It seems everywhere you turn right now, everything is pink and green – Wicked has hit the cinemas and everyone is well and truly drinking the green elixir.
Coincidentally, the touring theatre show of Wicked, celebrating 21 years since the first Broadway show and 18 years since debuting in the West End, has landed in town. While everyone else is following the yellow brick road to the big screen, I followed it to the Palace Theatre in Manchester.
Now we all think we know the story of Dorothy, poor girl whipped away from home in a tornado and crushing an evil witch with her house – we’ve all been there. This story however, tells the story from the “Wicked” Witch of the West’s perspective, filled with mind-blowing vocal acrobatics from a cast that just won’t let up.
Floating in on a giant mechanical bubble enters Glinda, or “Garlinda” as she prefers to be called, Sarah Pickford sets the standard for the show. An operatic entrance, the audience is in absolute awe. A well known character, Sarah makes the Good Witch of the North her own with a comical kindness.
Laura Pick, who has played the role of Elphaba at the Apollo Victoria before, takes opening night in her green stride – her love for the character shines through and her voice. Her VOICE. Her rendition of Defying Gravity had me in tears. I knew the song was good, but not this good. The audience is electrified by her performance.
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The storytelling of the show is sublime, with every cast member pulling you deeper and deeper in through gravity-defying dance numbers and the set is absolutely jaw-dropping. The mechanical Wizard of Oz (voiced and played by the fantastic Simeon Truby) is something to behold.
Wicked is in Manchester at the Palace Theatre. Credit: Supplied
Other notable performances come from Carl Man (who plays love interest Fiyero), Donna Berlin (the surprisingly cruel Madame Morrible), Jed Berry (the googly-eyed Munchkin Boq) and Megan Gardiner. Megan plays Elhpaba’s sister Nessarose, another character desperate for love but sadly becomes quite sinister.
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Like the cogs in the Wizard’s head, the presence of each cast member keeps the show running like a well oiled machine.
The story itself is one of an outsider, desperate to be loved and accepted for her difference, who finds friendship in unlikely places and how two people can change for the better. Of course, like often in life, a man tries to ruin it (surprise surprise).
Wicked is back at the Palace Theatre in Manchester. Credit: Mark Senior
A light is shone on how easily society can be whipped into a frenzy to protect their own beliefs and how love can withstand so much.
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The absolute star of the show however, is the iconic soundtrack and how awe-inspiring everyone is at singing. Genuinely, it was nearly impossible to not provide a standing ovation after every song. It was just that good. I’m even listening to the soundtrack right now as I write this on the tram home. I can’t (and don’t want to) get it out of my head.
Wicked is the 10th longest running West End show in British history and has won over 100 global awards. It has been seen by 65 million people worldwide (65 million and one now if you include me) and it isn’t hard to see why. Now a cinematic phenomenon, with Act 1 in cinemas now and Act 2 to hit the screen in November 2025.
Wicked is in Manchester for a six week season and is the tenth and final date after kicking off their tour in Edinburgh in December 2023.
The show closes on Sunday 12 January and remaining tickets are incredibly limited, so if you have one short day, spend it in Oz and book now while you can.
Follow the yellow brick road all the way to the theatre.
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Book your tickets to Wicked at the Palace Theatre Manchester HERE.
Mary Poppins at Palace Theatre, Manchester – a spoonful of magic
Dec Kelly
The 2025 UK tour of Mary Poppins has arrived at Manchester Palace Theatre like a gust of wind from the East – bold, magical, and utterly charming.
This beloved musical, co-produced by Cameron Mackintosh and Disney Theatrical, continues to soar with a reinvigorated staging that captures both the heart of the original and the spectacle expected by modern audiences.
From the moment the overture begins, there’s a tangible sense of excitement.
The production is visually rich, transforming Edwardian London into a pop-up storybook come to life.
The set changes glide seamlessly, and the use of projections and stagecraft delivers the kind of magic that keeps children wide-eyed and adults grinning like them.
Mary’s iconic flight is breathtaking and still manages to feel like the first time you saw it.
Stefanie Jones returns to the role of Mary Poppins with an effortless elegance. Her portrayal is delightfully crisp, with just the right balance of mystery and warmth. She sings with clarity and control, and her comedic timing keeps the show light and pacey. She is, quite literally, the glue that holds the show together – and she does it with a wink and a twirl of her umbrella.
As Bert, Jack Chambers brings a buoyant energy that never fades. His charm is infectious, especially during “Step in Time”, a tap number that turns the theatre into a playground. Whether he’s defying gravity on rooftops or leading a chorus of chimney sweeps, Chambers is a joy to watch – charismatic, agile, and sincere.
The score, with classics like “Supercalifragilisticexpialidocious”, “A Spoonful of Sugar”, and “Feed the Birds”, remains timeless.
The orchestra handles the blend of whimsy and emotion with skill, and the choreography is as inventive as ever – especially in ensemble numbers that explode with colour and movement.
The 2025 UK tour of Mary Poppins doesn’t just revisit a classic – it refreshes it. While the story may be light on plot and character depth, the production more than makes up for it with theatrical magic and dazzling stagecraft.
It’s a visual and musical feast that reminds us why this timeless tale continues to soar. Mary Poppins is, indeed, practically perfect in every way.
You can grab tickets for Mary Poppins at the Palace Theatre in Manchester HERE.
Award-winning The Kinks musical Sunny Afternoon to kick off UK tour in Manchester
Emily Sergeant
Multi award-winning musical Sunny Afternoon is set to kick off its UK tour here in Manchester later this year.
Following a sell-out run at Hampstead Theatre, the musical production featuring all the hit songs by legendary rock band The Kinks opened to critical acclaim at the Harold Pinter Theatre in London’s West End, where it ran for two years ahead of its sensational UK and Ireland tour throughout 2016/17.
It also collected four Olivier Awards, including Best New Musical and Outstanding Achievement in Music for Ray Davies, along the way.
Award-winning The Kinks musical Sunny Afternoon is kicking off its UK tour in Manchester / Credit: ATG Tickets
Set against the backdrop of Britain on the cusp of the rebellious 60s,Sunny Afternoon is described as being an ‘exhilarating and moving’ celebration of the music, life, and the band that changed it all, The Kinks.
Sunny Afternoon celebrates The Kinks’ raw energy, passion, and timeless sound.
Charting the ‘euphoric highs’ and ‘agonising lows’, the smash-hit production tells the band’s story through an incredible back catalogue of chart-toppers – including ‘You Really Got Me’, ‘Lola’, ‘All Day and All of the Night’, and of course, ‘Sunny Afternoon’ itself.
Tickets are on sale now from just £15 each / Credit: Kevin Cummins
Producers Sonia Friedman Productions and ATG Productions announced last week that the show would be returning for another UK tour later this year, and it’ll be opening right here on one of Manchester‘s most iconic stages.
The hit musical will open at Manchester’s Palace Theatre on 10 October 2025 and it will run right through until 18 October.
Sunny Afternoon has music and lyrics, and an original story, all by the band’s frontman Ray Davies, along with a book by Joe Penhall, direction by Edward Hall, design by Miriam Buether, and choreography by Adam Cooper.
Kristen MacGregor-Houlston -
5th December 2024 
