The families of a local couple who died in a fatal funicular crash in Lisbon have now paid heartbreaking tributes to them.
The British citizens, who have been named as 44-year-old William Nelson and 36-year-old Kayleigh Smith, lost their lives when a car of the iconic Ascensor da Glória – which was a funicular connecting Bairro Alto and Restauradores Square – derailed and crashed on last week on 3 September, resulting in a devastating 16 deaths and 23 injuries.
According to authorities, the car at the top of the hill was derailed, and sped ‘uncontrollably’ downhill before crashing into a building near the bottom.
An investigation into the incident was subsequently launched by the Office for the Prevention and Investigation of Accidents in Civil Aviation and Rail (GPIAAF) and Carris, which is Lisbon’s public transport operator.
An initial report by the GPIAAF stated that the cable connecting the two cabins of the Glória elevator broke at its attachment point to the top car, resulting in the crash.
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It also stated that the brakeman, who was killed in the crash, had tried to apply the emergency brakes but without success.
Paying tribute to Kayleigh, a family friend said: “Kayleigh was loved by family and friends for her wit and humour, her kind and caring nature came to the fore in her work as a funeral operative. She was also a talented theatre director and had just completed a Master’s Degree.
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“They both leave family and friends heartbroken.”
Heartbreaking tributes have been paid to a local couple who died following Lisbon funicular crash / Credit: Terry Kearney (via Flickr)
Will’s younger brother added in tribute: “Words cannot begin to describe how our family and friends are feeling right now but here is the best attempt.
“This week, due to a tragic accident in Lisbon, Portugal, we lost Will Nelson, who was not just my big brother but everyone’s. He was always kind, selfless, and protective and the world does not feel right or normal without him.
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“He was and has always been my hero, and we will miss you always. Love you, rest in peace, you legend.”
Their families continue to ask that their privacy be respected during this tragic time.
Featured Image – Cheshire Police
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Five Manchester artists we’ve been listening to this month | September 2025
Danny Jones
‘Hello… is it more Manc tunes you’re looking for?’ because if so, you’re in the right place, as it’s time to reel off a whole new list of new music and Manchester artists we’ve been listening to over the past 30 days or so.
Give or take – you know how months work.
If you are new around here, it’s all very simple: every few weeks, we round up a load of local bands, duos, solo acts and everything in between to help spread some love and exposure to the wonderful talents that have been stuck in our rotations and so on.
Honestly, it really is that straightforward, and there’s no point in faffing around any longer, so let’s just get stuck into September’s Manc artists of the month.
Manchester music we’ve been listening to lately
1. SHADE
Now, this first one is rather bittersweet, because despite having just gotten back into SHADE, we’ve sadly learned that the lads are seemingly looking to wrap things up as a musical unit in just a matter of days with their final ever headline show right here in Manchester.
The native four-piece band have always managed a good balance of the indie-rock split and, in our opinion, only gotten better with time; the instrumentation is tighter, Luke Owens’ vocals have come into their own, and the overall music itself is better produced.
Unfortunately, the lads never quite got the following we feel they deserved, and for whatever reasons, they confirmed they’re calling time after five years with one last gig at Gorilla. There’s a farewell after-party at Night and Day too, so come help us sing ‘Neverdie’, ‘Break Out’, ‘Lost in The World Together’ and more one last time.
2. Roxanne
From an example of a group coming to the end of the journey to one just at the beginning of theirs, number two is fellow Manc indie and alt-rock outfit Roxanne, who look to be developing a slow-moving, haunting, ethereal wave/shoegaze sound. It’s still too early to tell, but we’re certainly interested.
These guys recently caught some attention via grassroots events at the likes of Stage and Radio, and Mother Mary’s; now they have ours. A minor gripe, ironically, is that these lot are yet to put on the red light and record much studio material – at least nothing that they’ve dropped as far as we can find so far.
On the upside, you can at least be in from the ground floor for when they do finally release stuff, and even from the little demo teasers they’ve shared on social media so far, we think it’s well worth keeping an eye on how their first proper releases fare.
In at number three is someone at the opposite end of the spectrum: New Jersey-born BC Camplight – real name, Brian James Christinzio – who’s been around for some 20 or so years now, releasing plenty of music, but that we’ve somehow only just started cottoning onto now he’s based in Greater Manchester.
Camplight released album number seven just this past June, and it’s nothing short of one of the coolest, most creative, candid and most surprising things we may have EVER listened to. It feels abstract, post-modern and absurdist at times, but the highly idiosyncratic and anecdotal lyrics remind us of John Grant and a slightly calmer sounding Petey USA.
