Die-hard Oasis fans typically pride themselves on knowing the most intricate details about the band and its history, from where the first demos were recorded and when, to how Peggy Gallagher takes her tea, but we were surprised to learn that many don’t know who ‘Cast No Shadow’ is dedicated to.
Fans are already queuing up outside Heaton Park ahead of the Manc band’s massive homecoming, but we’d be curious to quiz how many of them know the story behind the track taken from Oasis’ seminal sophomore album, (What’s the Story) Morning Glory?
It seems that until very recently, even some of the most avid Britpop fans were unaware that the song was written with another icon of the genre and local music legend in mind: Richard Ashcroft.
While claiming it was written about him would be too reductive, and Noel Gallagher himself has openly clarified this, he has also regularly made it known that the tune and some of the lyrics, in particular, act as somewhat of an ode to the Wigan wordsmith.
Noel Gallagher dedicated "Cast No Shadow" to Richard Ashcroft.
"He always seemed to me that he was not entirely happy with the things that were happening around him. So the lyrics 'bound with all the weight of all the words he tried to say' was cos I always felt that he'd been… pic.twitter.com/a9baqa2ti7
The elder Gallagher brother has long maintained a deep level of admiration for Ashcroft, citing him as one of the best singer-songwriters he’s ever come across, and regularly felt like both he and The Verve were not given the recognition they deserved at the time.
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As touched upon briefly in the clip above, Noel dedicated the track to his friend Richard around the time that he split from his bandmates and began writing solo material, much of which has gone on to become beloved by countless Brits, certainly here in the North and Greater Manchester.
The now 58-year-old Oasis songwriter believes the ‘Bittersweet Symphony’, ‘A Song for the Lovers’ and ‘They Don’t Own Me’ writer, just to name a very small but stellar sample size, was overlooked for far too long and, to some degree, still is massively underappreciated.
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We tend to agree.
In fact, we think he put it best when he said this in a BBC Radio 1 interview back in 1997: “I don’t write songs about many people – I’ve written songs about him [Liam], I’ve written songs about me mam, I’ve written songs about my wife, I’ve written songs about Richard Ashcroft.”
“That man is a genius, and I tell you what, man, he ain’t doing it for himself: he’s doing it for me. He has got to be a better songwriter than me, and in return, I’ve got to write better songs than him. That’s what it’s about.”
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‘Cast No Shadow’ also led to one of the most beautiful but subtle pieces of art you can find anywhere in Manchester – a personal favourite of ours, we’ll confess.
Noel has revealed on multiple occasions that when he first played and revealed that he’d dedicated ‘Cast No Shadow’ to Ashcroft, Richard himself was left nearly ‘in tears’.
Speaking to The Guardian back in 2010, just a year after Oasis parted ways on the painful night in Paris, Ashcroft himself confessed: “I can’t work out if he means I’m a witch, vampire or just incredibly emaciated and thin cos, you know, I haven’t really got enough body mass to cast a shadow?”
You’d have to ask the ‘Champagne Supernova’ creator himself, but he’s said that while written directly about him, it is a tribute to his “genius”, and when his friend and fellow Greater Mancunian artist finally got his number one for ‘The Drugs Don’t Work’, he said he was “the happiest man in the world.”
His love for The Verve as a whole still remains, too, insisting that just like Liam’s love for The Stone Roses’ John Squire, he believes lead guitarist Nick McCabe is still “one of the best” he’s ever seen.
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The Live ’25 reunion has don’t plenty to reignite and an already firm love affair with one of the biggest bands there’s ever been, and it’s also encouraged a whole new generation and demographic of fans to dig further down into the various facets of being Oasis fans involves. Exhibit B…
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Danny Jones -
11th July 2025 
