John Cleese’s much-loved Fawlty Towers – The Play is landing at the Manchester Opera House next year and we cannot wait.
The critically acclaimed theatre adaptation of the iconic sitcom, still revered as one of the greatest UK comedies of all time, first came to fruition back in 2016 and is now set to land here in Manchester city centre for the first time ever.
We’ve been treated to Fawlty Towers The Dining Experience at The Lowry Theatre in Salford before, but this is the first time the smash-hit West End stage production has headed North and judging by the reviews, audiences are about to be belly-laughing all the way to Torquay.
Coming to Manc crowds this time next winter, you can expect this one to be a sell-out.
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Still busy playing a fully booked-up run at London’s Apollo Theatre Shaftesbury Avenue, the twice-extended West End show is packing up its stage for a massive tour across the UK and Ireland.
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Announcing dozens of dates next year and well into the summer of 2026, including shows in Leeds, Liverpool, York, Stoke, Sunderland and many more, the show has earned four and five-star reviews from countless publications.
The Arts Desk have hailed it as a “comedy masterpiece [that] makes a seamless transition to the stage”, with actor Adam Jackson-Smith playing the lead role of Basil Fawlty and the entire cast said to leave viewers cackling with some of the best bits from iconic TV series recreated in the flesh.
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Speaking on the stage adaptation, John Cleese said: “When we came up with the idea of bringing Fawlty Towers to the stage, I never thought it would get the reception that it has.
“On 23 December it will be 50 years to the day since we recorded the pilot at BBC Television Centre and I’m delighted the audiences we’ve had in the West End still think it’s as funny as ever. The announcement of the tour means many more people will now have the chance to laugh themselves helpless.”
John Cleese, now 85.
Set to hit the road 50 years on from the broadcast of the first episode on BBC Two back in September 1975, before going on to win countless awards including two BAFTAS and even being voted the best British programme of all time as part of a British Film Institute poll, it all feels very full circle.
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Brought to life on stage by a creative team consisting of Cleese and fellow writer Connie Booth and directed by Caroline Jay Ranger – best known for her work on Blood Means Nothing (2019), My Week with Maisy (2024), Early Doors: Live (2021) and the Monty Python live show, there’s non-stop talent both on and off the stage.
One of the best part parts about a series that was stretched across just 12 half-hour episodes of TV is that you can just about manage to squeeze in the majority of the most memorable highlights into the approximately 1h50m run-time.
You can see the cast’s recent interview on This MorningHERE and for a short trailer for a better look at what to expect down below:
Fawlty Towers – The Play comes to the Manchester Opera House on Tuesday, 4 November 2025 and will be there until Saturday, 8 November.
General admission is live as we speak, with ticket options starting from £20 and going all the way up to £147.50 for the best premium seats and experience in the house.
Manchester City Council green-light new venue at Medlock Square, with Mamma Mia! The Party to open the immersive space
Danny Jones
The smash-hit ‘Mamma Mia: The Party’ is set to land in Manchester next year as the maiden event of another brand-new space set to open as part of the upcoming Medlock Square development.
Etihad Campus has seen a lot of moving pieces over the past few years, be it the building of Co-op Live, the ongoing expansion of Man City’s home ground, the soon-to-launch hotel attached to the stadium and now Medlock.
But those in control of the land are content with stopping there; this looks to be just the start of a whole new evolution for the East Manchester area, with an as yet untitled new immersive arts, experience and events venue also set to join the new slate of projects.
You see another glimpse of the purpose-built mini arena, of sorts, down below.
With plans having now been approved by the City Council, the ‘immersive’ space will be situated between the Etihad, Co-op Live and Medlock Square itself, holding up to 600 guests per performance.
Currently set to open in late 2027, following the rest of the square’s launch window being fully rolled out, we still don’t know the name of this next addition, but the structure itself will dovetail with the surrounding buildings and areas as part of seasonal activations, live shows and sports screenings, as well as pop-ups, brand collaborations and more.
Looping back, the interactive, multimedia extravaganza that is ‘Mamma Mia! The Party’ will finally be making its Manc debut as part of the 10th anniversary of the all-singing, all-dancing and even all-dining in-demand production.
As per an official press release from the Medlock Square media team, the show will combine “live music, theatre, food and storytelling” and “offer visitors an unforgettable night out.”
The original UK production at The O2 in London has now surpassed more than 1,500 performances, with a total of 700k guests attending these shows in 110 countries across the globe. Safe to say it’s rather popular.
As for Medlock Square and the surrounding Etihad Campus, Manchester City supporters have also been given another look at the soon-to-open, immersive hotel tie-in experience.
With a skywalk, rooftop bar, a new MCFC shop and various other bits set to spill out onto Medlock Square, it all feels like a period of wholesale changes over in the blue half of the city – especially with the football club bidding farewell to their manager Pep Guardiola after more than a decade.
Following the new and improved North Stand being named after him in the first of many tributes, the City Football Group (CFG) are also set to commission a statue in his honour over the coming months.
Meanwhile, Medlock Square is also due to open later this year, although an official completion date has not been confirmed.
You can stay up to date with all the latest on Mamma Mia! The Part’s Manchester shows right HERE.
Not forgetting a brand-new women’s football facility, too, there is so much stuff going on over at the Etihad that it can be hard to keep track, but here’s the latest look at some of the rooms set to feature in the hotel of the same name.
Featured Images — Publicity pictures (CGIs via Medlock Square)
Theatre
Annie at Palace Theatre Manchester – a charming interpretation of an old classic | Review
Clementine Hall
For a musical built on nostalgia, this Annie that’s just arrived at the Palace Theatre in Manchester feels surprisingly lively – here’s our full review…
Annie is a show tied up with countless childhood memories. Whether you performed it in the school choir, watched the film starring Carol Burnett, or saw it on stage, we’ve all got our own memories of Annie since it first opened in 1977.
So to bring it to a modern theatre audience who no doubt feel some connection to the characters and score is no mean feat.
If you’ve seen any of the posters plastered around the city, you’ll see British drag queen ‘La Voix’ take centre stage as the slippery and gin-fuelled Miss Hannigan.
Images: Press shots (supplied)
This is obviously a strategic move to get bums on seats, and although La Voix is of course a ferocious and standout performer, the production is so much more than that.
They say never to work with children in showbiz, so leading a group of 10-year-old orphans in a snappy and perfectly choreographed rendition of‘It’s a Hard Knock Life’ is really a huge achievement in itself.
All the kids are wonderful, but Victoria Alsina, who plays the titular role, deserves particular credit. It’s a huge role for any actor, never mind a child, and she handles it with confidence, charm, and just the right amount of grit.
As expected, La Voix gets some of the biggest laughs of the night. Her Miss Hannigan leans heavily into the character’s chaos and bitterness, but never feels one-note. It’s a performance packed with quick-fire comedy, and the vocals are tight.
Images: Supplied
That said, Annie would be in trouble if it relied solely on stunt casting. Thankfully, it doesn’t.
The wider cast is consistently strong, the ensemble numbers are full of energy, and the costumes are nothing short of fabulous. The real challenge with Annie is making a story that’s approaching its 50th birthday feel fresh. This production doesn’t reinvent the wheel, but it doesn’t need to.
Instead, it focuses on delivering the songs people came for, giving the cast room to shine, and reminding audiences why the show has stuck around for so long.
La Voix might get people through the doors, but it’s the strength of the production as a whole that sends them home happy.
Danny Jones -
3rd December 2024 
