Kinky Boots strutted into Manchester last night (bet I’m the only reviewer witty enough to come up with an opening line that original) and in doing so encapsulated an audience with its inspiring message.
I want to preface this review by stating that up until last night, I knew next to nothing about Kinky Boots.
Admittedly, even as a born and raised theatre kid, there will always be the odd musical that manages to slip through the cracks and elude me, much like a cinephile who’s never seen Jaws and, shamefully, Kinky Boots is my Jaws. Until now.
This actually gave me a huge sense of excitement going into the press night for the all-new production of Kinky Boots.
It’s very rare that I review a show that I’m not comparing to some form of source material, a different production that I’d already seen, the movie adaptation, the original cast recording, etc.
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So, to sit down last night at 7:29 absolutely clueless about what was set to unfold in front of me, was a genuine breath of fresh air.
Kinky Boots is set between the towns of Northampton, London and climatically, Milan. The story follows two lead characters Charlie Price, a Northampton boy who begins the show having just inherited his late father’s shoe manufacturing business.
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It’s a fate he’s been trying to run from since his childhood and Lola/Simon, a fierce and powerful drag queen who uses their dress sense and divaesque attitude as a shield from the outside world that wishes to, ironically, drag her down
The two collide when Charlie is inspired to save his late father’s failing business by exchanging the manufacturing of boring brogues for fabulous ‘kinky boots’ that can be fabulous, whilst fully supporting the weight of any drag queen.
His energy has dropped one iota from rehearsals to the tour. (Credit: Press Images)
Johannes Radebe – best known for being one of the professionals on Strictly Come Dancing – was nothing short of absolutely breathtaking as Lola.
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I’ll be honest, celebrity castings generally put me off shows more than attract me to them; in some cases, they can feel like desperate pleas to get bums in seats (which given the current state of arts within the UK, production companies can hardly be blamed for).
However, Johannes genuinely seems born to play this role. I was expecting his dancing to be well… professional but I was intrigued to see how his vocals and acting would compare and boy, oh boy, did they compare. He didn’t miss a beat.
His acting was fierce and powerful, just as his character demanded whilst also showing real vulnerability and humility. In terms of individual performances, it’s one of the best I’ve seen at Manchester’s Palace Theatre for a long while.
The supporting cast was just as fabulous, with special shoutouts to Courtney Bowman who played the adorably loveable Lauren, whilst delivering serious powerhouse vocals and to Scott Paige who played George.
You could see through Scott’s performance a real sense of pride and shared experience with the story plus his comedic timing was absolutely impeccable, I hope to see more of him in the future.
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Kinky Boots boasts a strong supporting cast all-round (Credit: Supplied via Palace Theatre Manchester).
With a book by Harvey Fierstein and music and lyrics by the legendary Cyndi Lauper, I must admit it’s Harvey who carries the weight in this production.
Whilst catchy enough to tap your feet to, I didn’t leave the theatre with so much as an earworm from Cyndi’s musical offering, however, the heart and passion of the story is something I think everyone should look to experience.
Kinky Boots is about accepting people for who they are instead of seeking to change them and this show does a fantastic job of encapsulating that message, not only from the standpoint of the LGBTQ+ community but for everyone.
The show implores people to accept everyone from the fiercest drag queen to the most bullish, typical ‘blokes’ out there and the way each of those groups manages to come together by the end of the production is a testament to what can happen if we all embrace each other with open arms.
Kinky Boots is only in Manchester until Saturday (8 February), so please, get tickets if you can and go and see this fabulous show. You can grab yours HERE. Who knows? Maybe you’ll get to see a living legend in the flesh like we did…
Featured Images — Press Images (supplied via Palace Theatre and Opera House Manchester)
Theatre
An ‘extraordinary’ new Live Aid musical is coming to Manchester on its UK tour
Emily Sergeant
An ‘extraordinary’ new musical based on Live Aid is coming to Manchester as part of an upcoming UK and Ireland tour.
Producers Jamie Wilson Productions say they’re ‘thrilled’ to announce that Just For One Day – The Live Aid Musical will head out on a big UK and Ireland tour starting out in March 2027, and visiting loads of major cities along the way – including Manchester, Cardiff, Edinburgh, Birmingham, Nottingham, and plenty more.
