermaker in the line: ‘Mr Sifter sold me songs when I was just sixteen.’
177 Fog Lane, Burnage, M20 6FJ
The Temple of Convenience
This bar and former Victorian public toilet in the centre of Manchester is referenced in one of Bury band Elbow’s most famous songs Grounds for Divorce, with the line: ‘There’s a hole in my neighbourhood down which of late I cannot help but fall’.
The on-the-nose lyric is literally talking about a hole in the road of the street where lead singer Guy Garvey used to live.
100 Great Bridgewater Street, Manchester, M1 5JW
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Use Hearing Protection: the early years of Factory Records at the Science and Industry Museum is located on the first floor of the museum, and tickets are priced at £8 for adults and £6 for concessions, with under-12s going free.
You can find more information about the exhibition here.
Featured Image – pxhere
Audio
Review | Sam Fender headlines an unforgettable night at Wythenshawe Park
Harry Quick
In the beating green heart of South Manchester, Sam Fender delivered a night for the books at Wythenshawe Park – swapping the safety of arenas for something far more raw and electric under the open sky.
The Geordie hero – now a household name and one of Britain’s most beloved live acts – took to the stage with the confidence of someone who’s played stadiums, but the humility of a lad still jamming with his mates in a garage. And if you thought he’d rest on the hits, think again.
But before he unleashed his arsenal of chart-toppers, support from Bugman, Charlie Noordewier, and Olivia Dean warmed things up. Dean was the name on everyone’s lips, with an almost sell-out capacity turning up for the East London star who released her latest track ‘Man I Need’ on the same day.
Hits like ‘Nice To Each Other’ and ‘Dive’ got people in the swing, but – it has to be said – there was a glaring omission of ‘Rein Me In’, Sam Fender’s tune which featured Dean on an updated chorus! I think when people were heading for the exits at the end of the night, some stayed in their spots waiting for the inevitable classic that never came…
Sam Fender sounded great in the open air of Wythenshawe Park. (Credit: Audio North)
A track from his 2021 album got us going with ‘Angel in Lothian’ opening the show for the very first time – a bold move, but the right one. Fender, bathed in flashbulbs, delivered the track with aching intensity, and from the first note, Wythenshawe knew it was in for something special. No crowd warm-up needed. They were going for it tonight.
Then came the EP sledgehammer: ‘Spice’. The pit ignited. Flares. Flying pints. Lads and ladies on shoulders. Chaos in the best possible sense. Fender grinned, clearly feeding off the Manc crowd’s energy. “It’s good to be back, Manchester!” he shouted. And we believed him.
‘Will We Talk?’ and ‘Getting Started’ kept the tempo going for the opening of the set – indie anthems bouncing off the trees like echoes from another era. Then came ‘Arm’s Length’, pulling things inward, a slower riff from the most recent People Watching album, and definitely a fan favourite, as evidenced by the number of streams.
A reminder that Fender’s strength lies not only in volume, but can also pull out his softer side.
But in my eyes, it was ‘The Borders’ that provided the most memorable moment of the night. Mid-song, Sam invited a young fan, guitar in hand, on stage. Together, they nailed the song’s dramatic crescendo that speaks about Fender’s homelife growing up. Thousands watched, phone lights up, cheering on a moment that’ll surely live in that kid’s head forever.
No ‘Rein Me In’, ‘The Dying Light’ and no ‘Remember My Name’ was gutting, we’ll admit. (Credit:The Manc)
More People Watching material followed, including the haunting ‘Crumbling Empire’, giving us shades of Springsteen, which landed with a weight that silenced even the chattiest of crowd members. Then, halfway through the set, ‘Dead Boys’ brought it all crashing back – Fender’s OG storytelling at its most harrowing, the crowd singing every word with defiant pride. One of my all-time favourites!
As dusk gave way to darkness, ‘People Watching’ and the thunderous new single ‘Tyrants’ brought a fresh edge. Fender was in his element, throwing himself into each lyric like it was the last song he’d ever play.
But the true peak? ‘Howdon Aldi Death Queue’, with its extended outro! It’s jaw-droppingly good. I’m calling it the North East’s equivalent to ‘Free Bird’, and those comparisons can’t be named lightly. The guitar solo roared across the park like a jet engine, Hendrix by way of North Shields, with saxophones soaring and the band absolutely letting rip. It was glorious noise. Controlled chaos. Pure rock.
