A leading music industry lobby group has claimed that live music events such as concerts and festivals will still be safe to go ahead this summer.
But this is all providing the UK government aids in doing so.
A report by UK Music – Let The Music Play: Save Our Summer – said it was confident it could manage health risks if the government set a start date for the industry and introduces proper coronavirus (COVID-19) cancellation insurance.
Its chief executive Jamie Njoku-Goodwin acknowledged the pandemic was still raging, but insisted there was “an end point in sight”.
He continued: “Government is rolling out the vaccine and is openly speculating about returning to normal by the spring – but there is a serious risk that even if this proves to be a reality, lack of notice and available insurance options will mean much of the 2021 summer music season can’t go ahead.”
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The report – which has been published today ahead of a hearing in which music festivals will give evidence on their future to a group of MPs on the Digital, Culture, Media and Sport select committee – also called for targeted financial support, an extension to the VAT rate reduction on tickets, a rollover of 2020 Local Authority licence fees to 2021, and an extension to business rates relief.
UK Music unveils new report, Let The Music Play: Save Our Summer 2021, outlining strategy to restart live music industry when safe. #SaveOurSummer2021
According to statistics by UK Music and Live Music Industry Venues & Entertainment (LIVE), the live music industry is significant business that generated £4.7 billion for the UK economy in 2019 alone.
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But it has been almost completely closed since March, and as a devastating result of the coronavirus pandemic and necessary social distancing measures, up to 170,000 jobs throughout the industry as a whole were expected to be lost by Christmas.
Parklife Festival
And the sector is likely to be one of the last to reopen after the pandemic too.
This has meant that there are increasing fears that many venues will have closed for good, and that there will be a lack of skilled staff available when audiences are finally ready to return.
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Jess Murphy – a violinist who organised one of a number of musicians’ protests nationwide in October Let Music Live – said that the ongoing pandemic, along with the complications of touring caused by Brexit, were “absolutely” the perfect storm for the industry.
She continued: “As it stands with the Brexit deal, we don’t know how we can work in the European Union.
“We are desperate for the government to take this seriously and try and help us maybe in the form of some kind of culture and creative passport that allows you to work for say a year at a time, rather than a situation that would be dreadfully difficult to negotiate, where every single person would have to negotiate with every single country if they wanted to do a tour.
“It would get impossible because on a tour you need to be in maybe four different countries at a time just in a week for example.”
You can read the full Let The Music Play: Save Our Summer report via the UK Music website here.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Emily Sergeant -
5th January 2021 
