SZA has announced a huge Manchester gig this summer as part of a new European tour.
The S.O.S. Tour will see the star performing at the AO Arena, as well as two nights at the O2 Arena in London.
The tour was announced this week in support of SZA’s latest album of the same name, and includes massive dates right across Europe.
She released S.O.S. last December, where it shot to the top of the albums chart in the USA and reached number two here in the UK.
It came five years after the release of her debut Ctrl.
SZA has also scooped up masses of awards, including a Grammy, two MTV VMAs, and two Billboard Music Awards, as well as an Oscar nomination for All The Stars with Kendrick Lamar.
The 33-year-old star has collaborated with some other massive names over the years, including Doja Cat, Lizzo, and Maroon 5.
SZA will be supported by British star Raye on her upcoming European tour, including her Manchester gig on 13 June.
O2 and Three pre-sales will start from 10am on Wednesday 12 April, with a Live Nation pre-sale from 10am on Thursday 13 April.
General sale tickets will be available from midday on Friday 14 April.
Full 2023 UK and European tour dates for SZA
1 June – Ziggo Dome, Amsterdam, Netherlands
5 June – Accor Arena, Paris, France
7 June – Hallenstadion, Zurich, Switzerland
9 June – Mercedes-Benz Arena, Berlin, Germany
11 June – Lanxess Arena, Koln, Germany
13 June – AO Arena, Manchester
15 June – OVO Hydro, Glasgow
17 and 18 June – The O2, London
21 June – 3Arena, Dublin, Ireland
Featured image: Publicity picture
Audio
Revenue from Manchester’s ‘big gigs’ to go towards supporting local grassroots music venues
Emily Sergeant
Manchester City Council is set to earmark almost £250,000 to support grassroots music venues in the city.
Following on from the success of the city’s huge summer of music, which in recent weeks has seen hundreds of thousands of fans converge in the city to see massive names like Olivia Rodrigo, Billie Eilish, Charlie XCX, Elbow, and Robbie Williams, as well as other talents like Fontaines D.C. and Sam Fender still yet to come.
Oh yeah, and there was also that small matter of Oasis reuniting for five nostalgia-drenched gigs in Manchester’s Heaton Park earlier last month.
Over the course of the summer, it has been estimated that Manchester will have attracted a whopping 1.3 million music tourists, which is being described as a ‘tremendous’ boost for the city’s economy as a whole, especially the hospitality industry.
Revenue made from Manchester’s ‘big gigs’ this summer is to go towards supporting local grassroots music venues / Credit: Eldhose Kuriyan | Joshua Hanson (via Unsplash)
These huge events are also generating income for the Council too, either by being hosted in the city’s largest parks with commercial arrangements for their use, or through the business rates paid by major venues – and it’s this income that has been earmarked to go towards supporting grassroots music venues throughout the city.
As well as reinvesting part of this revenue into parks and greenspaces, the Council is planning to set aside £245,000 to be made available in financial support for Manchester’s grassroots venues.
While exact details are in the process of being finalised, the intention is that the scheme will be administered by the Music Venue Trust to ensure that the money gets to where it is needed as ‘quickly and effectively’ as possible.
It’s estimated that Manchester will have welcomed 1.3 million music tourists before summer’s out / Credit: Nathan Mullet (via Unsplash)
“Manchester is a big noise in the music world,” commented Councillor Bev Craig, who is the Leader of Manchester City Council, “and this summer, all eyes have been on the city as we’ve hosted some huge concerts and seen unprecedented success in our large venues.
“But while the biggest gigs might dominate the headlines, we know they are only possible because they are part of a wider ecosystem, with grassroots venues providing the launchpads for acts to develop and grow.
It's been a BIG summer of music in Manchester.
We've got pioneering plans to use money raised by some of the biggest gigs to support our grassroots venues – a vital ingredient of the city's amazing music scene: https://t.co/8ekQN7AmGBpic.twitter.com/MpVWpeHqbk
— Manchester City Council (@ManCityCouncil) July 31, 2025
“We know that across the country, grassroots venues are struggling. That’s why we want to ensure that our grassroots venues can share some of the benefit from the success of those big events.
“We’re blessed in Manchester with an array of great smaller venues.
“They are there to be enjoyed and I’d encouraged anyone who values them to get out and support them.”
Featured Image – Rahul Kukreja (via Unsplash)
Audio
Five Manchester artists we’ve been listening to this month | July 2025
Danny Jones
Hello again, it’s us: The Manc, or more specifically, our Audio North arm – back to talk about the music coming out of Greater Manchester that we’ve been listening to over the past month.
If you’re new here, it really is as simple as that, and whether they’re revered veterans of the region’s music scene or what we think might be the next up-and-coming thing, as long as it’s from ’round our way, we’ll give it a chance.
