UK indie band The Maccabees announced their comeback tour earlier this year alongside a very impressive All Points East headline date.
Since rocking into the music scene in 2007, The Maccabees have a Mercury Prize nomination to their name as well as three UK top 40 singles and one chart-topping album, Marks To Prove It.
Just last year, the band ingrained themselves into UK pop culture for eternity thanks to the inclusion of their single ‘Pelican’ in the finale of the much-loved TV classic Gavin and Stacey.
The Maccabees have been a staple in British culture and indie music alike, and it’s safe to say fans were overjoyed when the news of a comeback tour was announced.
The Maccabees are coming to O2 Victoria Warehouse in Manchester on 21 and 22 August.
After nearly a decade apart, the lads are ready to hit the road again with a string of UK tour dates, which are in preparation for their huge All Points East headline date at the end of August.
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Lead vocalist for The Maccabees, Orlando Weeks, sat down with us to talk reuniting with fellow bandmates after almost a decade, as well as all things Glastonbury and the upcoming All Points East headline slot.
Orlando Weeks from The Maccabees | The Interview
The Maccabees have played Manchester almost 20 times since entering the music scene in 2007. What is it about our Manc crowds that keeps pulling you back?
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Manchester has a musical heritage, which means there are enough venues that we can come back to so many times and people not be sick of us. The crowds are great, it’s always a good gig and always a good night out.
Having that kind of heritage and pride in your city makes it the kind of place [bands] want to come back to.
This will be the band’s first time playing O2 Victoria Warehouse, and after playing a variety of Manchester City centre music venues, how excited are you to be playing this one for the first time?
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I’ve had friends that’ve played it, and everyone said that it’s a good gig. I have no doubt it’ll be good.
Due to incredible demand, you’ve had to add a second date after the first show sold out – what’s it like for you hearing news like this?
The original offer for us was to play All Points East, and so when we got that, it made up our minds to play these summer shows.
Getting to play once in Manchester will set us up [for this headline slot], and getting to play twice will set us up even better. I love being in Manchester anyway, so to have a little bit longer to have a wander and a drink is great.
What was it like getting back into the rehearsal process with the rest of the band after nearly 10 years of not performing or touring together?
It’s very odd how powerful muscle memory is. It’s crazy how quickly all of the songs, structures and playing came back to us.
When we used to play, I invented so many completely useless little triggers for me to help remember lyrics or a chorus that I’d get stuck on, and I still remember those foot taps and placements that bring it all back.
Felix [White] boasted before we even started rehearsing that he remembered everything off by heart, and he could go straight into a gig. To be fair to him, it’s amazing how much his brain has retained.
At your first show in nearly a decade at The Dome in London, you created artwork to raise funds for theMS (Multiple Sclerosis) Society. Will fans be able to buy your artwork and support this charity at both the Manchester dates?
There will be an MS charity stall as well as one for Doctors Without Borders. If you’re reading this or coming to either of the gigs and have anything that you can contribute to either of those charities, then we as a band would be extremely grateful.
This 2025 tour sees support from indie rock band, Sorry – how excited are you to head out on the road with this talented group?
The Maccabees have always been very lucky to travel around the world with other bands who are amazing, and Sorry are definitely part of that list.
You have a reason to get down early, because if you’re a fan of The Macs, you’ll be a fan of Sorry. I can guarantee that you’ll have a good time.
The Maccabees are taking part in some of the biggest events in the British music calendar[Glastonbury, All Points East]. How does it feel to have such immense support nearly 20 years into your career?
20 years in and 10 years off. There are a few people who aren’t in the band but have been such a big part of it, even through the 10 years that we weren’t really doing anything. They would say if you ever did wanna do something, there’ll be people there.
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I just didn’t know that [The Macabees reunion] would be as popular as it has been. It’s very hard to explain or get your head around, really.
On the topic of Glasto, how surreal was it to be playing this major music festival for the third time?
