Come November, it’ll be almost three decades since Factory Records folded. But someone forgot to turn the music off on the way out.
Wherever you go in Manchester, you’ll hear the label’s records playing. The city remains as proudly black and yellow as the day Hacienda designer Ben Kelly wrapped up the superclub’s pillars in bumblebee coats.
Even the famous FAC catalogue – an inventory to which each Factory Records item was assigned – is still alive and well; the 40th anniversary edition of Joy Division’s Unknown Pleasures receiving a number in 2019.
The world has changed in the 43 years since Factory was formed, and three of its five founders aren’t with us anymore. But the label – and its legacy – endures; gaining a new lease of life with every salvaged anecdote or long-lost artefact plucked from the archives.
Not even FAC’s instigators – Tony Wilson, Peter Saville, Alan Erasmus, Rob Gretton and Martin Harnett – could have predicted they’d leave such a permanent mark on Manchester. Although the ambition was there from the beginning.
ADVERTISEMENT
This quintet of movers and shakers did something different by taking the region’s industrial aesthetic and channelling it into art – and they brought aboard other people who thought like they did.
The artists that peddled the Factory sound were similarly open-minded, embracing trailblazing technology, instruments and techniques to produce a pioneering form of style and sound. It led to the label quickly acquiring its own unique look and feel – and any product befitting of ‘Factoryness’ was assigned a prestigious catalogue number.
ADVERTISEMENT
All of it was new, exciting, and wildly ahead of its time. And this extended to representation.
As a new exhibition at Museum of Science & Industry reveals, an embedded narrative runs through the Factory story: The prominent role of women.
A new exhibition at Museum of Science & Industry reveals the prominent role of women in the Factory story – including Lindsay Reade (centre) and Lesley Gilbert (right)
Use Hearing Protection (UHP) – an exhibition chronicling the early days of Factory Records – currently houses the first 50 items of the FAC catalogue, including some items on display for the very first time.
ADVERTISEMENT
Discontent with simply scratching the surface, UHP delves deeper into the origin story of the label – analysing the backdrop from which ideologies were born and what it was like to live in Manchester in the 1970s and 80s.
Beyond the series of display cases paying homage to the era, UHP moves towards the realms of sociological study. And in doing so, it awards spotlight to the lesser-known figures of the Factory family and beyond – including the females that helped push the label’s status beyond ‘visionary’ and into ‘immortality’.
1978 was a time when opportunities for women in music were limited at best. Yet, as UHP reflects, Factory would not have come to fruition or thrived without several key female members.
Use Hearing Protection explores the landscape that Factory Records – and its pioneers – grew from.
Use Hearing Protection explores the landscape that Factory Records – and its pioneers – grew from.
Several “relatively unsung pioneers” in the Factory story receive renewed recognition at UHP, with sections dedicated to the likes of general manager Lesley Gilbert – an essential behind-the-scenes leader who “ran the Factory office”.
The exhibition also focuses on Lindsay Reade – Wilson’s former partner who helped get Factory off the ground with her input and savings. Reade was a crucial participant in the early part of the story and even wrote a book all about it – Mr Manchester and the Factory Girl (which is on sale at the Museum shop).
ADVERTISEMENT
Further tributes are paid to Gillian Gilbert, the talented keyboardist and guitarist for New Order, and artist Linder Sterling – whose conceptual work The Factory Egg Timer concept was assigned number FAC 8 in the Factory catalogue. Sterling would also form the group LUDUS – one of the first acts to perform at the Hacienda during the superclub’s opening year in 1982.
Another credited with contributing to the overall movement is Liz Naylor – a writer who worked on local music magazine City Fun and penned a film script titled Too Young to Know, Too Wild to Care (see FAC 20).
The exhibition itself has also been curated by a female: Archives Manager of the Science and Industry Museum Jan Hicks.
The Use Hearing Protection exhibition charts the early days of Factory and finishes in The Hacienda in 1982
Many of the instrumental figures throughout the history of Factory Records were women – from the label’s inception right up to its final days.
Indeed, shortly before label execs received the bill for Happy Mondays’ indulgent Barbados recording session of Yes Please! (a critical and commercial flop now best remembered for hammering the final nail in the coffin of Factory Records), great art was still being produced by women. A perfect case in point was Cath Carroll – whose England Made Me LP from 1991 is considered as one of the label’s least-known, best-received productions.
ADVERTISEMENT
Factory closed down forever in 1992 as the Madchester era fizzled out, with its flagship club The Hacienda following suit five years later.
But curiously, public interest in those heady days has only piqued. People are eager to remember a time when Manchester was centre of the universe.
And as for the group that made it happen? It was a little bigger and a lot more diverse than many might have thought…
—
Use Hearing Protection: The early years of Factory Records is open now – running right through to 3 January 2022.
ADVERTISEMENT
An after-hours celebration of Manchester’s music scene will also take place on 23 September.
Pulp announce full UK tour with massive Manchester date
Danny Jones
Britpop legends Pulp are well and truly back, with the Yorkshire band confirming a whole new raft of domestic dates, including one absolutely massive gig here in Manchester.
