Nearly 1000 people who work in the live music industry in Manchester participated in a socially-distanced silent march through the city centre today.
The march formed part of the #WeMakeEvents – RED ALERT Day of Action nationwide event.
The #WeMakeEvents campaign – which has been organised by PLASA – is to raise awareness of the UK’s one million highly-skilled live music industry professionals, all of whom have had little to no work for the past four months amid the coronavirus (COVID-19) pandemic, and with little likelihood of the industry restarting until Spring 2021.
The live music sector includes a huge supply chain of workers in areas ranging from production, audio, lighting and video, to logistics, planning, transportation, and some of the world’s leading technology manufacturers.
#WeMakeEvents is calling on the UK government to “throw us a line”.
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As stated on the PLASA website, without additional government support for the supply chain, the UK is not only “in danger of losing its global position as a world leader in world class events”, but “all of our incredible creatives and technicians could lose their livelihoods for good”.
Manchester is a city synonymous with music and the industry needs our help.
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We support the 100,000+ professionals in #Manchester who make our city one of the top destinations in Europe for live music and events.
You should support them too. Their jobs could be lost without intervention. #WeMakeEvents
#WeMakeEvents is calling for “meaningful support from the government until the industry is allowed to operate in a way that is not limited by social distancing policies”.
This includes three main objectives:
1. Grants – not loans – made available to businesses in the events supply chain.
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2. Furlough scheme extended until the industry is back to work.
3. Extension of the self-employment scheme – tailored towards the live music industry.
— Hits Radio News | Manchester (@hitsmcrnews) August 11, 2020
#WeMakeEvents Great scenes in Manchester. First industry to stop, last to return! More support is needed from the government until live music and events are able to start up again #letmusiclivepic.twitter.com/izny27imai
— Hits Radio News | Manchester (@hitsmcrnews) August 11, 2020
There has been a substantial amount of support seen for the #WeMakeEvents campaign within the wider music industry and across social media this week.
Many famous and well-respected names in the Manchester music scene have publicly expressed their support.
Sacha Lord – Night Time Economy Adviser for Greater Manchester and co-creater of Parklife Festival, The Warehouse Project and United We Stream GM – said that work by many crucial events staff goes “unseen by the public”.
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This morning I will be marching (socially distanced and wearing my mask!) to support the freelancers, event and festival staff who have been simply forgotten. Nearly 114,000 people need urgent financial support now #WeMakeEventspic.twitter.com/JterGW7Cn1
Speaking to BBC Radio Manchester this morning, he said: “From my own experience with Parklife, there are about 4,500 people working on that,”
“The stages don’t erect by themselves, the Portaloos don’t arrive by themselves, the fences, the arenas, the lighting techs, it is a vast swathe of freelancers that work behind the scenes, and sadly they have been forgotten.”
Mr Lord was also seen present at the city centre March today as well.
Without major immediate support from the Government, the entire live events sector supply chain is at risk of collapse. Red Alert is a campaign to raise public and media awareness in support of the live events sector #WeMakeEventspic.twitter.com/IX3YdLtvvp
#WeMakeEvents is an initiative looking for a solution to the devastating crisis that the live music industry is facing. Concerts have been organised in the past to help people all around the world – right now, it’s those who arranged and worked at those events who need help
Yes, performers, artists, speakers. But also venues, lighting/sound engineers, photographers, event planners, bar & catering teams, security, tent & stage hire, booking agents, festival teams etc etc. So many of us with little or no support. #WeMakeEvents I’ll see you there. pic.twitter.com/iIGvRVYwzL
Today the #WeMakeEvents RED ALERT Campaign calls on the government to support the live events industry before we lose the talent and expertise that is the envy of the world.#WeMakeEvents
Buildings across Manchester and the UK are also set to light up red this evening in support of the live music industry and as part of the #LightItInRed campaign.
Over 500 buildings throughout the country are said to be registered to take part.
CALL TO ACTION!
We are calling again for companies and venues to light up red on the 11th of August 2020.
With many other activities also happening throughout the day, we want YOU involved!
You can find out more information and show your support for the #WeMakeEvents campaign here.
Audio
Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Emily Sergeant -
11th August 2020 
