Olly Murs had the audience at the AO Arena Manchester sobbing last night after he paid tribute to his late friend, Caroline Flack.
The Heart Skips a Beat singer is best-known for his upbeat pop songs but took the time to honour his former friend with an emotional tribute.
He dedicated an acoustic version of Sweet Caroline to the presenter, who died in 2020.
Speaking to the crowd, Olly urged people to check in on anyone they thought might be struggling, saying: “Make the effort. Because you might be able to change what they decide to do.”
He described Caroline as ‘an amazing human’ and described her love for music and dancing.
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Olly also said: “The fact that she’s not here any more is horrible. I miss her every single day.”
The star then introduced his version of Sweet Caroline, saying ‘this one’s for you, Caz’.
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Fans who were there have reported sobbing their way through his speech and performance.
One person said: “Olly singing sweet Caroline had me sobbing. Cazza would be so proud of you @ollymurs!”
Another said: “Thank you so much for an amazing night! I cried and cried when you talked about Caroline, I lost my sister in April ’20 and I had tears streaming down my face when you talked about grief and loss. Thank you for a fab show! Good luck at your wedding.”
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As always, what a performance by @ollymurs 🤍 and what a tribute to Caroline Flack. 🌹 Sweet Carolineee Du Du Duuuu 🎶 it’s okay not to be okay, check in on those you know, you never know how someone is feeling on the inside. 😢💔 pic.twitter.com/cw25CTosKR
Someone else posted: “Olly Murs just did an acoustic cover of Sweet Caroline as a tribute to Caroline Flack and sobbed the whole way through it. Genuinely very lovely.”
Olly’s full speech about Caroline Flack said: “One of my good friends, in February 2020, took her own life. Miss Caroline Flack.
“It was a really difficult time for me. And it’s mad, because I was looking through some old Instagrams earlier, some old photos that we’ve got, and we used to spend so much time in Manchester because we used to do loads of filming for X Factor and loads of different things.
“So being here tonight is really really special.
“It was one of the lowest moments of my life. She was such an amazing human. We had our fights, we had our rows, we got on sometimes we didn’t, but she was always such a great person to be around, someone I loved very much.
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Olly Murs just did an acoustic cover of Sweet Caroline as a tribute to Caroline Flack and sobbed the whole way through it. Genuinely very lovely pic.twitter.com/vid6zRipqt
“So the fact that she’s not here any more is horrible. I miss her every single day.
“When you’re dealing with something like that it’s super super tough, and the only way that I could deal with it, with grief my way, is by music – by singing, and performing.
“That’s what she loved to do. You guys must have watched her on Strictly. She was incredible on Strictly, and not only that she was an incredible singer. So I wanted to do something on this tour to dedicate to her, a tribute to my lovely friend Caroline Flack who I miss every single day.
“So I’m going to sing this song for her. Before I sing it, if you know anyone who’s struggling real bad, or even if you don’t know it, if you think something’s not right, please speak to them, please give them a call, go round there and see them, make the effort. Because you might be able to change what they decide to do. Please please do it.
“Ladies and gentlemen, this is my version of Sweet Caroline. This is for you, Caz.”
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Daisy Jackson -
6th May 2023 
