Manchester’s Palace Theatre is currently hosting Chitty Chitty Bang Bang, a magical production that blends nostalgia with theatrical brilliance.
Directed by Thom Southerland, this UK tour reimagines the beloved 1968 film and stage musical with charm, energy, and a touch of theatrical wizardry, captivating audiences of all ages.
Ore Oduba leads the cast as Caractacus Potts, bringing a perfect mix of warmth, humour, and sincerity to the role of the eccentric inventor. His performance is particularly striking in the tender Hushabye Mountain, where his vocals offer an emotional depth to the character’s love for his late wife.
Oduba shares great chemistry with Charlie Banks and Lara Simons, who play his children, Jeremy and Jemima. Their natural on-stage dynamic creates an authentic portrayal of a loving family, drawing the audience into their heartwarming journey.
Ellie Nunn shines as Truly Scrumptious, exuding elegance while also showcasing a feisty, independent spirit. From her determined motorcycle repair scene to her stunning rendition of Doll on a Music Box, Nunn delivers a standout performance that is both captivating and graceful.
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Her chemistry with Oduba is truly heartwarming, especially in Lovely Lonely Man, where she sings while soaring through the sky in Chitty, adding a magical touch to the production.
The supporting cast brings further joy to the performance. Martin Callaghan and Jenny Gayner are a riot as the Baron and Baroness Bomburst, delivering impeccable comic timing and embracing a delightfully over-the-top, camp portrayal of the royal couple.
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Ore Oduba in Chitty Chitty Bang Bang. Credit: Paul ColtasEllie Nunn as Truly Scrumptious in Chitty Chitty Bang Bang. Credit: Paul Coltas
Adam Stafford and Michael Joseph, as the bumbling spies Boris and Goran, add slapstick humour in the Palace Theatre, though some of their repetitive jokes wear thin after a while.
Charlie Brooks, however, stands out as the chilling Child Catcher, leaving a sinister impression on the audience. Though her presence is limited, Brooks’ commanding performance proves she could have taken up more space in the production.
A unique feature of this production is the inclusion of local young performers in each city. In Manchester, children from Elm Arts Company join the Chitty Chitty Bang Bang ensemble for a special musical number in Act Two. Their high-energy performance adds an extra layer of magic, demonstrating their talent and enthusiasm, leaving the audience wanting more.
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The show’s timeless score, composed by the Sherman Brothers, is a major highlight. Iconic numbers like Me Ol’ Bamboo and Toot Sweets energise the crowd, with the dance routine for Me Ol’ Bamboo being a particularly thrilling moment. The live orchestra enhances the grandeur of the production, giving it the feel of a West End show.
Charlie Brooks makes a chilling Childcatcher. Credit: Paul ColtasAdam Stafford and Michael Joseph, as the bumbling spies Boris and Goran. Credit: Becky Lee Brun
The ensemble’s physicality in the dance numbers and their ability to bring the infectious energy of the music to life is impressive.
Morgan Large’s set design is inventive, using movable crates and backdrops to transition smoothly between scenes. The clever use of puppetry, especially with the English sheepdog Edison, adds a whimsical touch that delights the audience, particularly younger viewers.
However, while the sets are practical and effective for a touring production, some of the locations – such as the sweet factory and Bulgarian palace – lack the grandeur expected in a show like Chitty Chitty Bang Bang, especially when compared to the central spectacle of the magical flying car.
Chitty herself is the undeniable star of the show. The car’s flying sequence is a breathtaking moment, earning a spontaneous round of applause as it soars through the air, capturing the audience’s imagination.
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Ore Oduba in Chitty Chitty Bang Bang, which is in Manchester. Credit: Paul Coltas
Though the show is filled with charm, there are moments where it embraces pantomime-style comedy, especially in the Vulgarian scenes. While this approach is fun for younger audiences, some adults may find it a bit overplayed. The use of innuendos adds another layer of humour, one that goes unnoticed by children but provides a good laugh for the grown-ups, continuing the tradition of classic British wit.
At the end of the show, the company paid a heartfelt tribute to James Lee Williams, also known as The Vivienne, who portrayed the Child Catcher in previous performances. This tribute added an emotional layer to the production, and their portrayal left a lasting impression on the audience.
Chitty Chitty Bang Bang at the Palace Theatre is a truly scrumptious production, combining outstanding performances, memorable songs, and magical stage effects to create an unforgettable experience. Whether you’re revisiting this childhood classic or discovering it for the first time, this high-flying adventure is sure to leave you with a smile – and perhaps a catchy tune in your head long after the final curtain.
