The bronze sculpture right outside the front of Manchester Piccadilly station depicting seven life-sized soldier figures wearing blindfolds and guiding one another has been well-received by many for its “moving” subject matter since it was first erected back in October 2018, and has been described as “striking” for its interaction with passers-by at eye level – but what exactly does it mean?
What’s the message behind it? And why is it here in Manchester city centre?
Commissioned by national ex-service person sight loss charity, Blind Veterans UK, to mark the centenary year of the First World War in 2015 and realised by artist and sculptor Johanna Domke-Guyot, ‘Victory Over Blindness’ is a poignant memorial to soldiers who suffered loss of sight whilst fighting overseas.
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The industrialised nature of the First World War – which lasted from 1914 to 1918 and saw the deaths of an estimated 886,000 British and Commonwealth military personnel, as well as countless more injured – made for unfathomable human suffering, with around 30,000 of the wounded discharged with damaged or defective eyesight and of these, 3,000 were left permanently blinded.
This came as a result of a number of circumstances, particularly the dreaded Mustard Gas attacks, as well as head injuries, shrapnel from artillery fire, stray bullets and fractures all contributing to the growing number of men returning from the war with sight loss.
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And so, to serve as a stark reminder of these tragedies, the statue was commissioned.
Wikimedia Commons
Unveiled in October 2018 to “commemorate the amazing achievements” of the blind veterans supported by Blind Veterans UK since the end of WWI, the ‘Victory Over Blindness’ statue depicts seven blinded soldiers leading one another away from the battlefield with their hand on the shoulder of the man in front.
The phrase ‘victory over blindness’ was first used by Blind Veterans UK founder, Sir Arthur Pearson, and is a motto that continues to guide the charity’s principles today.
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Inspired by a photograph the sculptor Johanna Domke-Guyot saw of WWI veterans, blinded in combat, leading one another from the front, what makes ‘Victory Over Blindness’ different from other statues or sculptures of lifelike individuals is that it was decided it should be situated on the ground and at eye level to engage passers-by, rather than on a plinth or platform.
This choice was primarily made to highlight the notion that the sacrifices of those on the frontline in WW1 should not be forgotten.
“People will be able to touch them, I want it to become a people’s piece,” Ms Domke-Guyot said.
Wikimedia Commons | Geograph – David Dixon
Although Blind Veterans UK is a charity located in London and Brighton – and now in Llandudno too – Manchester was chosen as the site to host the memorial permanently as it was known as a disembarking point for many soldiers returning from the war with life changing inflictions.
“There is no more appropriate location for this statue.” a statement on the Blind Veterans UK website reads.
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“The convalescent camp at Heaton Park in Manchester treated and trained thousands of wounded First World War soldiers and sailors, including many with sight loss [and] we hope that it will continue to inspire the people of Manchester, and beyond, for many years to come”.
The statue is an empowering testament to the ability to overcome physical afflictions and serves as a reminder of the crucial role that charities play in rehabilitating wounded soldiers.
Over two years on, ‘Victory Over Blindness’ continues to strike a chord with Mancunians.
Featured Image – Flickr
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Microdot exhibit for BRITs 2026: the artwork of Oasis, Verve and more up in Manchester Piccadilly
Danny Jones
If you’ve passed through Manchester Piccadilly of late, you might have noticed two things: one, it’s really quiet, and two, there’s loads of cool Britpop merch and memorabilia on display, including original Oasis, The Verve, Inspiral Carpets art and more – all courtesy of Microdot.
Set up as part of the city’s own BRITs celebrations, along with a raft of other nationwide festivities, as the annual music award ceremony prepares to make its Manc debut at the Co-op Live this month, the showcase features special edition frames and more, all pride of place in the middle of the train station.
This collection, simply entitled ‘A Microdot Design’, is all done by the legendary Brian Cannon, the graphic designer and art director behind so much recognisable visual material within the genre.
