Much-loved local actor and director David Threlfall is set to return to the Manchester theatre circuit after nearly three whole decades as he prepares to play King Lear at the Royal Exchange.
That’s right: Frank Gallagher himself is about to be one of Shakespeare’s most iconic characters in one of his most legendary plays.
Returning to the very same stage on which his career first began budding after 27 years since last treading the boards, the Shameless, Nowhere Boy and Hot Fuzz star will be donning the titular role in arguably the greatest tragedy of all time at the Manchester city centre theatre this coming autumn.
First announced last month, we’ve finally learned more about this significant comeback and can barely contain our excitement.
The seasoned thespian who is best known for playing UK TV’s well-known and perpetually drunk Northern dad, not to mention embodying fellow British performer Tommy Cooper, has plenty of roots in playhouses, but it’s fair to say he’s been gone from Greater Manchester for a hot minute.
Set to lead the cast in the new adaptation, directed by Matthew Dunster – himself a local Lancashire lad schooled in Chadderton – this feels like a proper homegrown production.
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For anyone who’s never really experienced the historic tale by ‘Old Bill, the Bard of Avon’, to put it in the Royal Exchange’s words, it “charts a kingdom where power corrupts, families become enemies and prosperity devolves into war.
“At its centre is the mind of a man who can no longer understand what it means to be human. Lear is a searing portrait of a king unable to distinguish truth from lies. As the storm rises and night falls, language, identity and meaning break down completely.”
To be fair, you could argue there are some similarities between him and the Gallagher patriarch; he’ll also be in the middle of this run when he turns 73 – meaning it’ll be even longer since he last played the Royal Exchange Theatre (RET) in his mid-40s.
As for this version by Dunster – who himself is returning to the RET once again also (for his sixth different stint, no less) his talented cast includes the likes of Isobel Akuwudike, Ed Coleman, Lisa Diveney, Rupert Hill, Johnathan Slinger and more.
It’s also worth noting that Threlfall has featured in a Lear retelling in the past.
Way back in 1983, he played Edgar in the small-screen movie made right here in 0161 by Granada Television, where he acted alongside HUGE names such as John Hurt, Diana Rigg, Robert Lindsay, as well as the late, great TV, movie and all-around acting star, Laurence Olivier.
Born in Crumpsall, raised in Burnage, and made at the REC and various other theatres across the country, this feels like a momentous homecoming for the ever-familiar Manc face.
With shows booked from Friday, 2 October until Sunday, 15 November, and tickets priced at just £12 for standard seats, you can secure yours right HERE. It’s also worth noting that this isn’t the only Shakespearean adaptation coming to the region later this year, either…
Featured Images — Channel 4/The Manc Group/Publicity picture via Royal Exchange Theatre)
Theatre
Blue Planet III live in concert is coming to Manchester next year
Daisy Jackson
The spectacular Blue Planet III will come to Manchester live in concert next year, bringing the hit BBC nature documentary to life with a live orchestra.
The new arena tour will pull together the most breathtaking footage beneath the waves from across the series, curated for a giant Ultra HD LED screen.
Blue Planet III will hit screens later this year, narrated once again by the legendary Sir David Attenborough.
Filmed across four years, it will take audiences everywhere from tropical coral reefs to the darkest depths of the ocean.
When the Blue Planet III Live In Concert show arrives in Manchester, it will be hosted by series executive producer Elizabeth White, who’ll share incredible stories and behind-the-scenes insights from the making of the series.
The score once again comes from Academy Award-winner Hans Zimmer, with Thom Lukas and Laurentia Editha for Bleeding Fingers Music, performed live by the City of Prague Philharmonic Orchestra.
The companion live concert is preparing to take audiences even deeper into the underwater world on an epic audio-visual scale.
Specially curated footage from Blue Planet III will be shown on a state-of-the-art 200 sq metre Ultra HD LED screen – one of the largest of its kind used for an orchestral touring screen show and approximately the size of a tennis court.