Five native artists, three recommended tracks from each and hopefully hours of exciting new listening if you play your cards right.
Headphones and playlists at the ready. Here’s what we had on in July.
Manchester music we’ve been into recently
1. poor effort
We’re kicking things off with an experimental project from Salford-born and Manchester-based musician and writer, Matty Dagger, whose new outing in the spoken word space immediately caught our attention when it came down the grapevine. It’s a bit alternative, a bit punk and very Manc. We love it.
Some might say it’s reminiscent of Yard Act and Sleaford Mods, which would be fair, but more specifically, our first listens gave us Stockport’s very own Hello Cosmos with a sprinkling of Oldham’s Seb Lowe (both previous monthly picks). The lyrical/vocal delivery is charmingly casual and anecdotal.
Dagger’s poor effort couldn’t be anything less than; there seems to be a very considered approach to the more electronic style of spoken word and poetry-driven music. You can complete the discography already, but we’d start with ‘you’re wrong, i’m right (symphony)’, ‘HMRC’, and then ‘City of Hope’.
Cool visual aesthetics going on too.
2. Victoria Jane
Next up is a big knee-jerking turn in genre and overall temperament, as if Dagger has been making us pay microscopic attention to every word and Greater Mancunian reference, this local musician hooked us in with her somewhat quieter but inviting timbre of voice and smooth, almost sleepy melodies at times.
Victoria Jane may have been born in London, having previously collaborated as part of the Vibbar collective, but having moved to 0161 as a kid and falling in love with Man United, she’s always immersed herself in the Northern way. The R’n’B act also presents BBC Radio 1 ‘Future Soul’ show.
Her work really hits all the notes you want, from smooth and soulful singing, to not quite voice cracks but soft, intentional breaks that often feel nigh on agonising – as if she’s into you and welcoming you to slump back the other way. ‘The One’, ‘Voicenote Freestyle’ and ‘On My Own’ are our picks.
Number three is, admittedly, another big whiplash when it comes to overall experience, but it’s one of the most unique musical discoveries we’ve made in a hit minute. This musical duo is called Phellotape, conceived by double bassist Alice Phelps and multi-instrumentalist producer Thomas ‘Twem’ Twemlow.
They met while playing in the queer alt-rock outfit, The Irrepressibles, but this project could be branded as anything from alternative and/or experimental to maybe even art pop. All we know is the multi-talented mix of instruments within almost every section, and pulling from numerous styles is pretty staggering.
Rather fittingly, there are only two recorded tracks to their name so far; ‘Rain’ is a quiet, atmospheric song that puts you in mind of London Grammar with a mix of the xx and Massive Attack, while ‘Hungry Ghost’ is quite easily one of the most interesting tunes we’ve heard in the past decade. No exaggeration.
4. 10cc
Fancing something more familiar for number four? Well, as a born and bred Stopfordian myself, every now and again I go back and admire some of the incredible names that recorded at the town’s famous Strawberry Studios – one of which is Stockport‘s very own 10cc. Great name, great band.
The moment I heard my then-teenage brother play ‘Donna’, I was baffled as to why he was playing what I then just dismissed as “old music”, before it quickly got stuck in my head. Is it their best tune? No. Does it still hold a special place in my head and heart? Yes. Do they have other standouts? Absolutely.
For the record, while most people recognise the likes of the controversial ‘Dreadlock Holiday’, I’d argue ‘Good Morning Judge’ is their best track and the first time I listened to it, I thought it was one of the coolest sounding intros ever. Still do. ‘I’m Not In Love’ with them, but they are a core childhood memory.
A hugely undercelebrated of Greater Manchester music history (Credit: AVRO/Dirk Annemans (via Wikimedia Commons)
5. Oasis
Speaking of legends who evoke nothing but feelings of hometown pride, legacy and pure admiration, it’d be the most see-through lie ever to pretend that we haven’t spent most of this last month listening to the almighty Oasis amid their comeback tour.
We had the pleasure of being there at Heaton Park and up on ‘Gallagher Hill’, which now has its own precious place in British music history, and July as a whole still feels akin to a fever dream and similar to what we imagine Glastonbury is like for those nearby when it takes over their entire universe.
July 2025 really was “biblical” and we don’t think we’ll ever get over it, so, last but not least, we’d thought we’d give a special shout-out to some of our favourite tracks that didn’t make the setlist. ‘Don’t Go Away’, ‘Shock of the Lightning’, ‘Round Are Way’. Done.
As The Masterplan proved, everything from the so-called ‘filler’ album tracks to those B-sides is better than most other bands could dream of. As you were x
Daisy Jackson -
11th April 2023 
