The theatrical version of The Karate Kid has arrived at the Palace Theatre and Opera House, bringing a well-known story of discipline, resilience and mentorship to a live audience.
Best known for its iconic cinematic legacy, The Karate Kid translates surprisingly well to the stage. It leans less on spectacle and more on character, movement and emotional growth.
At the production’s heart, the story still revolves around a young outsider trying to find confidence and belonging in an unfamiliar environment, guided by an unexpected mentor.
The narrative follows Daniel, played by Gino Ochello, marking his first professional stage debut, as he struggles to adjust to a new life, facing intimidation and self-doubt before encountering the legendary Mr Miyagi, played by Adrian Pang.
What unfolds is more than just a story of learning karate; it becomes a study of patience, balance and inner strength for Daniel. The central relationship between student and teacher remains the production’s strongest theme, grounding the story in warmth and sincerity.
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The bond between student and Sensei is clear to see throughout. Focusing more on the movement side of things, the musical definitely has its fair share of action; the production shines with storytelling through choreography.
The fight sequences are carefully staged. The whole production walks a balanced line between movement and tension that feels immediate without losing theatrical elements.
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These scenes are not about aggression alone but about control, reflecting the philosophy at the core of the story: balance. If you’ve seen the movies or the likes of Cobra Kai, you’ll know the vibes.
The cast works cohesively to maintain this balance. Ochello playing Daniel captures a mix of genuine vulnerability and determination as he attempts to settle into his new life in California, a million miles from the streets of Jersey he once knew.
While Adrian Pang portrays Mr Miyagi does this with a quiet authority. Their dynamic evolves on stage flawlessly, allowing the audience to invest in their journey rather than simply anticipating the next fight.
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Visually, the production makes effective use of staging and design. The set shifts fluidly between locations, using lighting and more than a few well-timed transitions to keep the pace moving.
Subtle changes in atmosphere mirror the cast’s internal world, moving from insecurity and isolation to confidence and connection as the story progresses. The music throughout further supports this, blending nostalgia from the old flicks we all knew and love, with a new contemporary stage feel.
As the story builds toward its familiar ending, the focus remains less on winning and more on personal growth. The final moments emphasise discipline, self-belief and restraint rather than triumph alone.
A well-deserved standing ovation. (Credit: The Manc)
Reinforcing why the story has endured across generations and how the themes explored remain powerful pillars of life in today’s world.
Ultimately, The Karate Kid on stage at the Palace Theatre succeeds not by trying to replicate the film exactly, but by reinterpreting its themes for a live audience. It’s a production that leans into character, movement, friendship and emotional resilience.
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It reminds viewers that its real power lies not in the fights, although sometimes necessary as a last resort, but in what they represent on the inside. We had a much deeper experience than we expected, and loved pretty much every minute of it.
Jersey Boys at Palace Theatre, Manchester – Oh, what a night
Amy Williams
20 years, 65 major awards (including Tonys, a Grammy, and an Olivier), and seen by over 27 million people worldwide – it could only be Jersey Boys, and now it’s back at the Palace Theatre in Manchester.
This is one of those shows where you realise just how many songs you know and love by Frankie Valli and The Four Seasons, but may not know the story behind the band themselves. How they started, how big they became, how they fell apart, and how they were inducted into the Rock and Roll Hall of Fame.
It follows the four boys from Jersey (who each narrate their parts of the story), how it started as just Tommy and Nick and a range of different guys along the way, until they found the one who has a voice like an angel, Frankie Valli, and this started to change the direction of their success.
But they were missing a key part, a good song writer – enter Bob Gaudio, and the creation of The Four Lovers, who then became The Four Seasons.
Mixed with issues of debt, loan sharks, prison time and more, it wasn’t the smoothest of sailing for them, and as they said themselves, they didn’t create a movement like the Beatles. But The Four Seasons were for the factory workers, the dads, the working class people who could relate to them.
One thing we need to talk about, is just how INCREDIBLE the vocal performances are in this tour of Jersey Boys, staring Luke Baker as Frankie Valli, Carlo Boumouglbay as Tommy Devito, Lewis Kennedy as Nick Massi, and Toby Miles as Bob Gaudio.
Jersey Boys is back in Manchester, for a run at the Palace Theatre
A special mention for Luke Baker, because as iconic as Frankie Valli’s voice is, he very perfectly matched it.
The musical features some of their biggest hits including Sherry, Big Girls Don’t Cry, Beggin’, Can’t Take My Eyes Off You, Walk Like A Man, and of course, December 1963 (Oh, What A Night) which had everyone up on their feet dancing at the end.
This show is incredible from beginning to end, and would recommend everyone go to see this.
Jersey Boys is running at the Palace Theatre in Manchester until Saturday 19 September, and you can grab your tickets HERE.
High School Musical at Lowry, Salford – a night spent reliving our childhood | Review
Amy Williams
What a night spent reliving our childhood.
Now, I don’t want to exaggerate or seem biased, considering this is one of my favourite film trilogies of all time, but this could be the best stage show I’ve seen in a long while.
We all know how High School Musical goes, right? Set at East High, we follow Troy and Gabriella (the star basketball player, and the geeky new girl) who meet over New Year, and then become ‘star-crossed lovers’ when back at school as they’re part of two different ‘cliques’.
The duo mess with the ‘Status Quo’ when they audition for the school musical. But will they stick to what they know? Or become stars of the stage? I’m sure you know the ending.
High School Musical is currently on stage at Lowry, Salford / Credit: Matt Crockett (Supplied)
From the costumes and the characters, to the memorable songs (there’s actually 52 songs in this production, including a mega mix at the end), they’ve kept right to the script of the films – and that’s exactly what we wanted to see.
Of course, the biggest throwback of them all is Kaycee Stroh – who originally featured as Martha Cox in the film trilogy – taking the role as Ms Darbus, and she was just as incredible as we expected her to be. And to see her do the iconic dance in the finale was unbelievable, 13-year-old Amy was screaming.
Also featuring Jason Donovan as Coach Bolton, Tobias Turley as Troy, Leonor Correia as Gabriella, Caitlin Tipping Sharpay, and Luke Bayer as Ryan, it was a proper impressive cast all round.
It’s a night to properly relive your mid-00s childhood / Credit: Matt Crockett (Supplied)
There was crowd interaction right from the off, as they taught the crowd a cheerleading routine to be included later in the show, plus for the finale, they had the lyrics on the big screen too so everyone could sing-along.
If we could go and see this show every single night, we would – it is absolutely brilliant.
Lonnie Bowes -
14th May 2026 
