The 2025 UK tour of Mary Poppins has arrived at Manchester Palace Theatre like a gust of wind from the East – bold, magical, and utterly charming.
This beloved musical, co-produced by Cameron Mackintosh and Disney Theatrical, continues to soar with a reinvigorated staging that captures both the heart of the original and the spectacle expected by modern audiences.
From the moment the overture begins, there’s a tangible sense of excitement.
The production is visually rich, transforming Edwardian London into a pop-up storybook come to life.
The set changes glide seamlessly, and the use of projections and stagecraft delivers the kind of magic that keeps children wide-eyed and adults grinning like them.
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Mary’s iconic flight is breathtaking and still manages to feel like the first time you saw it.
Stefanie Jones returns to the role of Mary Poppins with an effortless elegance. Her portrayal is delightfully crisp, with just the right balance of mystery and warmth. She sings with clarity and control, and her comedic timing keeps the show light and pacey. She is, quite literally, the glue that holds the show together – and she does it with a wink and a twirl of her umbrella.
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As Bert, Jack Chambers brings a buoyant energy that never fades. His charm is infectious, especially during “Step in Time”, a tap number that turns the theatre into a playground. Whether he’s defying gravity on rooftops or leading a chorus of chimney sweeps, Chambers is a joy to watch – charismatic, agile, and sincere.
The score, with classics like “Supercalifragilisticexpialidocious”, “A Spoonful of Sugar”, and “Feed the Birds”, remains timeless.
The orchestra handles the blend of whimsy and emotion with skill, and the choreography is as inventive as ever – especially in ensemble numbers that explode with colour and movement.
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The 2025 UK tour of Mary Poppins doesn’t just revisit a classic – it refreshes it. While the story may be light on plot and character depth, the production more than makes up for it with theatrical magic and dazzling stagecraft.
It’s a visual and musical feast that reminds us why this timeless tale continues to soar. Mary Poppins is, indeed, practically perfect in every way.
You can grab tickets for Mary Poppins at the Palace Theatre in Manchester HERE.
Watching Mamma Mia! at Manchester Palace Theatre proved once again why this ABBA-powered musical remains one of the most beloved shows in modern theatre.
The audience arrived ready for a party, and the cast delivered an energetic, feel-good performance packed with humour, heart, and, of course, a catalogue of iconic pop songs.
At the centre of the story is Sophie Sheridan, a young bride-to-be, determined to discover the identity of her father before her wedding day. Secretly, she invites three men from her mother Donna’s past to the island, creating chaos, comedy, and emotional revelations along the way.
The plot is famously light… but it provides the perfect framework for a soundtrack built entirely on hits by the iconic Swedish pop band ABBA.
Mamma Mia! brought infectious energy to Manchester’s Palace Theatre / Credit: Brinkhoff / Moegenburg (Supplied)
Jen Griffin leads the company as Donna Sheridan with warmth and a commanding stage presence. Her stand-out performance balances humour with vulnerability, culminating in a powerful rendition of ‘The Winner Takes It All’.
As Sophie, Lydia Hunt brings youthful excitement and a clear, expressive vocal performance, making her character’s search for identity both believable and engaging.
Donna’s loyal friends provide much of the show’s comedy (and cheers from the crowd). Rosie Glossop plays Rosie with scene-stealing wit and excellent comic timing, particularly during ‘Take a Chance on Me’, while Sarah Earnshaw gives Tanya glamorous confidence and sharp humour. Together the trio create the emotional backbone of the show, portraying friendship that feels authentic and affectionate.
The three possible fathers are played by Luke Jasztal as Sam, Richard Meek as Harry, and Mark Goldthorp as Bill. Each bringing their own unique character personality to the role, helping the storyline unfold with plenty of charm. Meanwhile, Joe Grundy plays Sky with relaxed confidence opposite Sophie.
Visually, the production captures the sunny escapism audiences expect, with bright Mediterranean colours, lively choreography, and a cleverly simple island set that transports the audience far from the streets of Manchester. Ouzo anyone?
By the time the encore begins, with the cast returning in glittering costumes for a joyous ABBA medley including ‘Dancing Queen’ and ‘Waterloo’, the audience is firmly on its feet.
The show last night felt less like a typical theatre evening and more like a celebration. It may not be subtle, but Mamma Mia! remains addictively entertaining.
Featured Image – Brinkhoff / Moegenburg (Supplied)
Theatre
Beloved comedy stage play The Full Monty to return to Manchester for iconic film’s 30th anniversary
Emily Sergeant
Beloved comedy stage play The Full Monty is heading on a UK tour next year, and will be stopping off here in Manchester.
To celebrate the 30th anniversary of the iconic British film of the same name, which was released to the world back in 1997, a major national tour of The Full Monty will kick off next year, and will be taking to one of Manchester‘s most famous stages in the spring.
Described as being ‘fast-paced and irresistibly funny’, Simon Beaufoy’s heartfelt play tells the story of an ordinary group of men who are striving to reclaim their dignity and pride.
The film may be turning 30 years old next year, but the play remains as strikingly relevant today as it ever has, especially resonating powerfully in an era that is marked, once again, by an unfortunate cost of living crisis.
Audiences will get to watch as Gaz and his mates find themselves down on their luck, cast aside, and underestimated, but ultimately determined to fight back… even if it means revealing more about themselves than they ever imagined (wink wink).
Celebrating the 30th Anniversary of the iconic film, The Full Monty is back by popular demand and the boys are returning to The Opera House!
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“A lot has changed in Britain since The Full Monty appeared thirty years ago,” Oscar-winning screenwriter Simon Beaufoy said.
“What hasn’t changed is our need for laughter, compassion and dignity. I’m so delighted the Monty Men are back on the road with all their flaws, jokes and wobbly bits, bringing a bit of much-needed joy to audiences once again.”
So, what can audiences expect? Well, the production will deliver a ‘rollercoaster of laughter and heartbreak’, as crowds are invited to relive the iconic music of the 90s cheering on this unforgettable group of lads as they prepare to put on the show of their lives.
The Full Monty will take to the iconic Manchester Opera House stage from Monday 5 through to Saturday 10 April 2027, as well as dates in other northern cities like Sheffield, Bradford, Liverpool, York, and Glasgow, alongside many more major UK locations.
Casting is set to be announced soon so keep your eyes peeled.
But in the meantime, tickets are set to go on sale in March – with pre-sales starting on Wednesday 11 March, and general sale starting the day after (Thursday 12 March), both at 10am, and you can get your hands on them here.