Well hello there, you fine music-loving folks. If you’re here it’s because you love good tunes and are always on the lookout for new local artists and, lucky for you, Manchester is always full to bursting with ’em.
All that being said, it’s a good job you’ve just stumbled across a new regular series from The Manc Audio, where we’ll be spotlighting all the best Manc music we’ve been listening to over the course of each month throughout 2024.
We’re in the privileged position of being able to keep in the loop when it comes to the sheer wealth of 0161’s up-and-coming bands, solo artists, DJs and more, and we’re all about sharing the wealth as the saying goes.
So, let’s not faff about any further, here are five Manchester artists we’ve been listening to this January and we hope you’ll like them too. Let’s ‘av it, shall we?
Manc bands we’ve been listening to over the past month
1. Sugarstone
First up on the list is Sugarstone, an alternative rock band originally from Preston but now based in Manchester who are spearheading the synth-punk movement here in 0161.
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They’ve gone through a bit of a makeover and sound change recently, moving away from the glam approach over the last 18 months or so and opting for a slightly heavier but still with lots of distorted sounds and plenty of electronics remaining in the mix.
Each month we’re going to pick out three tracks we reckon you should start with and for this first entry, we’re spotlighting ‘Hostile’ and ‘Tender Hook’ off their latest EP for that more in-your-face approach they’re leaning towards lately, as well as ‘Can’t Help My Machine’ for keeping the digital presence alive.
Alternative electronic at its finest as we see it. Porij are pretty popular in The Manc office and for good reason: they sprawl in their variety of sounds, can somehow suit almost every mood imaginable and seem to draw influence from almost every genre and culture you can think of.
Some call it art pop but all we know is it’s dancey and we LOVE it. And we’re not the only ones: they’ve collaborated with the likes of Metronomy, as well as Greater Manchester locals Interplanetary Criminal and rising spoken word artist Antony Szmierek, not to mention being ripe for remixers.
We’re slightly obsessed with their current single ‘My Only Love’ released earlier this month but ‘Nobody Scared’ is undoubtedly their biggest track and it’s not hard to see why (the chillest of bops) and so many could come in the third but we’ll settle on ‘Lose Our Minds’ for now. Ask us again later and it’ll change.
In at number three is Balancing Act. They’ve got everything from third and fourth record Arctic Monkeys, and frontman Kai Jon Roberts certainly exerts plenty of that Alex Turner swag here and there, to moments of Cage The Elephant or maybe even Radiohead in parts.
There isn’t any other place to start with these lads than their most popular track, ‘A Little More Time’ — the kind of tune that feels like you’re sat smoking a cigar and sipping a drink in a cabaret bar — ‘Cheshire Smile’ it’s probably our second favourite and more of indicative of their indie roots and then the beautiful ‘Rabbit Hole’. That should you a little taste of everything.
Like any band with the potential to go far, these guys still feel like they’re doing plenty of experimenting when it comes to their sound and, if anything, we’d say it’s in those moments when they shine the most.
Now these lot just make us so happy. Well, sad-happy to be more specific. The indie girl band have absolutely nailed those often upbeat and catchy melodies with slightly less jolly lyrics that always make for a great song.
If you’re looking for comparisons, you’ll get a bit of HAIM in the all-girl and often bass-driven funk but with the harmonies almost closer to something like The Staves. You get more of the latter the further you go back, having first started out in 2021, but they quickly draw other parallels with The xx and The Corrs.
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Having not long finished up a short run of shows with the lovable Leigh local, The Lottery Winners, they’ve got a lot of love among other Manchester artists. As for the songs we’re picking out, you can’t argue against arguably the best known ‘Bad Tattoo’ with Alex Amor, ‘Yellow and Gold’ was one of their first tracks we ever heard so it’s going in there, and the immensely catchy ‘How About It?’.
