It’s weird to watch three men painted blue stare wide-eyed and wordless into an audience.
It’s weird that the blue men then make entire acts out of catching marshmallows in their mouths, or spewing UV paint from holes in the chests of their sweatshirts, or staging a silent blind date between two audience members.
The way they creep around the stage, pigeon-toed and wild-eyed, twitching nervously at every audience noise, is weird.
The way they never speak or smile or break character, even for a split second, is weird.
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And it’s weird that this very weird formula has been captivating audiences for 37 years – until, that is, you see it for yourself.
Because every bit of oddness of a Blue Man Group show, including the Bluevolution World Tour currently at The Lowry, is balanced with brilliant comedic timing, genuine percussive talent, and ever-changing stage design.
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At points during their show they make music from a drainpipe that they turn into a sort of drum-trombone hybrid.
They make music from cereal boxes and fake smartphone screens, and art from gumball machines and even an audience member.
The Blue Man Group making percussion from Cap’n Crunch cereal. Credit: SuppliedA star moment of The Blue Man Group at The Lowry. Credit: Supplied
The Blue Man Group warms up the crowd by displaying birthday messages or words of congratulations to specific audience members, like an Olympic gold medallist sat in the stalls, encouraging everyone to join in.
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They fire out so many coloured streamer ribbons at one point that a child who’s walking down an aisle ends up entangled like a mummy on its way to a 90s rave.
They’re helped along throughout the show by a small, video game-like drumming presence in a sort of blue dreadlocked bob wig, who – to sound very Gen Z – gives me the ick.
There’s a fair amount of audience participation and if you don’t like the thought of a blue man staring at you (even when you try your hardest to look anywhere but back at him) it might not be the one for you.
UV paint and a set of drums are an iconic Blue Man Group stunt. Credit: Supplied
And there are moments where it all gets a bit too weird for my tastes, like when an entire segment is made from the sound of them stuffing Cap’n Crunch cereal into their mouths or whipping neon aerials around.
It’s impressive but it doesn’t actually SOUND good. (See also: beatboxing. Yes it’s very impressive that you can make a trumpet noise at the same time as drumming with your lips but shall we just not).
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Still, with 37 years of sell-out success across the planet, The Blue Man Group is a creative and entertaining way to spend an evening.
And honestly, everyone should see this legendary piece of live entertainment at least once.
The Blue Man Group Bluevolution World Tour is on at The Lowry until Sunday 6 October – get your tickets HERE.
Chicago the Musical razzles (and dazzles) at the Palace Theatre in Manchester
Clementine Hall
A story of murder, greed and corruption was performed with style, ease and flair; Chicago is the longest-running American musical in Broadway and West End history, and it’s easy to see why now that it’s arrived in Manchester.
The jazz-fuelled fiasco is filled with catchy songs that you can’t help but click along to, funny one-liners, and likeable characters such as Miss Roxy Hart herself.
Best-known for appearing as Kate Connor in Coronation Street, the opening night in Manchester on Chicago‘s UK tour may have been a daunting prospect, but it’s one Faye Brookes pulled off seamlessly.
Here’s our full review…
Image: Press Images (Supplied)
Brookes is fantastically expressive and brings new energy to a classic, complemented throughout by a sultry cast dressed in buckles and mesh that really bring the ‘Razzle Dazzle’ to the stage.
Her co-star, Strictly Come Dancing‘s Kevin Clifton, struts through the show transformed into Billy Flynn – a flamboyant 1920s American lawyer who has the desperate inmates in the palm of his hand.
The opening number, ‘All That Jazz’, is spearheaded by Djalenga Scott as Velma Kelly and she does it brilliantly.
Image: Supplied
The cast slink their way across the stage with Scott at the forefront, who undoubtedly delivers a faultless performance and complements Brookes as Roxie Hart perfectly.
A highlight of course included the hilarious‘Cell Block Tango’, the audience were laughing along as the women sang the stories of their murderous deeds whilst performing sharp and sultry choreography.
Not even a toe out of place.
Image: Supplied
The set is minimalist, dark and simple, but is simply brought to life by the wonderful expression and lively musical numbers performed on stage by the live band.
The live band sits on a staircase centre stage and their playful use of instruments throughout is truly impressive.
Neil MacDonald, the show’s musical director, even got involved with a few on-stage conversations which was a fabulous touch that made the show feel bespoke to us.
Other notable performances included Brenda Edwards as Mamma Morton, whose powerhouse voice left the audience in absolute awe, and Joshua Lloyd as ‘Mister Cellophane’ caused a couple of pitiful “awws” from the auditorium.
Overall, this was a fantastic production of the Broadway classic – the standing ovation at the end proves I wasn’t the only one who thought that too.
Chicago the Musical is playing at the Palace Theatre Manchester until Saturday, 9 November and you can grab your last-minute tickets HERE.
Giselle, one of the greatest romantic ballets, has landed in Manchester and it’s a must-see
Eva Claricoates
When the English National Ballet is in Manchester, it’s an opportunity you shouldn’t let slip by, and is almost guaranteed to be one of the most stunning performances to grace the stage– Giselle at the Palace Theatre certainly was.
Giselle tells the story of a young peasant girl, who falls in love with Albrecht, a duke, who pretends to be a peasant in order to seduce the show’s namesake.
Albrecht is not only hiding his status but also an engagement to another. When Giselle finds out about his deception, she descends into madness and dies from a broken heart.
Giselle is summoned from the dead by spirits, the Wilis, all abandoned and betrayed before their wedding day. The Wilis take their revenge by dancing men to death, and Giselle must decide whether her love for Albrecht is too strong to sentence him to the same fate.
Credit: The Manc Group
Giselle tells a story of grief, heartbreak, and love, and how a true heart always avails. Hauntingly beautiful and romantic, Mary Skeaping’s production had been tenderly revived from its original performance, and it’s clear to see why the performance received five-star reviews earlier this year.
The entire production was captivating and dramatic, leaving the audience gasping, laughing and firmly glued to their seats. Adolphe Adam’s score is performed live by the English National Ballet Philharmonic nestled beneath the stage, which compliments the performance beautifully and skilfully.
Perhaps the most mesmerising point of the performance was the Wilis appearing in the forest at the beginning of act two, as they formed perfectly symmetrical formations, and appeared to almost float across the stage.
It served as a great medium for exploring themes of the supernatural exquisitely, providing truly stunning imagery to the audience.
Giselle uses mime to convey its storyline to the audience, and even if you are a first-time ballet-goer, it’s an easy-to-follow, modern performance which can be enjoyed by all audiences. If you’re so inclined, you can even get involved in a dedicated ballet masterclass.
Join our Creative Learning team and English National Ballet on Saturday 2 November for an exclusive ballet masterclass at the Palace Theatre! 🩰
This workshop is suitable for ages 11-17 with a keen interest in dance ranging up to intermediate levels.
Daisy Jackson -
3rd October 2024 
