Plans have been submitted to transform a row of empty railway arches in Salford into a bustling new cultural and food and drink destination.
Mirroring similar successful schemes in the Green Quarter (where businesses like Green Arches, Base Bar, and The Sparrows have set up shop) and in the area east of Piccadilly (home to loads of taprooms and breweries), the plans could see part of the Greengate area totally transformed.
CGIs included in the planning application show a vision for a tree-lined pedestrianised area, each railway arch home to a different business.
If it all goes ahead, it could mean a new microbrewery, bars and restaurants, and even an art gallery here on Gorton Street, though the eight arches included would be flexible to other types of businesses too.
A planning application has now been submitted to Salford City Council by PL North Bridge to create an ‘exciting’ and ‘unique’ destination in the Greengate area.
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The plans for the railway arches are linked to another application by the same developer to build a 41-storey apartment block home to 568 ‘co-living units’.
The huge 41-storey tower beside the railway arches in Greengate, SalfordThe huge 41-storey tower beside the railway arches in Greengate, Salford
It’s possible that some of the railway arch space could be used as cycle storage or waste for the co-living development.
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As things stand, the arches are in ‘poor condition’ according to the planning statement.
The new plans for the railway arches are part of a much wider redevelopment of the Greengate area.
Salford council has said it wants this part of the city to feel ‘more Brooklyn than Manhattan’.
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They said: “Greengate sits in the heart of city centre Salford where the vision to 2040 is; for it to become a distinctive place to live, work and visit, proud to be more Brooklyn than Manhattan, where people and businesses, from near and far, can find the space they need to thrive, prosper, create and connect.”
Audio North’s Artist of the Month: Roukaya B | February 2026
Thomas Melia
The North is full of amazing artists, and we’re spotlighting one every single month – get ready for Roukaya B to bring the ‘Heat’.
Salford soulstress Roukaya B needs no introduction, but we’re giving her one anyway, as you might not be aware of her sheer musical power.
Self-proclaimed “soul enlightener” and ‘Manchester’s Queen of Soul’, this artist has been uploading music to streaming platforms since 2022.
Rou doesn’t conform to one genre; instead, she deliberately fuses them, blending R’n’B, soul, rap, afrobeats and even jazz to create some of the freshest sounds.
Now, Roukaya B sits down with Audio North after discovering her ‘Artist of the Month’ title to discuss exciting projects, personal stories and her artistry.
An interview with Roukaya – Audio North’s Artist of the Month
What has your journey in music looked like so far? My journey has been quite hectic, but in the best way. I’m a singer-songwriter and all-around creative, and I’ve learned a lot about myself and what my voice can do. I’ve developed my writing and ability to perform on stage, throwing myself into collaborations too.
I’m constantly evolving just like the music I’m putting out.
“Singer, writer, rapper, dancer, actress, drama queen, you can’t compete here” – We couldn’t put it any better ourselves.
Where did you grow up, and what music were you listening to? I was raised in Salford, and music for me was very different as I come from a multicultural background. My Dad is Algerian, my Mum is Jamaican-English; they met in the South and settled up North [great choice] to have a family.
I grew up on a lot of ‘raï’ music – a North African genre with really cool drum patterns, reggae and 90s hip hop. My Mum loved that soul tune, ‘I Believe in Miracles’ by Hot Chocolate, and my Dad absolutely loved M People, especially Heather Small; they made some iconic classic anthems.
I was raised on lots of different genres, and I think that’s showcased in my music today.
When did you realise singing was something you wanted to pursue? I’ve always known that I wanted to be a singer from a really young age. It’s what I said I’d do in primary school, it’s what I wanted to do in high school, and I did it in college.
Salford singer-songwriter Roukaya B claims our inaugural ‘Artist of the Month’ title (Credit: Audio North)
When I was growing up, it wasn’t accessible to the younger generation to see it as a viable career, so I was sort of teased and laughed at for it, so I never really dived into it. I could sing, and I studied music in high school, but I missed my opportunity on YouTube when it was fresh.
It was only after college that I decided to post covers to my Instagram, where people engaged, and it was cool for people to find and discover me. So I did college again as a music student, and the rest is history. All of this has become a part of my musical journey, and everything happens for a reason.
How did you come to this realisation? In short, the realisation was that I wasn’t focusing on my inner drive and trust me, it wasn’t just calling me, it was essentially shouting at me: ‘Hi, babes. Use your voice, whether it’s spoken, whether it’s singing, just use it. This is a healing tool and healing force.’
What is your ultimate dream as an artist?
I want to do a ‘Tiny Desk Concert’ or ‘COLORS’ show, and I’d love to make music with Sasha Keable – if you’re reading this, Rouyaka B wants to collab, haha!
Being true to myself and remaining authentic as I progress in my career is part of that dream. I don’t want to bang out a tune every single month; I want to make sure my work is always consistent. Being a genuine artist is my ultimate dream.
Are there any fellow up-and-coming artists you’re listening to?
Remée, or ‘That Remée Girl’, as she goes by on socials. She’s a Liverpool-based alt-grunge act and let me tell you… She. Is. COOL. There are some festival dates lined up, so if you get the chance, go see her.
This Manc creative champions the city wherever she can. (Credit: Liam Heeley)
What’s next for you in terms of your music career?
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There’s a handful of live shows coming up, and they’re going to be very experimental. I also have a collection of work coming out in the future, which I can’t say too much about just yet.
There’s even a youth music project which I’m really, really, really excited about. So much is coming!
It was a pleasure chatting with Rou, and we have every faith that big things are coming for her in 2026 and beyond.
Featured Images – The Manc Group/Press Shots (supplied via Liam Heeley)
Salford
The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
Daisy Jackson -
12th February 2024 
