The Manchester run of Here You Come Again, a new Dolly Parton musical comedy, has been repeatedly disrupted by vile homophobic heckling from the audience, its star has revealed.
Actor and West End star Steven Webb shared a video addressing the issue on TikTok, saying that audience members had to be ejected from the Manchester Opera House.
The star of the lively new musical, which tells the story of a diehard Dolly Parton fan and is packed with the country star’s biggest hits, said the cast had faced an ‘insane’ amount of homophobia.
Steven said they once had to do a full show stop in Manchester and leave the stage after one audience member was ‘disgusted that there was a gay character on stage’ and began shouting mid-show, causing ‘a ruckus’ in the audience.
He said: “It’s a Dolly Parton musical, it’s gonna be a little bit gay, obviously.”
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Steven also said: “Travelling the country and seeing how many people literally cannot bear to see a gay person depicted on stage, it’s wild. I feel very sorry for them.”
The Manchester Opera House stressed that it has a ‘zero tolerance’ policy to ‘bullying, harassment, or any form of abusive behaviour towards our cast, crew, or staff’.
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The theatre, and its sister venue the Palace Theatre, said: “Our theatre team is committed to creating a safe, inclusive, and welcoming environment for everyone – both on and off the stage.
“Whilst these incidents are rare, we have a zero-tolerance policy to bullying, harassment, or any form of abusive behaviour towards our cast, crew, or staff. Anyone engaging in such conduct will be removed from the venue immediately.
Actor Steven Webb stars in Here You Come Again, a Dolly Parton musical, in Manchester. Credit: TikTok, @thatsteviewebb
“Thank you to all our theatre goers who continue to act with respect and kindness towards others.”
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Steven said in his video: “The amount of audience members we have had to eject from our show due to homophobia is… insane. It is insane.
“Just this week in Manchester alone, last night we had to eject someone who was shouting out slurs, and on Wednesday we had to stop the whole show.
“We had to do an entire show stop and leave the stage, because a woman was so disgusted that there was a gay character on stage, and she was shouting out and then all the audience started shouting at her and then there was a sort of massive ruckus. So she eventually was ejected and we could start again, but we were stopped for 15 or 20 minutes.
“It’s crazy. It’s happening nearly every single week and it blows my mind. This is a Dolly Parton musical, first of all.
“It’s a Dolly Parton musical, it’s gonna be a little bit gay, obviously.
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“It’s really opened my eyes, because we’re in such a bubble in this industry. But travelling the country and seeing how many people literally cannot bear to see a gay person depicted on stage, it’s wild. I feel very sorry for them.”
A new stage adaptation of a Virginia Woolf classic is coming to Manchester
Danny Jones
With both World Book Day and International Women’s Day having only just passed, it feels like perfect timing for a UK tour of a new theatrical adaptation of one of the most important works of feminist writing ever to have just been announced: Mrs. Dalloway.
And, of course, it’s being brought to Manchester.
The legendary modernist novel by Virginia Woolf has already been adapted for stage and screen multiple times, but this most recent version has been hailed as “cinematic”, “immersive”, and striving to be just as ‘radical’ as the original masterpiece itself.
It’s one of the latest shows coming to Storyhouse in Chester for a world premiere, before heading out across the UK for just a select few special performances.
A co-production between said Storyhouse, as well as Harlow Playhouse and CutToTheChase Productions, it’s been co-created by award-winning director Jen Heyes, with help from Olivier Award-winning writer and performer, Kit Green.
Green takes up the role not only of the titular and long-studied character for this bold reimagining of Clarissa, but will also feature as husband Richard Dalloway, tragic supporting character Septimus Warren Smith, and others.
Bookworms and English literature students will likely have come across the name at least in passing, even if they haven’t read it for themselves, and it still remains just as striking now as it was when first published back in 1925.
Elsewhere referred to as The Hours in her diary entries, the text inspired a 2002 Hollywood movie using that ‘original’ working title starring Nicole Kidman, Julianne Moore, and Meryl Streep – all of whom play women whose story mirrors that tale and/or troubles of Virginia Woolf in some way.
Most famously, however, it was also turned into an eponymous British film in the late 90s, with Vanessa Redgrave as an older Mrs Dalloway and Natascha McElhone as her younger self.
Virginia WoolfThe first major version of Mrs Dalloway on film (1997)Green embodying one of many rolesCredit: Topfoto/NTB (via NDLA)
Both have little cult followings of their own, as you would expect from anything with the famous writer’s name attached to them, but theatre fans have every reason to be very excited about this next take.
Speaking ahead of the inaugural performance of the play, director Jen Heyes said in a statement, “I wanted audiences to step inside Woolf’s world and see it in a way they won’t expect.
“We’ve mixed theatre, film, and bold reinterpretations to create something alive, surprising, moving, and entertaining. My hope is that people leave the theatre carrying the story with them long after the lights go down.”
Following the Cheshire debut on Friday, 29 May, running until 6 June, the production will head to Harlow in Essex, and Wilton’s Music Hall in London, before landing at beloved local theatre, cinema and arts space, HOME, over on First Street this autumn.
The stage version of Mrs. Dalloway will be in Manchester from 24-26 September (Thurs-Sat); you can grab your tickets HERE. We’ve been spoiled by some VERY good new material of late…
Watching Mamma Mia! at Manchester Palace Theatre proved once again why this ABBA-powered musical remains one of the most beloved shows in modern theatre.
The audience arrived ready for a party, and the cast delivered an energetic, feel-good performance packed with humour, heart, and, of course, a catalogue of iconic pop songs.
At the centre of the story is Sophie Sheridan, a young bride-to-be, determined to discover the identity of her father before her wedding day. Secretly, she invites three men from her mother Donna’s past to the island, creating chaos, comedy, and emotional revelations along the way.
The plot is famously light… but it provides the perfect framework for a soundtrack built entirely on hits by the iconic Swedish pop band ABBA.
Mamma Mia! brought infectious energy to Manchester’s Palace Theatre / Credit: Brinkhoff / Moegenburg (Supplied)
Jen Griffin leads the company as Donna Sheridan with warmth and a commanding stage presence. Her stand-out performance balances humour with vulnerability, culminating in a powerful rendition of ‘The Winner Takes It All’.
As Sophie, Lydia Hunt brings youthful excitement and a clear, expressive vocal performance, making her character’s search for identity both believable and engaging.
Donna’s loyal friends provide much of the show’s comedy (and cheers from the crowd). Rosie Glossop plays Rosie with scene-stealing wit and excellent comic timing, particularly during ‘Take a Chance on Me’, while Sarah Earnshaw gives Tanya glamorous confidence and sharp humour. Together the trio create the emotional backbone of the show, portraying friendship that feels authentic and affectionate.
The three possible fathers are played by Luke Jasztal as Sam, Richard Meek as Harry, and Mark Goldthorp as Bill. Each bringing their own unique character personality to the role, helping the storyline unfold with plenty of charm. Meanwhile, Joe Grundy plays Sky with relaxed confidence opposite Sophie.
Visually, the production captures the sunny escapism audiences expect, with bright Mediterranean colours, lively choreography, and a cleverly simple island set that transports the audience far from the streets of Manchester. Ouzo anyone?
By the time the encore begins, with the cast returning in glittering costumes for a joyous ABBA medley including ‘Dancing Queen’ and ‘Waterloo’, the audience is firmly on its feet.
The show last night felt less like a typical theatre evening and more like a celebration. It may not be subtle, but Mamma Mia! remains addictively entertaining.
Featured Image – Brinkhoff / Moegenburg (Supplied)
Daisy Jackson -
10th February 2025 