The alternative, art rock and indie pop tastemakers of the 1990s originally booked in a run of summer shows last year after announcing an official reunion along with a first return to North America in more than a decade back in March, and now the Sheffield stars are making it a proper tour.
With Jarvis Cocker, Candida Doyle, Nick Banks and Mark Webber all set for a proper UK and Ireland comeback, we can’t wait to see them up on stage again.
And as far as Manchester venues, it quite literally doesn’t get bigger than this.
While their long-waited homecoming appearance at Tramlines Festival at Hillsborough Park already nailed on as a sell-out, especially after having handpicked the 2025 lineup, we’re all in with a chance to see them back in the North.
Pulp enjoyed a short reunion back in 2011 and couldn’t resist playing a number of special performances in the summer of 2023 either; it looks as though the reception from the fans who’d been patiently waiting for them to grace us once again.
Informing the masses on socials, Cocker wrote, “You deserve more – and we have more. In fact, we have More – (but that’s a whole other story… you’ll have to wait a little more time to hear that one). In the meantime: see you this Summer!”
Make of that somewhat cryptic middle bit what you will but yes, sir: you will indeed be seeing us and we can’t wait to scream ‘Do You Remember the First Time?’ in perfect pitch, we promise.
Scheduling their return to Manchester as what is now not just the biggest indoor entertainment arena in the city but one of the largest and most state-of-the-art in Europe, Pulp will be heading to Glasgow and Dublin before a double bill in London and a stop off in Birmingham before their Co-op Live debut.
Jarvis Cocker on IG:
"we have more to tell you – but that's another story, you'll hace to wait a little more time to hear that one"
General sale tickets to see Pulp in Manchester at the Co-op Live arena will be available from 9:30am next Friday, 21 February, but pre-sale for the gig will be available to those on the mailing list on Tuesday (18 Feb). Official Co-op members can also access it the following day (Wed, 19 Feb).
The sensational summer date is set for Saturday, 21 June – get ready to grab yours HERE.
Now is probably a good time as any to ask that fateful question: which is the best Pulp song of all time? I think you already know our answer.
Featured Images — Lauren Krohn (press shot supplied)
Music
Moovin Festival announces 2025 lineup for much-loved Stockport event
Danny Jones
The much-loved Moovin live music festival over in Stockport is back for 2025 and the lineup is looking udderly brilliant.
Sorry…
In all seriousness, the increasingly popular festival is one of the Greater Manchester borough’s biggest dates on the calendar and we can’t wait to mosey back on over to Whitebottom Farm this summer.
Set to return for it’s 11th year, Moovin Fest is shaping up to be one the best yet, as proven by every single one of the early bird tickets being snapped up in a flash – here’s the lineup:
Moovin Festival lineup 2025Last year was a stormer
Taking place at the idyllic and eco-friendly outdoor space located within Etherow Country Park in the villahge of Compstall, Whitebottom is often used for weddings and other special events – but none quite as big as Moovin.
It may have started out with a little over a few hundred people back in 2014 but since the flag-flying Stockport music festival has grown to a capacity over more than 5,000; while it’s still a fairly modest affair compared to other Northern contemporaries, its just as rich in culture and entertainment.
As you can see, the 2025 lineup is headlined by the revolutionary jazz-fusion ensemble, Ezra Collective, whose innovative sound has garnered international acclaim.
Fresh from their awe-inspiring Wembley show, a Mercury Prize win back in 2023 and a four BRITs nominations thus far, Ezra’s music is a masterful blend of jazz, afrobeat and soul, characterized by infectious grooves, intricate melodies – music you simply have to dance to.
Joining the festivities will be the French house maestro and WHP favourite, Folamour, renowned for his soulful and emotive sound, as well as his captivating onstage charisma, making his performance an absolute must-see.
The lineup continues to impress with the inclusion of drum and bass pioneers Fabio and Grooverider as well as Roni Size; local funk and soul luminary Craig Charles, Manc legends Graeme Park and DJ Paulette, hip-hop royalty in The Sugarhill Gang and MANY more.
Be it rising stars or old-school Hacienda icons doing what they’ve done best for the past few decades, there’s something for everyone.
They’ve welcome everyone from Orbital and Groove Armada to De La Soul, Basement Jaxx, DJ Jazzy Jeff, Lee Scratch Perry and countless others in the past and we’ve never heard bad word about this lively but equally family-friendly weekend.
Speaking ahead of this year’s return, the organisers said: “Moovin Festival is an exceptional celebration of sonic brilliance, eclectic music and quirkiness, all set within a beautiful and intimate environment.”
“Attendees can expect a lot of quirkiness and a host of amazing DJs and bands playing across cutting-edge sound systems alongside holistic healing treatments, yoga sessions, and captivating circus performances, all infused with a warm and welcoming vibe.”
As they go on to add: “There are no VIP areas, no overbearing security teams—just a hint of 90s free party magic and a close-knit community of music lovers who welcome everyone with open arms.”
Spread across six fantastic stages, including the aptly named ‘Barn’, the next Moovin Festival takes place from Friday, 13 to Sunday, 15 June 2025.
Meanwhile, Stopfordians are being forced to wait a little longer for their fist taste of festival season as another cult favourite has sadly been postponed.