We recently had the honour of speaking to the man himself in person ahead of Piccadilly’s temporary closure; you can see our interview with him right here:
The Wigan-born artist and visionary didn’t just make promotional materials for some of the biggest bands in the 1990s; he’s responsible for what has gone on to become some of the most familiar iconography in British music history.
With this pop-up exhibit available for a limited time only, we strongly urge you to go along and, for once, take your time rather than rushing around the station as you peruse the boards placed right near the main entrance.
Charting his work from circa 1990 up until now, it’s crazy to see just how many of Brian and Microdot’s fingerprints are all over so many different bands and artists.
From native names like Oasis, The Verve and the Inspirals, as mentioned, as well as the likes of Cast, Super Furry Animals, Suede and Ash, plus so many more, this guy has been nothing short of prolific over the past few decades.
Audio North took a little tour of the King Street South unit last year in the lead-up to Oasis Live ’25 reunion world tour, and we felt like kids in a Britpop sweetshop.
While this site has sadly since closed, shutting up shop back in July, Brian’s mini, modest, but nevertheless magic Microdot Boutique up in the Lake District is still standing.
Located in the popular North West town and tourist attraction, Kendal, it’s worth a trip there to see more of his portfolio alone.
Currently on display at Manchester Piccadilly ahead of the full 2026 BRITs Week and shindig at Co-op Live, it’s one of the best completely free things you can do in town at the moment – but the exhibition finishes on Sunday, 1 March, so make sure you don’t miss it.
Speaking of the BRIT Awards, if you’re wondering what else is on as 0161 gets ready welcome them for their two-year stint (at least), look no further…
Two brothers from Oldham are beating out the likes of Taylor Swift in the iTunes charts
Danny Jones
A pair of brothers from Oldham who simply go by Two Connors are now holding on to the top spot in one of the biggest iTunes charts, and they’re beating the likes of Taylor Swift, Bruno Mars, Bad Bunny and many more.
Stuff your global music stars, we’ll back a duo from Greater Manchester all day long.
Danny and Callum Connor, a couple of blokes from Oldham in their mid-30s, are currently number one in the iTunes singles charts with their latest song, ‘Familiar Faces’, but this isn’t the first time they’ve gone big with a release online.
Carving out their own little corner not only in the old Lancashire borough but a small pocket in the UK’s wider grime, drill, rap and hip-hop scene, they’ve only gotten bigger over the last 18 months or so.
After releasing their first two tracks back in 2024, Callum and Danny have been on a very gradual rise, but they quickly gained a cult local following in and around Oldham.
Writing about life and around the area, with high personal and anecdotal lyrics that feel like niche references and in-jokes specifically for‘Roughyed’ residents – it’s not just music by them but FOR them.
In addition to recording their own unique cover of ‘Bad Habits’ by Ed Sheeran, they also went fairly viral for releasing a music video featuring crowds of local children.
Putting their own chant-based chorus slant on ‘Hi Ho, Hi Ho, “It’s off to Work We Go”‘, written by Mitch Miller and The Sandpipers (yes, as in the main theme from Snow White and the Seven Dwarfs), it was a fairly radio-friendly tune that was easy for kids and more to sing along with.
With various other natives getting involved in the music video, joining them on the town centre streets and lip-syncing the lyrics, it was circulated online all over Britain and beyond.
You can watch it in full down below.
Fast forward to February 2026, and not only have they grown their following across the region, but even further afield now, as it turns out; currently sitting ahead of ‘Opalite’ from worldwide smash-hit album, The Life of a Showgirl, who needs big label backing, eh?
Bringing smiles to even more Greater Mancs by quite literally shining the spotlight on ‘Familiar Faces’ and punters from nearby pubs such as The Up Stepps Inn and former nightclub Sruples, it is a real tribute to their homeland.
Only time will tell how long they’ll cling to that iTunes top spot, but with nearly 73,000 monthly listeners on Spotify and counting, they might be one of the biggest music names to come out of OL in some time.
In other big news over in Oldham, on the sporting side of things, RLFC are staring down yet more uncertainty, with local hero Bill Quinn also wrapping up his time at the club.