With both World Book Day and International Women’s Day having only just passed, it feels like perfect timing for a UK tour of a new theatrical adaptation of one of the most important works of feminist writing ever to have just been announced: Mrs. Dalloway.
And, of course, it’s being brought to Manchester.
The legendary modernist novel by Virginia Woolf has already been adapted for stage and screen multiple times, but this most recent version has been hailed as “cinematic”, “immersive”, and striving to be just as ‘radical’ as the original masterpiece itself.
It’s one of the latest shows coming to Storyhouse in Chester for a world premiere, before heading out across the UK for just a select few special performances.
A co-production between said Storyhouse, as well as Harlow Playhouse and CutToTheChase Productions, it’s been co-created by award-winning director Jen Heyes, with help from Olivier Award-winning writer and performer, Kit Green.
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Green takes up the role not only of the titular and long-studied character for this bold reimagining of Clarissa, but will also feature as husband Richard Dalloway, tragic supporting character Septimus Warren Smith, and others.
Bookworms and English literature students will likely have come across the name at least in passing, even if they haven’t read it for themselves, and it still remains just as striking now as it was when first published back in 1925.
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Elsewhere referred to as The Hours in her diary entries, the text inspired a 2002 Hollywood movie using that ‘original’ working title starring Nicole Kidman, Julianne Moore, and Meryl Streep – all of whom play women whose story mirrors that tale and/or troubles of Virginia Woolf in some way.
Most famously, however, it was also turned into an eponymous British film in the late 90s, with Vanessa Redgrave as an older Mrs Dalloway and Natascha McElhone as her younger self.
Virginia WoolfThe first major version of Mrs Dalloway on film (1997)Green embodying one of many rolesCredit: Topfoto/NTB (via NDLA)
Both have little cult followings of their own, as you would expect from anything with the famous writer’s name attached to them, but theatre fans have every reason to be very excited about this next take.
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Speaking ahead of the inaugural performance of the play, director Jen Heyes said in a statement, “I wanted audiences to step inside Woolf’s world and see it in a way they won’t expect.
“We’ve mixed theatre, film, and bold reinterpretations to create something alive, surprising, moving, and entertaining. My hope is that people leave the theatre carrying the story with them long after the lights go down.”
Following the Cheshire debut on Friday, 29 May, running until 6 June, the production will head to Harlow in Essex, and Wilton’s Music Hall in London, before landing at beloved local theatre, cinema and arts space, HOME, over on First Street this autumn.
The stage version of Mrs. Dalloway will be in Manchester from 24-26 September (Thurs-Sat); you can grab your tickets HERE. We’ve been spoiled by some VERY good new material of late…
Featured Images — Monika Koeck (supplied via )/NDLA Archive
Theatre
High School Musical at Lowry, Salford – a night spent reliving our childhood | Review
Amy Williams
What a night spent reliving our childhood.
Now, I don’t want to exaggerate or seem biased, considering this is one of my favourite film trilogies of all time, but this could be the best stage show I’ve seen in a long while.
We all know how High School Musical goes, right? Set at East High, we follow Troy and Gabriella (the star basketball player, and the geeky new girl) who meet over New Year, and then become ‘star-crossed lovers’ when back at school as they’re part of two different ‘cliques’.
The duo mess with the ‘Status Quo’ when they audition for the school musical. But will they stick to what they know? Or become stars of the stage? I’m sure you know the ending.
High School Musical is currently on stage at Lowry, Salford / Credit: Matt Crockett (Supplied)
From the costumes and the characters, to the memorable songs (there’s actually 52 songs in this production, including a mega mix at the end), they’ve kept right to the script of the films – and that’s exactly what we wanted to see.
Of course, the biggest throwback of them all is Kaycee Stroh – who originally featured as Martha Cox in the film trilogy – taking the role as Ms Darbus, and she was just as incredible as we expected her to be. And to see her do the iconic dance in the finale was unbelievable, 13-year-old Amy was screaming.
Also featuring Jason Donovan as Coach Bolton, Tobias Turley as Troy, Leonor Correia as Gabriella, Caitlin Tipping Sharpay, and Luke Bayer as Ryan, it was a proper impressive cast all round.
It’s a night to properly relive your mid-00s childhood / Credit: Matt Crockett (Supplied)
There was crowd interaction right from the off, as they taught the crowd a cheerleading routine to be included later in the show, plus for the finale, they had the lyrics on the big screen too so everyone could sing-along.
If we could go and see this show every single night, we would – it is absolutely brilliant.
Beloved local actor David Threlfall is returning to Manchester theatre after nearly three decades as King Lear
Danny Jones
Much-loved local actor and director David Threlfall is set to return to the Manchester theatre circuit after nearly three whole decades as he prepares to play King Lear at the Royal Exchange.
That’s right: Frank Gallagher himself is about to be one of Shakespeare’s most iconic characters in one of his most legendary plays.
Returning to the very same stage on which his career first began budding after 27 years since last treading the boards, the Shameless, Nowhere Boy and Hot Fuzz star will be donning the titular role in arguably the greatest tragedy of all time at the Manchester city centre theatre this coming autumn.
First announced last month, we’ve finally learned more about this significant comeback and can barely contain our excitement.
The seasoned thespian who is best known for playing UK TV’s well-known and perpetually drunk Northern dad, not to mention embodying fellow British performer Tommy Cooper, has plenty of roots in playhouses, but it’s fair to say he’s been gone from Greater Manchester for a hot minute.
Set to lead the cast in the new adaptation, directed by Matthew Dunster – himself a local Lancashire lad schooled in Chadderton – this feels like a proper homegrown production.
For anyone who’s never really experienced the historic tale by ‘Old Bill, the Bard of Avon’, to put it in the Royal Exchange’s words, it “charts a kingdom where power corrupts, families become enemies and prosperity devolves into war.
“At its centre is the mind of a man who can no longer understand what it means to be human. Lear is a searing portrait of a king unable to distinguish truth from lies. As the storm rises and night falls, language, identity and meaning break down completely.”
To be fair, you could argue there are some similarities between him and the Gallagher patriarch; he’ll also be in the middle of this run when he turns 73 – meaning it’ll be even longer since he last played the Royal Exchange Theatre (RET) in his mid-40s.
As for this version by Dunster – who himself is returning to the RET once again also (for his sixth different stint, no less) his talented cast includes the likes of Isobel Akuwudike, Ed Coleman, Lisa Diveney, Rupert Hill, Johnathan Slinger and more.
It’s also worth noting that Threlfall has featured in a Lear retelling in the past.
Way back in 1983, he played Edgar in the small-screen movie made right here in 0161 by Granada Television, where he acted alongside HUGE names such as John Hurt, Diana Rigg, Robert Lindsay, as well as the late, great TV, movie and all-around acting star, Laurence Olivier.
Born in Crumpsall, raised in Burnage, and made at the REC and various other theatres across the country, this feels like a momentous homecoming for the ever-familiar Manc face.
With shows booked from Friday, 2 October until Sunday, 15 November, and tickets priced at just £12 for standard seats, you can secure yours right HERE. It’s also worth noting that this isn’t the only Shakespearean adaptation coming to the region later this year, either…
Danny Jones -
10th March 2026 
