In the week that COVID-19 restrictions have lifted and Manchester’s clubs and venues are beginning to buzz again, a flood of new music has arrived just in time!
With everything from indie-pop to jazz and soul, we’ve got a varied selection of tracks to share with you during the first edition of our brand-new weekly top 5 releases list.
So, in no particular order, find The Manc Audio’s pick of the bunch below – with a preview of our New Manchester Music playlist at the bottom.
Ceeow – Fadeaway
In this crazy world, hip-hop artist Ceeow manages to maintain a calm and collected mantra, producing music that encourages mindfulness and positive energy.
His latest track ‘FADEAWAY’ is an indication of how his mind works.
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It’s uplifting, melting together hip-hop, jazz and chillwave under soft spoken lyrics that instantly put you in a better mood.
And we could all do with a bit of that right now, right?
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LayFullstop – Receipts
LayFullstop is back with her first release of the year.
LayFullstop released her first track of 2021 this week, too.
‘Receipts’ layers her signature soulful vocals over jazz-style beats that are so easy to connect with and that’s what we love about Lay’s music. This one’s taken from her upcoming 12-track mixtape ‘STiR’ so there’s plenty more to come soon.
It follows the success of her Cherries EP and stunning Colors show of 2019. And fresh off the back of her Manchester International Festival performance, she’s ready to show us what she’s been working on.
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Green Wire – Looking Back
Indie-rock pop fusion newcomers Green Wire have dropped their debut single ‘Looking Back’ this week.
The track is intended to capture the pain and disappointment that creatives and the music industry have faced this past year-and-a-half and we’re pretty sure they’ve nailed it.
After first meeting at the Manchester BIMM institute, the lads decided to pool their musical skills and influences to form something new. And in early 2021, Green Wire was their new direction. They’re only just getting started, but could be ones to watch this year.
Foxglove – Birthday
Quirky band Foxglove have dropped another single this week.
Euphoric indie-pop four-piece Foxglove are back with new stuff.
‘Birthday’ is another example of how the band like to play around with ambient guitars and experiment with a spacey sound. The track is super lively and tells a story about growing up and learning life’s many lessons.
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Fronted by lead vocalist Abi White, the band are fun and full of energy – the perfect tonic to life right now.
Catch them at Open Beat’s showcase at Off The Square on 30 October alongside Kosomauts and Kestrel Palace. Tickets available here.
The Mouse Outfit – Limelight
‘Limelight’ is the new one from OneDa, Superlative and the rest of The Mouse Outfit crew.
The collective are known for their eclectic approach to making music, by teaming up with countless producers and musicians over the years to create something completely fresh each time.
This latest one sees a collab with five rappers from across the UK, including Liverpool rapper Koj whose accent comes through strong amidst his effortless flow.
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Have a listen to all the releases on our New Manchester Music Spotify playlist below.
Featured image: Ceeow – credit @sseannewtonn/IG
Music
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Hannah Starkie -
23rd July 2021 
