Joseph and the Amazing Technicolor Dreamcoat – a masterclass in comedy, colour and movement

To start with, we’re going to begin this review by advocating for going into stage shows with as little knowledge as possible because it only dials up the already exaggerated nature even further – we knew next to nothing about Joseph and the Amazing Technicolor Dreamcoat before seeing it in Manchester.

And we truly think it helped.

Now, when we say nothing, we’ve obviously heard the title plenty of times over the years as it remains one of the most celebrated musical productions on the planet, and you don’t need to be an avid theatre buff to know who Andrew Lloyd Webber is. The point being is that all we knew was its reputation.

Going along with a second party several decades older than us who shared the same blindspot and just never quite understood what all the fuss was about makes the next part even funnier: we both loved it.

We’re not going to dive too heavily into the story as we’re sure plenty of you who are more well-versed in the genre don’t need a synopsis regurgitating for the umpteenth time, but what we will say is that we’re somewhat glad we weren’t aware of its religious themes and numerous biblical references.

Not because we have any particular issue with Christianity nor adapting stories within theologies to turn them into entertainment, but because as atheists we probably would have been less keen to choose this particular text over another.

However, this is why we’re thankful for going in blind as we fear many others have missed out on this long-standing vibrant, energetic, all-singing, all-dancing twist on the tale of Genesis for decades simply due to being non-believers/agnostic.

That being said, we can confidently assure you that not only can you put your thoughts on faith to one side for the duration of the performance but, for us at least, it felt like it was more of an undercurrent than anything else and had little bearing on what a truly joyful evening for all ages.

You also get hand-held through it through the eyes of the children being retold the story right in front of you by the expert narrator, Christina Bianco, whose interventions and comic timing were lethal on a crowd already easily cracked up by a punchline or two – but she had the best of the lot.

Where else to begin than with Joseph himself, played by Adam Filipe, who although we’ll admit to being layman on the subject until last night, feels almost born to play the role.

Not only did he bring respite to an otherwise frenetic (in the best way possible) onslaught of singing with his ability to deliver certain lines as nothing more than perfectly enunciated and emotional speech, but his voice was on point throughout and the way he made full use of the stage from the start was great.

One particularly immature slide up the curved wall of the set in the opening five minutes and we knew all we needed to know about not just movement but the rest of the cast too; pretty much non-stop movement and expression virtually at all times.

The dancing – particularly a rather hilarious ‘can-can’ confusion – was top-notch throughout and no matter which bright, flowing costume he or the ensemble was wearing during a specific number, they all looked the part and didn’t put a foot out of place.

But much to our delight, there really wasn’t one standout performance that stood head and shoulders above the rest, simply because they were all brilliant.

Whether it was the Jacobs and Sons company of brothers bringing both melodrama and some comic relief, or the score of female dancers delivering an elegance and added level of pageantry to proceedings, they all played their part.

However, every time one or more of the kids took to the stage a show-stealing moment was ripe for the picking and they all seized their opportunity, be it in unison or in the select few solo moments in the spotlight. An audience is always going to get up for youngsters shining front and centre.

But, we suppose if we absolutely had to give another special mention to another member of the production and single them out, there’s only one person it could be…

Having previously played the lead role back in 2016 following his X-Factor success, Joe McElderry returns to Joseph and the Amazing Technicolor Dreamcoat and the Manc crowd in the role of the Pharoah and boy was he good having passed the baton and shifted gears. So good and so funny.

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As well as an expert command of light, colour and choreography, the one thing we were surprised by was just how well-placed the comedy was throughout.

Not too much, not too little and nothing too contrived – a hard balance to strike and one that helps ease in those rare typically theatre-goers prone to a touch of cringe.

All in all, we sincerely urge you to go and see this show for yourselves, especially if you’re like us and have never given it a chance before. You won’t regret it.

Joseph and the Amazing Technicolor Dreamcoat is on in Manchester until Sunday, 9 March. You can still grab tickets HERE.

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In case you were wondering who stole the show in @JosephMusical at the @PalaceAndOpera, they all did… but we'll admit the Pharoah is a bit of a legend. 😅👏

Make sure you don't miss @joemcelderry91 and the rest of this amazing cast while they're in Manchester. ⬇️ pic.twitter.com/lhk9BcmejN

— The Manc (@TheMancUK) February 28, 2025

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Featured Images — Tristram Kenton (supplied)