Just when you thought he’d played every card, ‘Alright’ made its tour debut. The crowd reacted like it was an old friend returning home. It fit seamlessly – big, bold and born to be played live.
And then, the emotional punch: ‘Spit of You’, a quiet and tender account of a relationship between dad and lad, before the inevitable eruption of ‘Seventeen Going Under’ to close. Undeniably one of his best tunes, it literally takes you back to traversing adolescence, standing in a park, drinking tinnies, listening to your favourite music… oh wait!
Just when the dust seemed to settle, Fender and the band returned one last time for a thunderous encore. And what better way to close out a legendary night than with ‘Hypersonic Missiles’; pyrotechnics blazing, confetti raining down, and the Geordie hero grinning from ear to ear as he stood arms-wide in front of a sky full of stars and a crowd full of love.
Sam Fender at Wythenshawe Park wasn’t just another tour date. It was a love letter to the North, to music, to the fans that got him here – and to the ones still screaming every lyric just like we do in our bedrooms.
Let’s hope the park’s grass recovers. We might need it again next summer.
Kaiser Chiefs continue debut album’s 20th anniversary celebrations with more tour dates
Danny Jones
Northern music veterans Kaiser Chiefs are set to continue the celebrations of their debut album’s 20th anniversary with even more milestone tour dates next year.
It’s hard to believe it’s been two decades since their very first LP, Employment, was first released, just before the onslaught of indie landfill took over the UK and beyond back in the 200s, but it really has been that long.
2025 has seen the beloved Yorkshire band rolling back the years and playing all the hits from the seminal debut record, and since the scenes at Glastonbury, Kendal Calling, Tramlines, Latitude and more have been such good vibes, they’ve decided to keep the party going even longer.
Announcing further tour dates next February, the Leeds legends will be heading back on the road before you know it and playing all of the hits.
Confirming a dozen new live shows, the noughties hit-makers behind ‘I Predict A Riot’, ‘Ruby’, ‘Oh My God’ and many more will be heading to Manchester for just the second stop on their upcoming tour.
Heading to O2 Victoria Warehouse on Saturday, 14 February, the ever-familiar British five-piece haven’t yet announced a hometown gig.
That being said, we have a feeling you can expect something extra special – perhaps a Temple Newsam 2.0 – to be revealed for them not too far down the line.
Speaking on the tour extension, frontman Ricky Wilson said: “This summer, we played a load of shows to mark the release of our debut album, Employment. It went well. Probably better than our first summer 20 years ago.
“It was the year after that first year that things really took off, so we hope you will join us in February to help celebrate with us ‘the year it really took off’.
“If you were with us the first time, or unfortunately missed out due to other commitments, we hope you will join us for a joyous lap of honour. (Plus, I spent quite a bit on a new blazer and want to get my money’s worth)”.
NEW: @kaiserchiefs NEW: Kaiser Chiefs are heading on the 'MORE Employment' tour, playing their debut album in full plus their greatest hits at #O2VictoriaWarehouseManchester on Sat 14 Feb!
— O2 Victoria Warehouse Manchester (@O2VicWarehouse) August 15, 2025
Our Audio North followers will be glad to hear that there a plenty of gigs taking place up at the top end of the country, and you can see the full list of ‘More Employment‘ shows down below.
Kaiser Chiefs’ 2026 UK tour dates:
13 Fri – Bradford, Live
14 Sat – Manchester, O2 Victoria Warehouse
15 Sun – Stockton, Globe
17 Tue – Dundee, Live House
18 Wed – Glasgow, Barrowland
20 Fri – London, Eventim Apollo
21 Sat – Hull, Connexin Live
23 Mon – Norwich, UEA
24 Tue – Swansea, Building Society Arena
26 Thu – Bournemouth, International Centre
27 Fri – Cambridge, Corn Exchange
28 Sat – Wolverhampton, The Halls
Tickets for the Kaiser Chiefs’ show here in Manchester, as well as all other nights live on Friday, 22 August from 9am; you can get ready to grab yours HERE.
We’ll see you there.
And until then, why not see what the lads had to say to our friends over at The Hoot when we interviewed them back in May?…
Emily Sergeant -
15th November 2021 