I think we’ve been at least four times, maybe five times.
Headlining ‘The Park’ stage was special, and it was also the first time my son came and saw me on a stage singing. It was a great ‘take your son to Work Day’. We had Florence [Welch] coming out and singing with us, too.
I’ll remember all of The Maccabees’ Glastonbury experiences, but I think that’s the one I’ll hold onto for the longest.
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Speaking of surreal moments, your song ‘Pelican’ featured in the finale of British favourite, Gavin and Stacey. How did this opportunity come about?
I think Matt might’ve texted me, but it was Christmas and I was swept up in all sorts of celebrations. We got a lot of messages after it aired because an insane number of people watch the show.
It’s all thanks to James Corden and Matt Horne, who have always been fans from early on. It was very flattering and very nice to be part of [Gavin and Stacey].
And finally, after playing Manchester so many times, are there any shops or special spots that you always make sure to visit when you’re in the city?
I remember when we were in Manchester last time for ‘The Farewell’ tour, I’d started running by then – and I loved the canals.
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Usually, I defer to local friends and I’ll just let them take me to whichever pub or place they recommend – Wherever they go, I go.
The Maccabees are set to play two nights at O2 Victoria Warehouse in Manchester, and there are still tickets available for their second date HERE.
Kendal Calling turns 21 in fine form with a brilliant bunch of headliners – and that was just the start…
Danny Jones
Oh, what a long weekend we had at Kendal Calling 2026, our fourth consecutive visit to the beloved festival proclaimed as ‘the favourite’ by many across the North West, and forever ‘the best’ if you hail from in and around Cumbria.
Now 21 editions into its run, the Penrith party down in Lowther Deer Park has gone from being a cult classic among natives in and around the Lake District a couple of decades ago, to one celebrated all over – and for good reason.
Apart from delivering stellar lineups year in, year out, it’s also one of the most family-friendly festivals you’ll ever come across.
But having said that, they still know how to kick a party into gear when the sun sets…
With The Kooks, The Cribs, Manchester up-and-comers Spangled, Oldham’s very own Tim Burgess, and many more opening up the party on Thursday night, they hit the ground running early doors.
Speaking of the turf, the wider arena was nice and dry this year, with punters only being treated to very short showery intervals, and most overnight.
Having the perfect conditions obviously helps, but we will say that Kendal Calling remains one of the brave few that powers in through regardless of the weather.
Nevertheless, we didn’t have to worry about it for KC2026, and maybe it’s just recency bias, but the entire festival site somehow looked prettier than ever, especially soaked in all that sun.
The dappled rays coming through trees over in the ‘Lost Eden’ definitely made the Woodlands stage as special as we’ve ever seen it – including those magical neon nights – and we even got to chat with Yorkshire lass Ellur ahead of her spellbinding set out in the forest.
Still surprising people more than two decades in
Lots caught us by surprise this year, such as Dutch indie pop group Son Mieux (our new obsession, by the way), as well as Fletchr Fletchr, who we now believe really need to be seen live to truly appreciate every aspect of their huge potential.
And then there was rising Sunderland star Tom A. Smith (again, over in the Woodlands), who joked he was “never there” after filling in on short notice at the same festival he first played when he was 12.
Fair to say he’s come some way since then, and you won’t find many more electric performers from this very confident, talented and still very young man.
But nothing more so than the surprise acoustic set starring the legendary Pete Doherty ahead of The Libertines’ main stage slot later that day, which we had to sprint across the fields to just about catch after hearing about. We had to climb up the side of a window to get the view of those that beat us there.
This year, we also thought we’d go around and ask those who know it best just what makes it so special, and more importantly, what keeps them coming back. Here’s what they had to say:
“I’ve been five times over 11 years. I’m Cumbrian-born but based in Manchester, so there’s always the pull to travel back home for it, and I’d definitely come more if I could. First memory that pops into mind is seeing The Vaccines when they were just getting big, and now over a decade on I got to see them on the main stage all these years and albums later – really full circle.
