One of the most historic houses in Manchester is ready to welcome overnight guests for the first time, as The Station Agent’s House enters its staycation era.
The beautiful Grade I-listed building on Liverpool Road is part of the Science and Industry Museum’s site, and dates all the way back to 1808.
Officially one of the oldest homes in the city, the charming property has now been sensitively adapted by building conservation charity The Landmark Trust and will open as a residence for the first time in 100 years.
Capable of sleeping up to eight guests, the house is just a 10 minute walk from Deansgate and just next door from the new Aviva Studios.
Upstairs, there are views sweeping across many eras of railway infrastructure and the heritage buildings that make up the Science and Industry Museum.
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Its restoration has included plenty of work to the bones of the building – re-roofing and repointing, replacing the sash windows, and swapping out chipboard floors for parquet.
There’s now step-free access and a lift to the first floor living area, with fully accessible bedrooms and bathrooms.
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And at the heart of the house is a specially-made oval skylight to enhance the original staircase.
Views from upstairsThe restored kitchen
Breaks at the self-catering holiday home will start from just £24.38 per person per night.
Casting back to the building’s beginnings, The Station Agent’s House was built in 1808 for Castlefield dyemaster John Rothwell.
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It was later acquired by the Liverpool Manchester Railway directors for the Manchester terminus of the world’s first purpose-built passenger line at Liverpool Road Station (now the site of the museum), and it became the home to the Station Agents working there.
In the 20th century, the house was converted into a shop selling sausages and later car parts; after the railway line was closed in 1975, it was altered again into office use for the museum.
Dr Anna Keay OBE, director of the Landmark Trust says: “The Landmark Trust is proud to be able to give a new future to this grade-1 listed building, part of the world’s oldest surviving passenger railway station.
Details of the restored The Station Agent’s House in Manchester. Credit: Landmark Trust
“Its extensive repair and renovation has been a labour of love, made possible by many generous donations. It is our first building in Manchester and will make a wonderful base from which to explore this peerless industrial city.”
Sally McDonald, Director of the Science and Industry Museum, adds: “The Landmark Trust has brought expertise in sensitively restoring this incredible heritage building, meaning Station Agent’s House can now be experienced in a new way by the public.
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“It’s a spectacular transformation that has breathed new life into the building while complimenting its historically significant status.
“It’s an exciting time at the Science and Industry Museum as we undergo a multi-million-pound repair and improvement project with the aim of bringing into use every part of our historic site. This includes the reopening of Power Hall next spring, as well as new galleries, the re-opening of the 1830 Station and outdoor experiences in the coming years.
“We are so pleased that Station Agent’s House has become the latest regenerated space thanks to The Landmark Trust, who are supporting our vision to create a more sustainable museum and reveal new spaces and perspectives for everyone to enjoy.”
The Landmark Trust will open the Station Agent’s House for free public open days each year, including from 10am till 4pm on Sunday 19 May. An additional bookable lates event from 5pm on Thursday 23 May welcomes The Poetry Takeaway for an interactive evening experience.
Victoria Braddock, Managing Director of Marketing Manchester says: “Manchester’s rich history is woven into the fabric of the Station Agent’s House. We are thrilled to see the Landmark Trust’s restoration of this unique building, in partnership with the Science and Industry Museum, which makes it the first in the city for the building conservation charity.
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“As we approach the bicentenary of the 1830 Liverpool and Manchester railway opening, the preservation of this historical house adds immense value to our heritage and identity.
“Joining local venues such as the Science and Industry Museum, Castlefield Viaduct and Aviva Studios in the growing Castlefield neighbourhood, the Station Agent’s House will undoubtedly add to the city’s vibrant cultural landscape as it opens to the public for the first time, and will also provide a welcoming and distinctive experience to the growing accommodation offer in the city-region.”
Calum McGowan, Chair, Castlefield Forum says: “We are absolutely thrilled at this restoration, and what great news to see more of the Museum’s estate come to life.
“Part of our mission at the Forum is to ensure that we celebrate and cherish the heritage assets in our neighbourhood so this is another great contribution towards that. The building looks set to be a wonderful place to stay, on iconic site, in an iconic neighbourhood!”
Beat-Herder Festival 2026 – the wonderfully weird festival we can’t stop coming back to
Emily Johnson
Another weekend done in the magical, mystical world that is Beat-Herder.
For one weekend every year, a farm in Clitheroe transforms into what the organisers describe as “a place full of beats and barminess” – and honestly, they couldn’t have summed it up any better.
Big enough to keep you discovering something new all weekend, yet small enough that you’ll keep bumping into the same friendly faces, Beat-Herder strikes the balance perfectly.