Last but not least, we’re finishing with a bunch of absolute ragers in the form of Witch Fever, who never fail to deliver that more aggressive brand of post-punk, grunge and all-around reliable rock. Lead singer Amy Walpole has labelled everyone from the Cancer Bats to Sugarstone themselves as influencing the band’s sound and there’s plenty more in there too, believe us.
We don’t think it’s getting too far ahead of ourselves to tip this furious four-piece for big things, having toured with fellow hardcore lovers Hot Milk and scored some decent festival slots over the past couple of years. Walpole’s voice alone is almost as if Dolores from The Cranberries loved screaming her head off even more over even heftier guitar riffs and had the added attitude of early Wolf Alice.
If that doesn’t sell you, these aren’t for you. The title track from their debut album Congregation is just immense; ‘In Birth’ is a perfect slope towards their heaviest stuff, and we have a real soft spot for 2019’s ‘Bezerk(h)er’, which incidentally happens to be one of our favourite track titles for a long time — and we usually hate it when artists mess with punctuation.
And that’s it for your first edition of our new monthly look at the best up-and-coming Manchester artists that are getting us very excited.
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2023 was an absolute belter for new music in our region and across the North West in general, for that matter, and we can’t wait to see what this year has in store for us.
Finally, the best part about this series is that we want you to let us know about all the best new tunes you come across too; this is a collective effort, guys — don’t let us down.
See you in Feb and be sure to keep tuned into our Audio page this year if you know what’s good for ya’.
The legendary Hulme community pub The Old Abbey Taphouse has been reborn
Daisy Jackson
The closure of The Old Abbey Taphouse was a real blow for Hulme and the surrounding university district area; the community pub was a bit of a local institution thanks to its grassroots music and inclusive atmosphere.
But now it appears that the spirit of the venue lives on, under the new name of The Abbey.
Some of the city’s most experienced independent operators – who have been behind venues like YES and The Deaf Institute, and music promoters Now Wave – will be the new custodians of this beloved local landmark.
The pub, which closed early last year, has now been carefully and lovingly restored ahead of its big relaunch, which will start in true Manc vision with an exclusive opening night gig.
The Abbey is reborn. (Credit: The Manc Group)
The vision for its new chapter will be ‘Old Pub, New Music’, creating a new home for grassroots live music and emerging artists.
There’s also affordable, hearty pub grub, including Pieminister pies, and a huge range of beers from local breweries and beyond.
Bringing The Abbey back to life are a core team of four: Ruth Hemmingfield, Wesley Jones, Jonathan Wickstead and Gareth Butterworth.
Ruth, Jon and Wesley are co-owners of YES; Ruth previously launched and programmed landmark Manc venues including The Deaf Institute, Gorilla and Albert Hall; while Wesley and Jonathan, through Now Wave, promote hundreds of independent gigs and live events each year.
As for Gareth, he’s the founder of the multi-venue festival Manchester Psych Fest, meaning that all of them have plenty of hospitality, late-night, live music and events experience between them.
The team behind The Abbey pub. Credit: Piran Aston
The rear of the site of The Old Abbey Taphouse will be extended to create a new dedicated live music and events venue, while the cherished beer garden is given a facelift with new decking and its own bar.
The Abbey has stood in Hulme since the 1890s, playing an important role in the area’s heritage – this is where activist Len Johnson managed to overturn the shameful ‘colour bar’ policies of the 1940s.
Its restoration and relaunch are part of the flourishing Manchester Science Park development.
Matthew Pazos, Senior Retail Commercial Manager at Bruntwood SciTech, said: “Ruth, Wesley and Jonathan are the perfect custodians to breathe new life into The Abbey.
“Their reputation for running independent spaces in Manchester, alongside their live music expertise, will ensure this much-valued pub once again becomes a beating heart for Hulme and the wider neighbourhood.
“The reopening of The Abbey will create an inclusive new hub that welcomes everyone – from the Hulme locals who have looked after the pub over the years, to the Manchester Science Park community, university students, and the many residents and workers across the Oxford Road Corridor.
“We are delighted that such a culturally significant and important pub is set to open its doors once again.”
