Netflix’s latest Harlan Coben adaptation, which has been filmed all around Greater Manchester over recent months, officially has a release date.
Following the success of the best-selling thriller author’s previous shows on the streaming platform, both of which were also filmed at least in part around the region, they confirmed that a further two shows would be coming too.
The drama series is called Missing You and is based on Harlan Coben’s 2014 novel of the same name. Believe it or not, this is the NINTH time that Netflix has adapted one of his books (yes, nine!), with this being the third time they have filmed one of his works in and around Manchester.
Much like the story itself, the trio seem to have a bit of a love affair going on between them – though we promise you this one will be much more complicated…
Set to release on 1 January 2025, Missing You stars Rosalind Eleazar in the lead role as Kat Donovan, a detective specialising in Missing Persons.
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You won’t want to miss these first looks at Harlan Coben’s newest thriller MISSING YOU.
Starring Rosalind Eleazar, Richard Armitage, Ashley Walters, Lenny Henry, and Jessica Plummer, coming soon to Netflix. pic.twitter.com/IAcClK1rJQ
Starring alongside other big British names like Ashley Walters, Richard Armitage, Sir Lenny Henry; Steve Pemberton, Jessica Plummer and James Nesbitt, the series is once again produced by Quay Street Productions (part of ITV Studios).
Without giving too much away, here’s the synopsis: 11 years ago, Detective Kat Donovan’s fiancé Josh – the love of her life – disappeared and she’s never heard from him since. Now, swiping profiles on a dating app, she suddenly sees his face and her world explodes all over again. Creepy, right?
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Josh’s reappearance forces her to dive back into not only his life since going missing but the mystery surrounding her father’s murder and uncover long-buried secrets from her past too.
Although many of Coben’s stories take place in the US, the Netflix adaptation is also transposed to a UK setting and so filming took place all over Greater Manchester, including the city centre, Le Mans Crescent and Victoria Square in Bolton, as well as various other spots around the North West.
Coben serves as executive producer through his company, Final Twist Productions, with help from the likes of Danny Brocklehurst (Brassic) and Guy Hescott (The Red King, Without Sin); Victoria Asare-Archer from Stay Close is the lead writer and directing is split between Nimer Rashed (Fool Me Once) and Isher Sahota (Ridley, Grace).
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Set across five hour-long episodes, if Netflix’s follow-up to Fool Me Once – which was recently named the most-watched show on the platform in the first half of 2024 – is even half as popular as its previous programme, it’ll still be a huge success.
As for Quay Street, the locally-based production house has a long track record of delivering top-quality drama thanks to its founder and multi-award-winning producer, Nicola Shindler OBE, who set up the company back in 2021.
Her credits have included Fool Me Once, It’s A Sin, Stay Close, Ridley Road, Finding Alice, The Stranger, Happy Valley and cult favourite Queer As Folk (1999-2000).
With a pedigree like that, we’re confident the latest Harlan Coben adaptation from Netflix will be just as good as the last one, and we can’t wait to play another round of ‘guess where in Manchester that was filmed’. Speaking of, it’s not the only local production of late.
Castlefield is being transformed into Gotham amidst more Hollywood filming in Greater Manchester
Danny Jones
Castlefield, with its iconic viaduct and cobbled streets, is once again being used for big-budget filming as the latest Batman/DC Universe title, Clayface, looks to be setting up in the eye-catching Manc corner.
Whether it’s football kit reveals and brand shoots, BBC dramas or the next upcoming Netflix series, production crews can’t get enough of Castlefield, it would seem.
For those who hadn’t heard, work on the new Clayface movie revolving around the cult favourite Batman villain is well underway, and the North West has been used as the backdrop on multiple ocassions this month already.
You can see early glimpses of the set being put together down below.
Come on, how cool is it that we get to stumble on stuff like this right on our doorstep so often?
Speaking to The Manc, a source detailed that the set is being assembled today (Tuesday, 16 September) ahead of a single day of principal photography on what we can only assume is more Clayface filming sometime tomorrow.
While she could not confirm with us directly, she said, “If you’re a comic book nerd and look at the posters, you’ll be able to figure it out.” We’ve certainly been studying all the easter eggs already.
It might not quite be as dark and gritty as Gotham City, but this particular part of Manchester has been used in TV and film – especially period dramas – many times for good reason.
The Victorian-era steel structure, dark red brick and overall industrial aesthetic work so well when it comes to creating a believable and cinematic world.
Besides perhaps the most famous instance of Peaky Blinders shooting in these parts, you can add multiple music videos, several Manchester United and Man City shirt launches, and so many more that we’re starting to lose track.
As for Clayface, this isn’t even the first time the upcoming DC ‘body-horror’ flick has popped up in Greater Manchester.
Last week saw the equally striking Art Deco facade of the old The Plaza Super Cinema in Stockport turned into a fictional movie premiere to stunning effect:
Speaking of, another childhood favourite is filming here in Manchester right now, too.
Besides perhaps the most famous instance of Peaky Blinders shooting in these parts, the new Narnia adaptation by Greta Gerwig may just be one of the biggest projects that has ever landed underneath the familiar ‘birdcage’.
ln fact, it just so happens that there are actually multiple noteworthy small and silver screen works fighting over the Castlefield shooting schedule at the moment…
Warrington-born Adolescence star Owen Cooper becomes youngest ever male Emmy winner
Emily Sergeant
Owen Cooper has made history.
The Warrington-born actor who burst onto the scene as a newcomer in the Netflix smash-hit drama series Adolescence, starring alongside other big names like Stephen Graham, Erin Doherty, and Ashley Walters, has become the youngest winner ever in any male acting category at last nights Emmy Awards 2025.
He took home the award for Best Supporting Actor in a Limited or Anthology Series.
Youngest Emmy winner ever in any male acting category.
At just 15 years old, Cooper beat out his fellow co-star Ashley Walters for the award, as well as other renowned actors like Javier Bardem, Peter Sarsgaard, and Rob Delaney.
Adolescence, if you haven’t had a chance to watch it yet, is a four-part limited series about a 13-year-old boy who is accused of murdering one of his classmates – with each episode remarkably being filmed in one unflinching and continuous shot.
The truly gripping story unfolds in real time as the main characters search for answers in the wake of a shocking tragedy.
Who is actually responsible? Why did it happen? And could it have been prevented?
Adolescence gained universal critical acclaim when it debuted on Netflix earlier this year / Credit: Netflix
Cooper was a complete screen newcomer starring as the young boy Eddie Miller, accused of murder, and the show tells the story of how a family’s world is turned upside because of it.
Taking to the stage to accept his award last night, Cooper – who began taking weekly acting lessons with The Drama Mob here in Manchester – said: “[The win] is just so surreal. Honestly, when I started these drama classes a couple years back, I didn’t expect to be even in the United States, never mind [at The Emmys].
“So I think tonight proves that if you listen and you focus and you step out your comfort zone, you can achieve anything in life.”
Elsewhere on the night, Adolescence cleaned up as a whole.
Co-creator and star of the show, Stephen Graham, took home the Best Lead Actor in a Limited or Anthology Series award, as well as a Writing award alongside co-writer Jack Thorne, while Erin Doherty claimed the Best Supporting Actress accolade in the same category, and director Philip Barantini won the Best Director award.