Without a doubt, Shotty Horroh has come a long way from the streets of Harpurhey.
From selling mixtapes in town, to becoming one of the most respected rap battlers in the world, he’s got an internationally-recognised track record.
In 2011, when Shotty was fresh on the scene with no rap battle experience, he took on America’s top battler Dizaster. He went in as a huge underdog, and he won 3-0.
That was just the beginning.
Shotty continued to win battle after battle. But it was his bout with New Jersey’s Arsonal in 2012 that was particularly legendary.
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Not only was it one of the most anticipated battles at the time, it’s since amassed more than 13million views on YouTube.
Shotty Horror vs Arsonal. Image: Don’t Flop
For the past couple of years, Shotty has spent a lot of time in Canada working with producer Deadmau5 and Sony Music.
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After testing the waters with a load of different genres over the years, Shotty has released a number of genre-bending EPs.
It’s clear the rapper doesn’t fit into one box. The rock and roll sounds of his album Salt of The Earth in 2018 and the trap-hip-hop-R&B fusion of Misery Loves Company in 2020 are just two examples of what he’s all about.
I couldn’t even name another artist that can switch up their style and pull it off the way Shotty can. He just keeps on surprising.
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But although Shotty no longer makes grown men cry in the rap battle ring, he’s still as sharp as ever. His wordplay is smart and witty, but most of all unique.
For his next project, he’s revisiting hip-hop, with a brand-new five-track audio drama The Teller.
This time, his music has taken a storytelling route. The EP is complete with a dark plot line, which encompasses five key elements – family, debt, crime, murder and betrayal.
It’s going to be an emotional ride.
https://www.instagram.com/p/CKD6xWqhNUj/
The lyrics are deep and chilling from the get-go. The first track, ‘Dave’s Dilemma’, sets the scene of the drama – the story of a family man who’s got himself into trouble with a crime family.
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With each track, the story twists and unfolds as Dave scrambles to protect his family and repay his debt. He becomes tormented by his actions and is overcome with regret. The tracks are graphic – and at times disturbing – forcing images into your mind of the drama that’s developing.
The story concludes with ‘Vultures Fly In My Head’. It’s an intense and revengeful outcome, but I get the feeling the story doesn’t really end there.
Image: Rick Charles Media/Shotty Horroh/Instagram
The Teller has a sinister narrative, but it’s definitely gripping. Once again, Shotty proves he’s a man of many talents, telling stories through music in the most unexpected ways.
What’s next for Shotty, I wonder? A return to his rap battle heritage? My guess: only an opponent with the biggest of balls could tease him from retirement.
But for now, The Teller is available for pre-order from 16 January – strap yourselves in!
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Oasis 2027 tour announcement is imminent, as drone show lights up Manchester
Daisy Jackson
An Oasis tour announcement appears to be officially on the way, with a huge drone display lighting up the skies above Manchester.
The Manchester band sent up drones above their beloved Manchester City’s home ground, the Etihad Stadium, which just so happens to be the venue that rumours are tipping for their 2027 tour dates.
And after weeks of teasing and cryptic videos, hints on X, and leaked dates, we finally know when Oasis will be announcing their 2027 tour for real.
The drones above Manchester late last night spelled out ‘Oasis. 4pm BST. 14.09.26’.
The display took place around 11pm, just as thousands of music fans were leaving an Evanescence gig as the nearby Co-op Live.
Liam and Noel Gallagher finally put aside their differences back in 2024, announcing an Oasis reunion tour for the summer of 2025.
Oasis Live ’25 set the world alight, and included five massive nights at Heaton Park in their native Manchester.
And it’s looking like their 2027 tour will be even bigger, with rumours suggesting a whopping 12 night residency at the Etihad Stadium next summer.
Appeal launched to find the owner of live chickens found at Creamfields festival
Daisy Jackson
The hunt is on to find the owner of a pair of chickens who were discovered at Creamfields festival.
The two birds were spotted on the grounds of the huge electronic music festival by bewildered festival-goers.
The cockerel and hen were trapped in a hedge, after it appears they wandered onto the festival campsite before the security barriers were installed.
The birds then found themselves trapped inside as around 70,000 music fans poured into Cheshire for a line-up that included Calvin Harris, Swedish House Mafia, Disclosure, and Tiësto.
The chickens have been safely rescued from the Creamfields festival site and are recovering at a wildlife centre, and now the RSPCA is on a mission to find their owner.
Festival-goers first called the RSPCA on Saturday 29 August to alert them to the cockerel and hen trapped inside the festival, one of whom assisted in the rescue mission.
RSPCA Inspector Leanne Cooper: “I was surprised that they were inside the festival site and I needed to get through the road blocks and security before reaching them on foot through muddy fields. I met the caller who helped me as they were just running up and down the hedge line where there was a wire fence blocking access.
Where the chickens were discovered at CreamfieldsThe RSPCA wants to track their owners down
“We managed to guide them out and I caught both of them with my rescue net which was a bit of a sight for the festival campers.
“I don’t think they were abandoned and they’re more likely to be stray because it’s farmland all around the festival site. They don’t have any health issues, apart from being quite underweight.
“With the fences going up a week before the festival starts they’d probably been unable to get out for some time and had been left foraging in the hedge. Someone mentioned that a third bird was also trapped, although we couldn’t find any others.
“I am really grateful to the festival-goer who found them and alerted us to their plight.”