Theatre

Fawlty Towers – The Play is coming to Manchester Opera House next year

Still one of the funniest things ever written, don't even argue with us. (this article contains affiliate links)

Danny Jones Danny Jones - 3rd December 2024

John Cleese’s much-loved Fawlty Towers – The Play is landing at the Manchester Opera House next year and we cannot wait.

The critically acclaimed theatre adaptation of the iconic sitcom, still revered as one of the greatest UK comedies of all time, first came to fruition back in 2016 and is now set to land here in Manchester city centre for the first time ever.

We’ve been treated to Fawlty Towers The Dining Experience at The Lowry Theatre in Salford before, but this is the first time the smash-hit West End stage production has headed North and judging by the reviews, audiences are about to be belly-laughing all the way to Torquay.

Coming to Manc crowds this time next winter, you can expect this one to be a sell-out.

Still busy playing a fully booked-up run at London’s Apollo Theatre Shaftesbury Avenue, the twice-extended West End show is packing up its stage for a massive tour across the UK and Ireland.

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Announcing dozens of dates next year and well into the summer of 2026, including shows in Leeds, Liverpool, York, Stoke, Sunderland and many more, the show has earned four and five-star reviews from countless publications.

The Arts Desk have hailed it as a “comedy masterpiece [that] makes a seamless transition to the stage”, with actor Adam Jackson-Smith playing the lead role of Basil Fawlty and the entire cast said to leave viewers cackling with some of the best bits from iconic TV series recreated in the flesh.

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Speaking on the stage adaptation, John Cleese said: “When we came up with the idea of bringing Fawlty Towers to the stage, I never thought it would get the reception that it has.

“On 23 December it will be 50 years to the day since we recorded the pilot at BBC Television Centre and I’m delighted the audiences we’ve had in the West End still think it’s as funny as ever. The announcement of the tour means many more people will now have the chance to laugh themselves helpless.”

John Cleese, now 85.

Set to hit the road 50 years on from the broadcast of the first episode on BBC Two back in September 1975, before going on to win countless awards including two BAFTAS and even being voted the best British programme of all time as part of a British Film Institute poll, it all feels very full circle.

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Brought to life on stage by a creative team consisting of Cleese and fellow writer Connie Booth and directed by Caroline Jay Ranger – best known for her work on Blood Means Nothing (2019), My Week with Maisy (2024), Early Doors: Live (2021) and the Monty Python live show, there’s non-stop talent both on and off the stage.

One of the best part parts about a series that was stretched across just 12 half-hour episodes of TV is that you can just about manage to squeeze in the majority of the most memorable highlights into the approximately 1h50m run-time.

You can see the cast’s recent interview on This Morning HERE and for a short trailer for a better look at what to expect down below:

Read more:

Fawlty Towers – The Play comes to the Manchester Opera House on Tuesday, 4 November 2025 and will be there until Saturday, 8 November.

General admission is live as we speak, with ticket options starting from £20 and going all the way up to £147.50 for the best premium seats and experience in the house.

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You can grab your tickets HERE.

For all the latest news, events and goings on in Greater Manchester, subscribe to The Manc newsletter HERE.

Featured Images — Press Images (supplied)

Theatre

Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House

Danny Jones Danny Jones A Knight's Tale Manchester musical review

From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.

Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.

At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.

Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.

A Knight’s Tale the musical at Manchester Opera House. (Credit: Press Shot)

A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.

Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.

The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.

Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.

However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.

Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.

The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.

At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.

A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.

But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.

Credit: Supplied

Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.

The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility.
In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.

Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.

Put simply, this is a knight to remember – with a soundtrack that slays.

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Featured Images — Press Images (supplied)

Theatre

A theatre adaptation of Alfred Hitchcock’s classic spy film North By Northwest is coming to Manchester

Daisy Jackson Daisy Jackson

Alfred Hitchcock’s much-loved spy classic, North By NorthWest, is hitting the stage and visiting one of Manchester’s most celebrated theatres. 

This new, riotously funny production will be visiting HOME theatre for a run of shows kicking off this week. 

The show reworks Hitchcock’s film of the same name, following one man who accidentally lands himself in the middle of a Cold War conspiracy. 

Now adapted for the stage by Emma Rice, North By Northwest follows an unfortunate mix-up where a mistimed phone call to his mother lands Roger Thornhill in a spot of bother. 

Alfred Hitchcock’s classic spy film North By Northwest is hitting the stage in Manchester / Credit: Steve Tanner (via Supplied)

Audiences will see this unlikely (and reluctant) hero head on the run, dodging spies, airplanes and a femme fatale. 

For the theatre production at HOME, the classic spy film (that starred Cary Grant) has been turned on its head and stars just six shape-shifting performers. 

There’s a fabulous 1950s soundtrack to go with it too – and, apparently, a lot of suitcases. 

Tickets are now on sale, and it’s already being described as a must-see / Credit: Steve Tanner (via Supplied)

North By NorthWest promises ‘glamour, romance, jeopardy and a liberal sprinkling of tender truths’.

Artistic director Emma Rice has already adapted and directed products for Wise Children including The Buddha of Suburbia, Blue Beard, and Wuthering Heights, plus worked as artistic director for Shakespeare’s Globe. 

The cast is made up of Mirabelle Gremaud as Anna; Patrycja Kujawska as Eve Kendall; Kary Owen as The Professor; Simon Oskarsson as Valerian; Karl Queensborough as Phillip Vandamm; and Ewan Wardrop as Roger Thornhill.

North by Northwest is a co-production with Wise Children, York Theatre Royal, HOME Manchester and Liverpool Everyman and Playhouse, and is currently on a UK tour. 

Read more:

You can catch it at HOME between 29 April and 10 May – see more and book tickets HERE.

Featured Image – Steve Tanner (via Supplied)

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