On Sunday night, the AO Arena in Manchester became more than just a venue for live music; it transformed into a window to the natural world.
In a breathtaking blend of sound, imagery, and live performance, Planet Earth III Live in Concert transported its audience across deserts, oceans, and rainforests, celebrating the wonders of our planet in a way that only this franchise can.
There was something heartwarming about people from across the city coming together to marvel at the beauty of nature and to learn about its fragility. This was far from your average concert experience.
From the moment the opening sequence of Planet Earth filled the arena, accompanied by the aura of a full orchestra, the atmosphere was electric with anticipation. A stunning 4K screen, stretching above the stage, brought Planet Earth III to life with vibrant visuals that made it feel as if the AO Arena had been immersed in the depths of the Amazon or the expanse of the Arctic tundra.
The City of Prague Philharmonic orchestra, under the impeccable direction of conductor Matthew Freeman, provided an emotional backbone to the images, breathing life into every scene with a score that was as powerful as the landscapes it depicted.
The music, composed by the brilliant Hans Zimmer, with additions by Jacob Shea and Sarah Barone, is what sets this apart from a typical evening watching Planet Earth on your TV at home.
Each note carried weight, resonating with the emotional highs and lows of the natural world: the haunting strings underscored the fragility of endangered ecosystems while the thunderous percussion amplified the awe-inspiring power of natural forces.
It was impossible not to feel in awe during the breathtaking sequences of migrating Monarch butterflies in Mexico, or a flicker of sadness watching an endangered elephant’s quest for survival.
But beyond the sheer spectacle of it all, the evening felt like a rallying cry. Interspersed with awe-inspiring visuals were stark reminders of the environmental crisis we face. Planet Earth executive-producer Mike Gunton, the host of the evening, ever-wise and compelling, spoke to the urgency of action needed to preserve the world we were witnessing. The concert didn’t just aim to entertain; it sought to inspire change.
Planet Earth III transformed the AO Arena. Credit: The Manc Group
The night ended on a high note with a moving orchestral rendition of Bastille’s Pompeii, the chorus ironically erupting around the arena in harmony with the live orchestra; I’d be lying if I said it didn’t bring a tear to my eye.
Paired with a montage of the evening’s most striking moments, this was a beautiful crescendo for an incredible evening.
As the final note echoed through the arena and the screen faded to black, the message was clear: this Earth is our shared home, and it is worth fighting for.
The standing ovation from the packed audience was more than just appreciation – it was a commitment to protect the fragile beauty that had just been so vividly brought to life.
‘Pioneering’ immersive theatre productions to take place inside shipping containers across Greater Manchester
Emily Sergeant
A pioneering production company is bringing immersive theatre inside shipping containers to Greater Manchester.
DARKFIELD has announced their first shows in Greater Manchester for seven years, and will present their three most critically-acclaimed experiences at iconic venues across the region as part of an ‘exciting’ collaboration.
Keen audiences will be able to head to The Lowry, Aviva Studios, and HOME this month to see theatre like they’ve never seen it before.
Renowned for their trademark shipping containers popping up across the UK and internationally, bringing mysterious and exciting experiences across the country, DARKFIELD will present SÉANCE, FLIGHT and ARCADE so crowds can find themselves immersed in the supernatural, boarding a new airline, or navigating a war torn world.
Fresh from sell-out runs at the Edinburgh Festival Fringe, BFI London Film Festival, and an extended residency at Shoreditch Town Hall, ARCADE will arrive at The Lowry – which is the company’s newest production.
‘Pioneering’ immersive theatre productions inside shipping containers will be happening across Greater Manchester / Credit: Mihaela Bodlovic | Fiona Rita Blyth
Aviva Studios will welcome one of DARKFIELD’s most popular and critically-acclaimed experiences, FLIGHT.
Over 30 minutes in total darkness, FLIGHT explores the Many-Worlds Interpretation of quantum mechanics, taking audience members through two worlds, two realities, and two possible outcomes to their journey.
And then over at HOME, the company’s first shipping container experience, SÉANCE, will be on show.
The interior of a 24ft container will be transformed into a Victorian séance room, and asks audiences to believe not only what is happening inside the container, but also in what might be conjured up into the room with them.
“We are delighted to be returning to Greater Manchester to present our shows in collaboration with three incredible venues,” commented DARKFIELD, ahead of their arrival in our region.
“We can’t wait to welcome audiences across the region to experience the strange worlds we’ve created.”
Chicago The Musical at The Lowry, Salford – a story of hot jazz and theatrical bliss
Aimee Woodcock
All That Jazz has found its way to Salford this week as Chicago the Musical hits The Lowry, and it’s safe to say the show still knows how to pull in a crowd.
Set in 1920s Chicago, the story centres on Roxie Hart, a chorus girl who shoots her lover and winds up behind bars. Inside Cook County Jail she meets Velma Kelly, a nightclub star with her own double-murder conviction.
Both women want the spotlight as much as they want their freedom, and with the slick lawyer Billy Flynn fighting their corner, it quickly turns into a tit-for-tat battle of who can play the media game best.
The big talking point this time round is Janette Manrara, swapping the Strictly ballroom for the theatre stage in her debut as Roxie. She’s playful, cheeky and full of energy, and it’s clear she’s enjoying every second.
By her side, Djalenga Scott is a knockout Velma. From the moment she kicks things off with ‘All That Jazz’ she owns the stage, captivating the audience with every line.
Together, the pair bounce off each other brilliantly – their love-hate chemistry is one of the show’s strongest pulls.
Chicago The Musical at The Lowry in Salford. Credit: Paul Coltas
Darren Day brings the charm as Billy Flynn, the lawyer who can turn any trial into one big show stopper. His big number ‘Razzle Dazzle’ truly shines.
Stepping in for Brenda Edwards tonight was Victoria Anderson, in her element as Mama Morton, belting out ‘When You’re Good to Mama’ with just the right amount of soul.
Joshua Lloyd shines as Amos Hart, Roxie’s hopeless husband, heartbreakingly relatable in ‘Mr. Cellophane’, while Jordan Lee Davies brings humour and surprise as the iconic Mary Sunshine.
The staging is simple, with the 12-piece orchestra, sat in full view. It gives the whole show a stripped-back, concert-like feel, letting the band drive the energy – and trust us there’s plenty of it throughout the two hour show.
Chicago The Musical at The Lowry in Salford. Credit: Paul Coltas
Of course, Bob Fosse’s iconic choreography is front and centre of each performance and instantly recognisable. The famous ‘Cell Block Tango’ is as gripping as ever, the audience filled with applause upon finishing.
Chicago has been running for nearly 30 years, but it feels far from tired. If anything, its satirical take on fame and the media feels even sharper today than ever.
At The Lowry, it’s delivered with style, glitz and a lot of sass. One for fans old and new and well worth a night out.
Will Kendrick -
9th October 2024 