The production runs until Saturday 16 March so make sure you don’t miss the chance to experience this timeless masterpiece, brought to life here at The Palace Theatre, Manchester – grab tickets HERE.
Legally Blonde the Musical at Opera House, Manchester – the campest of revamps
Amy Williams
If you’re thinking about going seeing Legally Blonde at The Opera House this November, let us tell you why you absolutely should.
The iconic West End musical, based on the award-winning film starring Reese Witherspoon, is back on tour, and in Manchester for the next two weeks.
If you haven’t seen it before then let us give you an idea of what it’s about – the story follows Elle Woods, a girl from Malibu, who is madly in love with her high school sweetheart.
The problem is he wants something more ‘serious’ than her, which is when she decides she’ll follow him to Harvard and become a law student, to prove she’s more than just the ‘dumb blonde’ he thinks she is.
On stage, Legally Blonde’s dialogue is almost entirely through song, so you expect there’ll be good voices amongst the cast – and they really do live up to expectations.
West End darling Amber Davies stars as Elle Woods, turning her 2018 Love Island win into an illustrious musical career that has seen her star in shows like Pretty Woman, The Great Gatsby, and 9 to 5. She absolutely blew us away.
Also putting on an incredible show is Karen Mavundukure as well, who plays Paulette, a hairdresser who becomes friends with Elle.
And some of the biggest ‘awws’ of the night of course went to the two wonderful dogs of the show, Sprout and Rocco.
Legally Blonde will make you laugh, have you sat in awe at the voices and stage set, and also really pull you into the story in hope that Elle gets what she REALLY wants in the end…
Legally Blonde is at Opera House Manchester until Saturday 14 November, make sure to grab tickets HERE before it’s too late.
ENB’s Romeo & Juliet at Palace Theatre Manchester – the world’s most famous story expertly reimagined | Review
Emily Sergeant
Every now and then you experience a bit of a full circle moment… and for me, this was one of them.
Back in 2011, when I was a dance-obsessed 14-year-old, taking and assisting classes countless times a week, I became enamoured by a BBC documentary series called Agony & Ecstasy: A Year with English National Ballet. As one of the country’s premier ballet companies – celebrating its 60th anniversary at the time of the documentary – ENB allowed cameras behind the scenes, from the rehearsal room to backstage, giving audiences a previously unseen inside look on what it takes to stage some of the most spectacular productions your eyes will ever meet.
One of the ballets being staged in the year the BBC followed the company was Romeo & Juliet.
Based on a story known around the world and with an unmistakable score by Prokofiev, it’s a ballet I was already fond of prior to the documentary, but seeing the work that went into making the show a reality, up close like never before, it turned into one of my favourites.
Over the years, I have been fortunate enough to see several different dance stagings of Romeo & Juliet – but last night, at the Palace Theatre in Manchester, was the first time I got to sit in the audience and see English National Ballet’s production live with my own eyes.
And it was just as magical as I was hoping it would be.
ENB’s Romeo & Juliet is now on stage at Manchester Palace Theatre / Credit: Laurent Liotardo
Right off the bat, I’m just going to presume you already have somewhat of a grasp on the story of Romeo & Juliet, right? Given the fact it’s arguably Shakespeare’s most famous work and one of the most iconic plays of all time.
And you’ll be pleased to know, even if you’re not seasoned in watching ballet, that the story we all know and love remains largely intact for this production, therefore making it easy for audiences of all ages and interests to follow along and admire.
The two title characters, the star-crossed lovers themselves, were embodied expertly by Rentaro Nakaaki and Julia Conway as Romeo and Juliet, who had the audience captivated from the second they entered the stage – with undeniable chemistry and enviable technique.
Fabian Reimair took on the role of Tybalt with ease, Noam Durand was Mercutio, and Rodrigo Pinto was Benvolio, all while Elvis Nudo and Minju Kang stepped into the shoes of Paris and Rosaline.
But the lead roles are nothing without the wider cast of supporting dancers and character actors, who really help transport you to 14th century Verona and help bring the authenticity a production as epic as this requires.
The world’s most famous story has been expertly reimagined / Credit: Bill Cooper | Laurent Liotardo
Aside from the dancing, it would be remiss not to praise the expert sets and costuming here from Ezio Frigero and Franca Squarciapino.
And I suppose I should also give a shoutout to little-known name, Rudolf Nureyev, who choreographed this version of Romeo & Juliet all the way back in 1977. Something tells me he would’ve had a great career… I could be wrong, though.
Romeo & Juliet really is one of the most tragic love stories of all time, and the power of that is not lost through dance. It’s still as raw and heartbreaking in this production as it always is.
And that is truly a credit to every single person forming part of it – both on the stage and off.