The production take us back to 13 July 1985 – the day music united the world.
Live Aid was an unprecedented global music event that brought 1.5 billion people together, and they all have a story to tell about ‘the day rock ‘n’ roll changed the world’.
Now, more than 40 years on from that famous day, audiences in Manchester will get to discover the behind-the-scenes story of Live Aid in a whole new way, as Just For One Day – The Live Aid Musical is the story behind the greatest gig in music history.
What makes Just For One Day special? Nostalgia, relevance to today and a message for the new generation 🤘 pic.twitter.com/wRBV4Ar1Hv
— Just For One Day | The Live Aid Musical (@liveaidmusical) June 9, 2025
With hit songs by Bob Dylan, David Bowie, The Who, U2, Queen, Madonna, The Police, Elton John, Paul McCartney, Diana Ross, and more all featuring, these iconic artists made history at simultaneous charitable concerts in London and Philadelphia.
The musical is written by John O’Farrell and directed by Luke Sheppard, with musical supervision, arrangements and orchestration by Matthew Brind, choreography by Ebony Molina, and casting by Stuart Burt.
“Just For One Day brilliantly reimagines why Live Aid worked then and why the humanity of that day still matters now,” commented Bob Geldoff.
“I’m delighted that more of the UK and Ireland will finally get to see this extraordinary and compelling musical. The reaction the show gets continually surprises and amazes me, standing ovations and people come back time and again, introducing the Live Aid story to new generations.”
Just For One Day – The Live Aid Musical will arrive at Manchester Opera House in May 2027.
Tickets went on general sale this morning (Wednesday 17 December) at 10am, and you can get your hands on them via ATG Tickets here.
Featured Image – Supplied
Theatre
Manchester Film Festival returns for 2026 and early bird passes are live NOW
Danny Jones
Cinephiles, prepare yourselves, because the Manchester Film Festival is back for 2026, and you can grab discounted early bird tickets right now.
Taking place over the course of 10 days next spring, the annual event will be spread across multiple much-loved cinemas and is a must-not miss if you’re a movie buff or just love going to the pictures.
Serving as a celebration of both international cinema and local filmmakers, highlighting a diverse range of films from both established and emerging talent, the Manchester Film Festival has been going for over a decade now, and 2026 is set to be the biggest yet.
You can see how last year went down below.
Having earned nods from both BAFTA and the British Independent Film Awards (BIFA), there’s already plenty of pedigree and excitement behind it, especially with the discounted early bird offers available.
You can see the prices of Manchester Film Festival (MFF) early bird passes here:
6 Film Pass – £36 (normally £45)
10 Film Pass – £52 (normally £65)
Full Festival Pass – £71.95 (normally £89.95)
As you can see in the clips from the 11th edition of MFF back in March 2025, the showcase featured everything from the indie up-and-comers to well-established famous faces.
For instance, standout showings included The Penguin Lessons, starring Steve Coogan, and Y2K, which featured Disney star and singer Rachel Zegler, as well as Limp Bizkit’s Fred Durst.
As for the latest instalment, whether you’re most interested in the movie screenings themselves, the panels and Q&As, or just the taste of some red carpet glamour, there’s something for all film lovers.
MFF’s full programme is set to be announced in January, and we can’t wait to see what they have in store for us this time.
This year, they’ve also had a Salford student design the official 2026 festival poster, as Pendleton Sixth Form College’s Charlie Cunliffe has shared his striking visuals.
Commenting on this continued collaboration with the further education institution, Festival Director Neil Jeram Croft said: “This is the third year we have worked with Pendleton Sixth Form design students, and once again the work they all put in was exceptional.
“It was really tough to choose a winner, but we felt that Charlie’s design really stood out with its simplicity and use of colour. We think it’s going to look fantastic all over Manchester this spring.”
As for the venues taking part in MCR Film Fest 2026, the likes of Aviva Studios, HOME, Odeon Great Northern, Flix at Treehouse Hotel, and CULTPLEX over in Cheetham Hill will be helping host.
Next year’s festival runs from 19-29 March and, once again, passes currently start at £36 – reduced from the standard cost of £45.
If you’re interested in trying it out this year, you can grab your tickets HERE.
Oli Lowe -
5th February 2025 