“One of the best parts about it is just how much there is on; back when I first started coming, they still were spotlighting local bands like Colt 45, but they just so happened to be on the same bill as Snoop Dog – and now I’ve seen everyone from Tom Jones and the Sugarhill Gang to The Darkness and now Biffy.
“Despite the festival growing in size and in terms of the acts that flock to it now, it still feels like one that looks after smaller names; it’s still got that wholesome, all-ages feel, and can be enjoyed for lots more than the music. I’ve definitely grown a new appreciation for everything it has to offer as I’ve gotten older.”
Nick, 32, from Dearham
The LathumsBiffy ClyroRed Rum ClubDeaf Havana, and SO many more…Credit: Audio North
We also asked another seasoned veteran of the annual summer fest how they’d sum it up in as few words as possible, to which they responded: “Nature, variety and (at times) questionable weather.”
Once again, we’ve definitely had wetter ones in the past – it is the North of England after all – but the music gods were smiling down on us all weekend long, and that extra dose of vitamin D definitely helped keep us going.
More personal highlights include closing headliners Wolf Alice, as well as Circa Waves and Groove Armada on the final night, as we somehow managed to catch a bit of all three, not to mention Deaf Havana, who drew their loyal crowd of passionate fans and gave us one of the best sets of the whole weekend.
And then, of course, there was ‘Biffy… F***ing… Clyroooo’. The Manc arm of the Audio North team were lucky enough to catch the Scottish gods at their huge headline gig at Co-op Live, but BOY did jumping around in a sea of people from all over as confetti, streamers, fireworks, and literal fire hit even harder.
With Kendal, Tramlines, Parklife, Beat-Herder, and Neighbourhood Weekender all under our belt already this year, we feel truly blessed to be in what is undoubtedly one of the best periods for live music festivals we’ve known; you can check out some of our other reviews down below.
Other than that, all we have left to say is thank you to Hanglands and the KC crew as always for having us along, and we’ll catch you in the fields the same time next year. Over and out.
A reimagined dance music celebration is coming to Manchester later this year
Thomas Melia
Get ready to hear some of the biggest anthems in dance music, reimagined and given an orchestral transformation right here in Manchester city centre.
Powerhouse music business Ministry of Sound has been uplifting and promoting dance music through its varied and electric live events for over three decades.
Now, it’s putting an all-new take on all your favourite dancefloor fillers that have been released over the past 30 years with a 31-piece orchestra, a whole team of vocalists and a stacked setlist.
Expect to hear the likes of Fatboy Slim with his huge tune ‘Right Here, Right Now’ alongside Darude’s standout hit ‘Sandstorm’, as performed by a live orchestral arrangement and light production.
After receiving a great reception at major music settings like Gone Wild, The Big Feastival and Silverstone Festival, paired with a sold-out show at the Royal Albert Hall, this all-new live show now visits the music capital of the North.
Of course, it’s only fitting that Manchester gets the chance to experience this innovative twist on classics and anthems, considering the city’s vibrant club contributions like the Madchester scene and legendary music institution the Hacienda.
Now, dance, house and trance spanning the past 30 years come together courtesy of the Ministry of Sound Classical, playing out across UK locations like Brighton, Newcastle and Birmingham, as well as Manchester.
The show is playing out at city-centre gig hotspot O2 Apollo, and is about to teach 3,500 Mancunians dance music history through a dance-meets-orchestra concert like no other.
This live music extravaganza is organised and led by dance music pioneers Ministry of Sound, who developed and defined the 1990s house music scene in London and across the country.
Ministry of Sound Classical is heading to O2 Apollo in Manchester on Friday 18 December with tickets and more information available HERE.
Featured Image – Press Shot (Supplied via Ministry of Sound)
Thomas Melia -
15th July 2025 