Blue Planet III live in concert is coming to Manchester next year. Credit: BBC Studios
The brand-new Blue Planet III Live in Concert will kick off here in Manchester before heading to Birmingham, Glasgow, and London.
Executive Producer Elizabeth White says: “Making Blue Planet III has taken us to places we never imagined we’d film. But there’s something about bringing that footage into a concert arena full of people, with the score performed live all around you, that will be truly special.
“This tour is our chance to share the series on a completely different scale, and I can’t wait to be there live, revealing the extraordinary stories behind what audiences are seeing on screen.”
Hans Zimmer says: “There’s nothing like experiencing this score live with an orchestra, especially when it’s paired with the extraordinary visuals of the life underwater. Thom, Laurentia and I are ecstatic that audiences will be able to enjoy our score in this way.”
Blue Planet III Live in Concert will be at the AO Arena in Manchester on Friday 21 May 2027 – general release tickets start from £40 and go on sale from 11am on Friday 16 October HERE.
Dirty Dancing at Palace Theatre, Manchester – at least one audience member had the time of her life…
Daisy Jackson
For anyone who has watched Dirty Dancing so many times they can practically recite the dialogue, taking on the Patrick Swayze and Jennifer Grey roles is no small feat – and turning that lakeside romance into a live musical comes with even bigger expectations.
The stage production at the Palace Theatre in Manchester has all the familiar ingredients: the dancing, the music, the forbidden romance and, of course, that lift. But while there are moments when the theatre version captures the exuberance of the original, it doesn’t always manage to recreate its magic.
Charlie Varlet as Baby does a great job of embracing the knock-kneed awkwardness of the teenage star, slowly blossoming into a beautiful dancer who is almost eerily similar to the film’s Jennifer Grey.
And Joel Benjamin plays a striking Johnny, moving lightly for such an enormously muscular actor.
But there are moments where their chemistry fizzles out, too much of the script that focuses on their bickerings and misunderstandings to make you buy into their love story.
At points, it feels almost slapstick, and the result is a restless audience that keeps hooting and hollering at a topless Benjamin when he’s trying to deliver a serious monologue about Johnny’s upbringing. One woman shouts ‘LUCKY YOU’ and cackles as Baby sits in bed with him. It’s not a Magic Mike show, guys.
Where Dirty Dancing the musical shines is when it really makes the most of its full ensemble, with huge dance numbers that see limbs and skirts flying right across the stage.
Ellie Ferguson as Penny in Dirty Dancing. Credit: Danny Kaan
And it’s hard to take your eyes off Penny (Ellie Fergusson), even when she’s lurking in the crowd, so impressive is her stage presence and the execution of her dance routines.
Having a lot of the musicians on the stage is a fantastic touch too – you spot people playing saxophones and clarinets and guitars in a lot of the scenes and it adds a real party atmosphere.
The set design does its best to replicate the iconic moments of the film, but the cast shaking themselves dry under a blue light can’t come close to the magic of the lake scene.
If you’ve watched the film so often you can recite it word for word (guilty), you won’t find a lot of surprises up on the stage – the theatre adaptation sticks pretty tightly to the original plot and script.
Baby (Charlie Varlet) and Johnny (Joel Benjamin)Dirty Dancing is at the Palace Theatre in ManchesterCredit: Danny Kaan
It means that a lot of the moments that would translate best to stage – the underground dance party in the staff quarters, the montage of Baby learning to dance, the Hungry Eyes scene – are condensed into the first half of the musical.
The second half feels a little flat in comparison, just a lot of bickering and storming around the stage… up until that grand finale, when Johnny bursts from the back of the theatre and storms the stage to complete that iconic lift.
It’s worth all the trundle just for that final euphoric moment.
Dirty Dancing is at the Palace Theatre in Manchester until Saturday 3 October, then will return next summer. You can grab tickets HERE.
Danny Jones -
29th July 2026 
