Much-loved local actor and director David Threlfall is set to return to the Manchester theatre circuit after nearly three whole decades as he prepares to play King Lear at the Royal Exchange.
That’s right: Frank Gallagher himself is about to be one of Shakespeare’s most iconic characters in one of his most legendary plays.
Returning to the very same stage on which his career first began budding after 27 years since last treading the boards, the Shameless, Nowhere Boy and Hot Fuzz star will be donning the titular role in arguably the greatest tragedy of all time at the Manchester city centre theatre this coming autumn.
First announced last month, we’ve finally learned more about this significant comeback and can barely contain our excitement.
The seasoned thespian who is best known for playing UK TV’s well-known and perpetually drunk Northern dad, not to mention embodying fellow British performer Tommy Cooper, has plenty of roots in playhouses, but it’s fair to say he’s been gone from Greater Manchester for a hot minute.
Set to lead the cast in the new adaptation, directed by Matthew Dunster – himself a local Lancashire lad schooled in Chadderton – this feels like a proper homegrown production.
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For anyone who’s never really experienced the historic tale by ‘Old Bill, the Bard of Avon’, to put it in the Royal Exchange’s words, it “charts a kingdom where power corrupts, families become enemies and prosperity devolves into war.
“At its centre is the mind of a man who can no longer understand what it means to be human. Lear is a searing portrait of a king unable to distinguish truth from lies. As the storm rises and night falls, language, identity and meaning break down completely.”
To be fair, you could argue there are some similarities between him and the Gallagher patriarch; he’ll also be in the middle of this run when he turns 73 – meaning it’ll be even longer since he last played the Royal Exchange Theatre (RET) in his mid-40s.
As for this version by Dunster – who himself is returning to the RET once again also (for his sixth different stint, no less) his talented cast includes the likes of Isobel Akuwudike, Ed Coleman, Lisa Diveney, Rupert Hill, Johnathan Slinger and more.
It’s also worth noting that Threlfall has featured in a Lear retelling in the past.
Way back in 1983, he played Edgar in the small-screen movie made right here in 0161 by Granada Television, where he acted alongside HUGE names such as John Hurt, Diana Rigg, Robert Lindsay, as well as the late, great TV, movie and all-around acting star, Laurence Olivier.
Born in Crumpsall, raised in Burnage, and made at the REC and various other theatres across the country, this feels like a momentous homecoming for the ever-familiar Manc face.
With shows booked from Friday, 2 October until Sunday, 15 November, and tickets priced at just £12 for standard seats, you can secure yours right HERE. It’s also worth noting that this isn’t the only Shakespearean adaptation coming to the region later this year, either…
Featured Images — Channel 4/The Manc Group/Publicity picture via Royal Exchange Theatre)
Theatre
Legally Blonde the Musical at Opera House, Manchester – the campest of revamps
Amy Williams
If you’re thinking about going seeing Legally Blonde at The Opera House this November, let us tell you why you absolutely should.
The iconic West End musical, based on the award-winning film starring Reese Witherspoon, is back on tour, and in Manchester for the next two weeks.
If you haven’t seen it before then let us give you an idea of what it’s about – the story follows Elle Woods, a girl from Malibu, who is madly in love with her high school sweetheart.
The problem is he wants something more ‘serious’ than her, which is when she decides she’ll follow him to Harvard and become a law student, to prove she’s more than just the ‘dumb blonde’ he thinks she is.
On stage, Legally Blonde’s dialogue is almost entirely through song, so you expect there’ll be good voices amongst the cast – and they really do live up to expectations.
West End darling Amber Davies stars as Elle Woods, turning her 2018 Love Island win into an illustrious musical career that has seen her star in shows like Pretty Woman, The Great Gatsby, and 9 to 5. She absolutely blew us away.
Also putting on an incredible show is Karen Mavundukure as well, who plays Paulette, a hairdresser who becomes friends with Elle.
And some of the biggest ‘awws’ of the night of course went to the two wonderful dogs of the show, Sprout and Rocco.
Legally Blonde will make you laugh, have you sat in awe at the voices and stage set, and also really pull you into the story in hope that Elle gets what she REALLY wants in the end…
Legally Blonde is at Opera House Manchester until Saturday 14 November, make sure to grab tickets HERE before it’s too late.
ENB’s Romeo & Juliet at Palace Theatre Manchester – the world’s most famous story expertly reimagined | Review
Emily Sergeant
Every now and then you experience a bit of a full circle moment… and for me, this was one of them.
Back in 2011, when I was a dance-obsessed 14-year-old, taking and assisting classes countless times a week, I became enamoured by a BBC documentary series called Agony & Ecstasy: A Year with English National Ballet. As one of the country’s premier ballet companies – celebrating its 60th anniversary at the time of the documentary – ENB allowed cameras behind the scenes, from the rehearsal room to backstage, giving audiences a previously unseen inside look on what it takes to stage some of the most spectacular productions your eyes will ever meet.
One of the ballets being staged in the year the BBC followed the company was Romeo & Juliet.
Based on a story known around the world and with an unmistakable score by Prokofiev, it’s a ballet I was already fond of prior to the documentary, but seeing the work that went into making the show a reality, up close like never before, it turned into one of my favourites.
Over the years, I have been fortunate enough to see several different dance stagings of Romeo & Juliet – but last night, at the Palace Theatre in Manchester, was the first time I got to sit in the audience and see English National Ballet’s production live with my own eyes.
And it was just as magical as I was hoping it would be.
ENB’s Romeo & Juliet is now on stage at Manchester Palace Theatre / Credit: Laurent Liotardo
Right off the bat, I’m just going to presume you already have somewhat of a grasp on the story of Romeo & Juliet, right? Given the fact it’s arguably Shakespeare’s most famous work and one of the most iconic plays of all time.
And you’ll be pleased to know, even if you’re not seasoned in watching ballet, that the story we all know and love remains largely intact for this production, therefore making it easy for audiences of all ages and interests to follow along and admire.
The two title characters, the star-crossed lovers themselves, were embodied expertly by Rentaro Nakaaki and Julia Conway as Romeo and Juliet, who had the audience captivated from the second they entered the stage – with undeniable chemistry and enviable technique.
Fabian Reimair took on the role of Tybalt with ease, Noam Durand was Mercutio, and Rodrigo Pinto was Benvolio, all while Elvis Nudo and Minju Kang stepped into the shoes of Paris and Rosaline.
But the lead roles are nothing without the wider cast of supporting dancers and character actors, who really help transport you to 14th century Verona and help bring the authenticity a production as epic as this requires.
The world’s most famous story has been expertly reimagined / Credit: Bill Cooper | Laurent Liotardo
Aside from the dancing, it would be remiss not to praise the expert sets and costuming here from Ezio Frigero and Franca Squarciapino.
And I suppose I should also give a shoutout to little-known name, Rudolf Nureyev, who choreographed this version of Romeo & Juliet all the way back in 1977. Something tells me he would’ve had a great career… I could be wrong, though.
Romeo & Juliet really is one of the most tragic love stories of all time, and the power of that is not lost through dance. It’s still as raw and heartbreaking in this production as it always is.
And that is truly a credit to every single person forming part of it – both on the stage and off.
Danny Jones -
29th July 2026 