We’ll definitely be working our way backwards through his discography over the coming weeks to see how he’s developed such a unique sound over the decades, but for now we’ll reccommend you start with ‘The Tent’ and ‘Two Legged Dog’, which features Abigail Moss from The Last Dinner Party, as well as the title track, ‘A Sober Conversation‘. Some truly staggering and style-sprawling work.
You can help but wiggle your head and shoulders within seconds of hitting play.
4. Mae Grace
Switching from post-modern vibes to post-punk, next up is a fledgling five-piece fronted by, you guessed it: Mae Grace Williams. Another product of BIMM (British and Irish Modern Music Institute) University’s city centre campus, like Roxanne, they’re also still very early days, but there’s undeniable talent there.
Backed by the monthly ‘New Cult’ nights, which are hosted by indie record label Heist or Hit and held at NQ pub turned live music venue, The Rat and Pigeon, not only must we praise the showcase itself, but we’re not the only ones who have been intrigued by their embryonic stages.
There are elements of spoken word and prog rock guitar at points; we don’t know exactly what genre we’d call it or what they’re even going for in their infancy, but with another gig this autumn supporting Adult Leisure on Sunday, 2 November, your best chance of judging for yourselves is seeing them live.
Last but certainly not least is another Manchester-based project we’ve only just come across, but with just three songs to their name on Spotify, we don’t think we’ve been quite this excited by a local debut for a while now. And for bloody good reason, we think.
Moss Side Sauna Club isn’t just one of the best band names we’ve heard in ages, but the highly alternative, DIY, almost garage-rock act which throws in all manner of distortion, electronics, pedals, and more to build their deeply-layered and admittedly rather noisy experience. MSSC is its own sonic profile.
Even with all the processing and effects, it somehow doesn’t sound too cluttered either – at least not on tape, anyway. We’re yet to see them live for ourselves, but the triumvirate consisting of Will Brooks, Maddy Storm and Sam Craighan have got us gassed with their first trio of tracks. Watch. This. Space.
Would you look at that? We’re done with September’s round-up of new Greater Manchester music we’ve been listening to lately, just like that.
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It wasn’t intentional, but by and large, we really did spotlight some very up-and-coming acts on the scene for the most part. We love finding musicians right at their inception or riding the crest of a fresh wave of interest.
As always, we’ll be back again next month with more for you and in the meantime, you can always look back at Manchester bands and artists, be they new, current or old, that we’ve spotlighted in the past.
Featured Images — Bella Union/press shot (supplied)/SHADE (via Facebook)
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NHS to set up new ‘online hospital’ that gives patients more control over their care
Emily Sergeant
It’s official, the NHS is setting up a new online hospital.
In what is already being described as a ‘significant’ reform to the way healthcare is delivered in England, the Government has announced that the NHS is setting up an ‘online hospital’ known simply as NHS Online – which will not have a physical site and instead digitally connect patients to expert clinicians anywhere across the country.
Ultimately, this means patients can be seen faster than normal, as teams triage them quickly through the NHS App and let them book in scans at times that suit them at centres closer to their home.
So, how does it work then? Well, when a patient has an appointment with their GP, they will have the option of being referred to the online hospital for their specialist care instead, and then from there, they’ll be able to book directly through the NHS App.
Once referred to the online hospital, patients will have the ability to see specialists from around the country without leaving their home or having to wait longer for a face-to-face appointment.
📲 Introducing NHS Online 📲
A new digital hospital will transform healthcare.
From 2027, you'll be able to get specialist care:
✅ straight to your home via the NHS App ✅ faster than a traditional hospital appointment ✅ wherever you live in England
If they need a scan, test, or procedure, then they’ll be able to book this in at a time that suits them at Community Diagnostic Centres closer to home.
Patients will also be able to track their prescriptions and get advice on managing their condition at home too.
Set to launch to the first patients in from 2027, it’s expected that NHS Online will provide a ‘huge boost’ to patient waiting times by delivering the equivalent of up to 8.5 million appointments and assessments in its first three years – which is four times more than that of an average trust.
Connecting patients with specialists across the country through this new system also means that the same high-quality care will be available to everyone, regardless of their postcode, helping to reduce variation and inequalities.
It will also help to spread out demand too, especially as it means patients will no longer be held back by long local waiting lists.
“This is a huge step forward for the NHS and will deliver millions more appointments by the end of the decade, offering a real alternative for patients and more control over their own care,” concluded Sir Jim Mackey, who is the NHS chief executive.
Emily Sergeant -
8th September 2025 