Ruth from the new Abbey team commented: “We love a good pub. With The Abbey, we’re excited about bringing a brilliant old pub back to life, protecting what people loved about it, and creating something special: a great local, alongside a vital grassroots music venue for the area.
“We’re honouring the pub’s history while building its future.”
Gig review | Lola Young’s Manchester comeback – A joyous return to stage at the O2 Apollo Manchester
Kristen MacGregor-Houlston
The excitement in the air is palpable in the O2 Apollo Manchester, the crowd is itching for her to make her way onto stage and is chanting her name – Manchester has missed you, Lola Young.
After an extended hiatus since she collapsed at the All Things Go festival in New York last September, Lola is back on a short tour to find her feet again. Whilst Manchester isn’t officially the first show, it is the headline performance for her comeback.
Lola’s break had come at a pivotal moment, with her third studio album, I’m Only F***ing Myself (2025), earning huge acclaim, performances across the globe, and endorsements from the likes of Elton John for her talent.
After cancelling all of her shows ‘for the foreseeable future’, Lola asked fans for their forgiveness, writing in an emotional statement: “I really hope you’ll give me a second chance once I’ve had some time to work on myself and come back stronger.”
Tough to handle for anyone, let alone a young rising artist.
It was clear to everyone that her hard work on herself had paid off, as this was a different Lola Young from the one I saw at Glastonbury last year: there was a calmness to her – she seemed more centred and more confident.
That calmness, however, did not mean a lacklustre performance: she is still a powerhouse; her stage presence is just magnetic, and it is clear to see how loved she is by her fans. The energy in the room didn’t falter the entire time she was on stage.
She kicked things off with ‘Sad Sob Story’, a song about moving on from a toxic relationship, which seemed fitting as she steps away from the drama and difficulties of last year into a fresh start. A wall-shaking opening number that set the scene for what was to follow with the rest of the show.
As part of her healing journey, Young stated that she has decided to write something special and specific for each show to tell herself if she’s worried or doubting her ability.
She shared her Manchester mantra with us: “When you are connected, when you express what you feel is true to you, when you open yourself up and share your very unique experience, remember you are electric… Those who want to listen will lean in, no matter your volume.”
Although she was clearly introspecting, she was also speaking to her audience, her fans, and expressing gratitude for them still being there. Shouts of support echoed out through the venue, her fans truly loving and supporting her as they have since day one, perhaps more so than ever.
Her performances of songs like ‘Big Brown Eyes’, ‘Not Like That Anymore’ and ‘Conceited’, showed just how much fun Lola was having on stage, being back and being surrounded by people who truly loved her.
At times, the crowd were singing along so loudly and passionately that she laughed and told the audience, “I can’t even hear myself in my own ears.” She had to occasionally take moments to step back and take it all in, seemingly overwhelmed with joy at the outpouring of love being reflected back to her.
Her band were also a stand-out, sharing in her energy and passion. It is clear that Young and her band could easily fill huge arenas with their talent and fervour, but this more intimate venue just seemed correct.
Lola continued to prove throughout the night why she was so deserving of her BRIT Award for ‘Breakthrough Artist of the Year’, and her Grammy nominations for ‘Best New Artist’ and ‘Best Pop Solo Performance’.
Her vocal talent, emotional depth and electric stage presence were showcased in songs like ‘why do i feel better when i hurt you?’, ‘Post Sex Clarity’ and the incredible ‘You Noticed’, showing an extremely vulnerable side to her that had many audience members tearing up.
We saw all sides of Young during this show, with her iconic songs ‘One Thing’, ‘d£aler’ and ‘Messy’ practically blasting the roof off of the O2 Apollo Manchester.
The fans could hardly contain themselves, screaming the lyrics back at her – it was truly a night to remember for everyone.
With another night in Manchester due to popular demand, Lola promised to be back soon. Could it be a bigger tour, bigger venues, new music?
Who knows, but for now we’re just glad to see her healthy and have her back in our lives again.
Danny Jones -
31st January 2024 