Every corner has something different going on, every stage has its own personality, and every sound system is absolutely dialled in.
Where else can you go for a swim, get a tattoo, pop into church, visit Paris and dance until sunrise? No, we’re not describing a chaotic stag-do… we’re talking about Beat-Herder.
Every stage deserves a mention, but a few really stood out this year.
Julie’s Barn, a.k.a. ‘Gay Paris’, remains one of the festival’s best-kept secrets. Hidden away in the woods, it’s worth every wrong turn trying to find it.
A glowing dancefloor, disco balls hanging from the trees and a crowd that somehow never seems to leave. We even stumbled across a secret ‘Samurai Breaks SSBB’ set that had the place bouncing all the way through until sunrise.
Credit: The Manc Group
Over at Stumblefunk At The Factory, Breakage delivered one of the sets of the weekend. The bass rattled the roof, the crowd never stopped moving, and the whole place felt like it was about to lift off.
It’s also home to one of Beat-Herder’s many weird little surprises, with hidden missions and the chance to spy on other festival-goers. If you know, you know.
The Garage is another annual favourite. DJs squeezed into the front seat of a car while everyone else danced on the bonnet of old scrapped cars, bouncing to the bass that rattled from White Noise Audio’s soundsystem. It’s those ridiculous little details that make this festival unlike anywhere else.
Then there’s Beat-Herder’s Got Talent, which has become a non-negotiable part of our weekend. The winner earns a slot on the main stage, so every act gives it everything. This year’s line-up featured everything from incredible harmonica performances and live bands to rap duos.
But one contestant completely stole the show.
She walked on stage, admitted she wasn’t sure her talent was quite as impressive as everyone else’s, and the crowd fell silent. No instrument. No backing track. You could hear a pin drop. What on earth was this contestant about to do? And then she proceeded to fit her entire fist in her mouth.
If that doesn’t sum up Beat-Herder, we’re not sure what does. The wonderful woman didn’t win the contest unfortunately, but let’s hope she can get booked for next year, ey?
One of this year’s new additions was The Dub Tub, which quickly became one of our favourite discoveries. Artists like Woody Cook swapped high-energy sets for slower, dub-inspired sessions, creating the perfect place to reset before diving back into the madness.
Oh, and of course, in true Beat-Herder fashion, the DJs were performing in a bathtub, of course.
And speaking of madness… all the classics are still there. The famous tunnel leading to hidden stages, the weird and wonderful walkabout performers, the random discoveries you’ll never find on a map, the hidden swimming pool, fancy dress costumes, and the constant feeling that you’re about to stumble across something completely unexpected.
Massive credit has to go to everyone behind the scenes. From the organisers to the volunteers and crew, everything runs incredibly smoothly, despite how wonderfully chaotic it all feels. Beat-Herder, you’ve done it again; roll on 2027.
Aitch wells up in trailer for inspiring Netflix documentary about Kilimanjaro charity climb
Danny Jones
Mancunian musician Aitch has shared a brand-new trailer for his upcoming Netflix documentary charting his inspiring charity climb of Mount Kilimanjaro.
Tissues at the ready.
In case you missed it, the Manchester rapper took on the incredible challenge of summiting the highest peak in Africa last year, all on behalf of the Down’s Syndrome Association.
Sharing the first true glimpse at his moving mountain voyage, the Moston-born artist looks to reveal all in this candid chronicling of his fundraising feat.
Writing in the caption, the 26-year-old said: “Gracie, this is for you and the 40,000 other beautiful people just like you. Don’t Be Afraid!”
For anyone unaware of the context, a couple of years back, Aitch – Harrison James Armstrong, to give the Manc his full given name – announced that he would be embarking on the difficult journey that only 40-60% of trekkers ever successfully reach the top.
Beloved by upwards of 3.1 million followers across his various social media platforms, Grace has become a bit of a community icon and hero all of her own.
Here he is video calling her before his most recent challenge:
They have such a lovely bond.
The inspiration for the 2022 track ‘My G’ with Ed Sheeran on his debut album, Close to Home, the song itself also ended up serving as a significant fundraiser, going on to complete a skydive over Old Sarum airfield with his dad, Mike.
A few clips have been shared on Aitch’s YouTube channel since he first confirmed he would be taking on ‘Kili’, such as his altitude training and other glimpses behind the scenes, but until now, we’ve seen very little footage from the infamous trail itself.
Set to drop later this month, Aitch’s Kilimanjaro doc, entitled Don’t Be Afraid, is releasing on Netflix on Sunday, 26 July – which also just so happens to be ‘Manchester Day‘; we’ll be making sure we don’t miss either of them.
He’s not the only local lad taking on huge obstacles for a good cause.
Daisy Jackson -
18th May 2024 
