Theatre

Audience members ejected from Dolly Parton musical in Manchester due to homophobic heckling

'It’s happening nearly every single week and it blows my mind.'

Daisy Jackson Daisy Jackson - 10th February 2025

The Manchester run of Here You Come Again, a new Dolly Parton musical comedy, has been repeatedly disrupted by vile homophobic heckling from the audience, its star has revealed.

Actor and West End star Steven Webb shared a video addressing the issue on TikTok, saying that audience members had to be ejected from the Manchester Opera House.

The star of the lively new musical, which tells the story of a diehard Dolly Parton fan and is packed with the country star’s biggest hits, said the cast had faced an ‘insane’ amount of homophobia.

Steven said they once had to do a full show stop in Manchester and leave the stage after one audience member was ‘disgusted that there was a gay character on stage’ and began shouting mid-show, causing ‘a ruckus’ in the audience.

He said: “It’s a Dolly Parton musical, it’s gonna be a little bit gay, obviously.”

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Steven also said: “Travelling the country and seeing how many people literally cannot bear to see a gay person depicted on stage, it’s wild. I feel very sorry for them.”

The Manchester Opera House stressed that it has a ‘zero tolerance’ policy to ‘bullying, harassment, or any form of abusive behaviour towards our cast, crew, or staff’.

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The theatre, and its sister venue the Palace Theatre, said: “Our theatre team is committed to creating a safe, inclusive, and welcoming environment for everyone – both on and off the stage.

“Whilst these incidents are rare, we have a zero-tolerance policy to bullying, harassment, or any form of abusive behaviour towards our cast, crew, or staff. Anyone engaging in such conduct will be removed from the venue immediately.

Actor Steven Webb stars in Here You Come Again, a Dolly Parton musical, in Manchester. Credit: TikTok, @thatsteviewebb
Actor Steven Webb stars in Here You Come Again, a Dolly Parton musical, in Manchester. Credit: TikTok, @thatsteviewebb
Actor Steven Webb stars in Here You Come Again, a Dolly Parton musical, in Manchester. Credit: TikTok, @thatsteviewebb

“Thank you to all our theatre goers who continue to act with respect and kindness towards others.”

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Steven said in his video: “The amount of audience members we have had to eject from our show due to homophobia is… insane. It is insane. 

“Just this week in Manchester alone, last night we had to eject someone who was shouting out slurs, and on Wednesday we had to stop the whole show.

“We had to do an entire show stop and leave the stage, because a woman was so disgusted that there was a gay character on stage, and she was shouting out and then all the audience started shouting at her and then there was a sort of massive ruckus. So she eventually was ejected and we could start again, but we were stopped for 15 or 20 minutes.

“It’s crazy. It’s happening nearly every single week and it blows my mind. This is a Dolly Parton musical, first of all. 

“It’s a Dolly Parton musical, it’s gonna be a little bit gay, obviously. 

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“It’s really opened my eyes, because we’re in such a bubble in this industry. But travelling the country and seeing how many people literally cannot bear to see a gay person depicted on stage, it’s wild. I feel very sorry for them.”

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@thatsteviewebb

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♬ original sound – Stevie Webb

Featured image: Publicity picture

Theatre

Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House

Danny Jones Danny Jones A Knight's Tale Manchester musical review

From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.

Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.

At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.

Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.

A Knight’s Tale the musical at Manchester Opera House. (Credit: Press Shot)

A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.

Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.

The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.

Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.

However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.

Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.

The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.

At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.

A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.

But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.

Credit: Supplied

Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.

The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility.
In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.

Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.

Put simply, this is a knight to remember – with a soundtrack that slays.

Read more:

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Featured Images — Press Images (supplied)

Theatre

A theatre adaptation of Alfred Hitchcock’s classic spy film North By Northwest is coming to Manchester

Daisy Jackson Daisy Jackson

Alfred Hitchcock’s much-loved spy classic, North By NorthWest, is hitting the stage and visiting one of Manchester’s most celebrated theatres. 

This new, riotously funny production will be visiting HOME theatre for a run of shows kicking off this week. 

The show reworks Hitchcock’s film of the same name, following one man who accidentally lands himself in the middle of a Cold War conspiracy. 

Now adapted for the stage by Emma Rice, North By Northwest follows an unfortunate mix-up where a mistimed phone call to his mother lands Roger Thornhill in a spot of bother. 

Alfred Hitchcock’s classic spy film North By Northwest is hitting the stage in Manchester / Credit: Steve Tanner (via Supplied)

Audiences will see this unlikely (and reluctant) hero head on the run, dodging spies, airplanes and a femme fatale. 

For the theatre production at HOME, the classic spy film (that starred Cary Grant) has been turned on its head and stars just six shape-shifting performers. 

There’s a fabulous 1950s soundtrack to go with it too – and, apparently, a lot of suitcases. 

Tickets are now on sale, and it’s already being described as a must-see / Credit: Steve Tanner (via Supplied)

North By NorthWest promises ‘glamour, romance, jeopardy and a liberal sprinkling of tender truths’.

Artistic director Emma Rice has already adapted and directed products for Wise Children including The Buddha of Suburbia, Blue Beard, and Wuthering Heights, plus worked as artistic director for Shakespeare’s Globe. 

The cast is made up of Mirabelle Gremaud as Anna; Patrycja Kujawska as Eve Kendall; Kary Owen as The Professor; Simon Oskarsson as Valerian; Karl Queensborough as Phillip Vandamm; and Ewan Wardrop as Roger Thornhill.

North by Northwest is a co-production with Wise Children, York Theatre Royal, HOME Manchester and Liverpool Everyman and Playhouse, and is currently on a UK tour. 

Read more:

You can catch it at HOME between 29 April and 10 May – see more and book tickets HERE.

Featured Image – Steve Tanner (via Supplied)

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