For the first time ever, smash hit show Moulin Rouge The Musical is heading to Manchester on its debut world tour.
The multi-award-winning spectacle has announced an eight week run of shows at the Palace Theatre, and has just released the dates for when tickets will go on sale.
Moulin Rouge The Musical is set to bring ‘a world of splendour and romance, eye-popping excess, glitz, grandeur and glory’ to Manchester next autumn.
The musical, based on Baz Lurhmann’s revolutionary film starring Ewan McGregor and Nicole Kidman, features more than 70 hit songs from across 160 years of music.
Audiences will hear everything from Offenbach to Lady Gaga as the Palace Theatre stage is transformed into 19th century Paris.
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The musical is set amidst the unparalleled extravagance and beauty of the iconic Moulin Rouge nightclub, where the space beneath the red windmill is filled with bohemians and aristocrats, boulevardiers and reprobates.
It follows the tale of lovesick American writer Christian and the subject of his affections, Satine, the star of the Moulin Rouge.
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Their glittering love story is halted by the nightclub’s host and mastermind, Harold Zidler, and the Duke of Monroth, who wishes to buy the Moulin Rouge – and with it, Satine.
The all-singing, all-dancing cast also includes starving artist Toulouse-Lautrec and tango dancer Santiago, along with a full line-up of Can Can dancers, musicians, and more.
This is the first time ever that Moulin Rouge The Musical has performed in Manchester, landing at the Palace theatre on 20 August 2025.
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The show has won a whopping 10 2021 Tony Awards (including Best Musical), an Olivier Award, and masses more.
Carmen Pavlovic for Global Creatures, producer of Moulin Rouge! The Musical, said: “It is thrilling that the Manchester Palace will host Moulin Rouge! The Musical next year as part of its world tour.
Moulin Rouge The Musical is heading to Manchester for the first time EVER. Credit: Matt Murphy
“Manchester is such a welcoming, lively and culturally vibrant city, world renowned for its rich artistic and musical heritage.
“A city also known for defending free speech and liberty of opinion, so we know that the bohemians and artisans of the Montmartre will be embraced with open arms. We can’t wait to welcome Manchester to the Moulin Rouge!”
Casting is still to be announced.
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Moulin Rouge! The Musical will come to the Palace Theatre Manchester between Wednesday 20 August and Saturday 4 October 2025.
Pre-sale tickets will go on sale at 12pm on Tuesday 5 November, before the general public sale begins on Thursday 7 November.
Annie at Palace Theatre Manchester – a charming interpretation of an old classic | Review
Clementine Hall
For a musical built on nostalgia, this Annie that’s just arrived at the Palace Theatre in Manchester feels surprisingly lively – here’s our full review…
Annie is a show tied up with countless childhood memories. Whether you performed it in the school choir, watched the film starring Carol Burnett, or saw it on stage, we’ve all got our own memories of Annie since it first opened in 1977.
So to bring it to a modern theatre audience who no doubt feel some connection to the characters and score is no mean feat.
If you’ve seen any of the posters plastered around the city, you’ll see British drag queen ‘La Voix’ take centre stage as the slippery and gin-fuelled Miss Hannigan.
Images: Press shots (supplied)
This is obviously a strategic move to get bums on seats, and although La Voix is of course a ferocious and standout performer, the production is so much more than that.
They say never to work with children in showbiz, so leading a group of 10-year-old orphans in a snappy and perfectly choreographed rendition of‘It’s a Hard Knock Life’ is really a huge achievement in itself.
All the kids are wonderful, but Victoria Alsina, who plays the titular role, deserves particular credit. It’s a huge role for any actor, never mind a child, and she handles it with confidence, charm, and just the right amount of grit.
As expected, La Voix gets some of the biggest laughs of the night. Her Miss Hannigan leans heavily into the character’s chaos and bitterness, but never feels one-note. It’s a performance packed with quick-fire comedy, and the vocals are tight.
Images: Supplied
That said, Annie would be in trouble if it relied solely on stunt casting. Thankfully, it doesn’t.
The wider cast is consistently strong, the ensemble numbers are full of energy, and the costumes are nothing short of fabulous. The real challenge with Annie is making a story that’s approaching its 50th birthday feel fresh. This production doesn’t reinvent the wheel, but it doesn’t need to.
Instead, it focuses on delivering the songs people came for, giving the cast room to shine, and reminding audiences why the show has stuck around for so long.
La Voix might get people through the doors, but it’s the strength of the production as a whole that sends them home happy.
Northern Ballet’s Gentlemen Jack at The Lowry – A powerful story of queer love
Aimee Woodcock
Northern Ballet’s Gentleman Jack is a moving and beautifully crafted retelling of the life of Anne Lister, the 19th-century Yorkshire landowner often described as the ‘first modern lesbian’.
Through the stunning choreography of Annabelle Lopez Ochoa, the production captures not only Anne’s extraordinary determination to live authentically, but also the enduring power of queer love.
Gemma Coutts delivers a compelling performance as Anne Lister, embodying her confidence, intelligence and refusal to conform to society’s expectations. From the opening scenes, Anne’s strength of character shines through, setting the tone for a story that feels both deeply historical and strikingly relevant. The choreography from Ochoa allows Anne’s personality to shine through every movement.
Halfway through Act I, Saeka Shirai joins the ensemble as Marianne, Anne’s great love. Their partnership is one of the production’s highlights. The pair beautifully convey the intensity of their passion and devotion, so much so that it moved me to tears.
Surrounding them is a fascinating chorus of words, embodied by the ensemble dancers, who fill the stage and bring Anne’s famous diaries and inner thoughts vividly to life, you truly feel like you’re getting lost with the words as they take over the stage.
The romance is tested when Marianne’s husband discovers their affair. Faced with an impossible choice, Marianne chooses the security of her marriage over a life with Anne, leaving Anne heartbroken.
Credit: Tristram KentonCredit: Tristram KentonGentleman Jack is at The Lowry
Following this loss, Anne travels to Paris and returns transformed, once she’s back home in Yorkshire, she forms an immediate connection with the gentle and wealthy Ann Walker, danced beautifully by Rachael Gillespie. Their relationship becomes the emotional centre of Act II.
Together they face numerous challenges, including societal pressures and personal insecurities, yet their bond continues to deepen – a true testament to queer love.
Ochoa carefully builds their relationship through movement, creating a partnership that feels authentic and symbolic. The ballet ends in a symbolic wedding and shared flight towards a future together, a powerful affirmation of their love and commitment.
As a queer woman myself, I was completely moved by this portrayal of love. Seeing a same-sex relationship presented with such beauty, dignity and tenderness within the classical language of ballet felt deeply moving.
Gentleman Jack reminds us that queer women have always been here, and always will be. It is a powerful, emotional and uplifting production that I would highly recommend.
Gentleman Jack is at The Lowry in Salford until Saturday 6 June
Daisy Jackson -
10th October 2024 
