Netflix’s latest Harlan Coben adaptation, which has been filmed all around Greater Manchester over recent months, officially has a release date.
Following the success of the best-selling thriller author’s previous shows on the streaming platform, both of which were also filmed at least in part around the region, they confirmed that a further two shows would be coming too.
The drama series is called Missing You and is based on Harlan Coben’s 2014 novel of the same name. Believe it or not, this is the NINTH time that Netflix has adapted one of his books (yes, nine!), with this being the third time they have filmed one of his works in and around Manchester.
Much like the story itself, the trio seem to have a bit of a love affair going on between them – though we promise you this one will be much more complicated…
Set to release on 1 January 2025, Missing You stars Rosalind Eleazar in the lead role as Kat Donovan, a detective specialising in Missing Persons.
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You won’t want to miss these first looks at Harlan Coben’s newest thriller MISSING YOU.
Starring Rosalind Eleazar, Richard Armitage, Ashley Walters, Lenny Henry, and Jessica Plummer, coming soon to Netflix. pic.twitter.com/IAcClK1rJQ
Starring alongside other big British names like Ashley Walters, Richard Armitage, Sir Lenny Henry; Steve Pemberton, Jessica Plummer and James Nesbitt, the series is once again produced by Quay Street Productions (part of ITV Studios).
Without giving too much away, here’s the synopsis: 11 years ago, Detective Kat Donovan’s fiancé Josh – the love of her life – disappeared and she’s never heard from him since. Now, swiping profiles on a dating app, she suddenly sees his face and her world explodes all over again. Creepy, right?
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Josh’s reappearance forces her to dive back into not only his life since going missing but the mystery surrounding her father’s murder and uncover long-buried secrets from her past too.
Although many of Coben’s stories take place in the US, the Netflix adaptation is also transposed to a UK setting and so filming took place all over Greater Manchester, including the city centre, Le Mans Crescent and Victoria Square in Bolton, as well as various other spots around the North West.
Coben serves as executive producer through his company, Final Twist Productions, with help from the likes of Danny Brocklehurst (Brassic) and Guy Hescott (The Red King, Without Sin); Victoria Asare-Archer from Stay Close is the lead writer and directing is split between Nimer Rashed (Fool Me Once) and Isher Sahota (Ridley, Grace).
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Set across five hour-long episodes, if Netflix’s follow-up to Fool Me Once – which was recently named the most-watched show on the platform in the first half of 2024 – is even half as popular as its previous programme, it’ll still be a huge success.
As for Quay Street, the locally-based production house has a long track record of delivering top-quality drama thanks to its founder and multi-award-winning producer, Nicola Shindler OBE, who set up the company back in 2021.
Her credits have included Fool Me Once, It’s A Sin, Stay Close, Ridley Road, Finding Alice, The Stranger, Happy Valley and cult favourite Queer As Folk (1999-2000).
With a pedigree like that, we’re confident the latest Harlan Coben adaptation from Netflix will be just as good as the last one, and we can’t wait to play another round of ‘guess where in Manchester that was filmed’. Speaking of, it’s not the only local production of late.
ITV is reviving an iconic music trivia gameshow Name That Tune from the 70s
Emily Sergeant
ITV is set to revive one of the most iconic music-themed gameshows of all time for a new generation.
That’s right – Name That Tune is making a comeback.
Based on the successful US format of the same name, and airing in the UK on its original run from 1976 through to 1987, before being rebooted for the first time by Channel 5 from 1997-98, Name That Tune is being revived for the third time and is set to hit screens on ITV early next year.
If you’re unfamiliar with the premise of the show, Name That Tune sees contestants pitted against each other as their music knowledge is put to the test in a series of fast-paced rounds that featuring tracks from some of the world’s best-loved music artists and bands across every genre, all building towards a nail-biting finale.
Competitors will be tasked with correctly deciphering iconic riffs, melodies and lyrics from some of the biggest songs on the planet.
Set to be presented by Alison Hammond, and with a studio audience singing along, the show’s reboot will invite viewers at home to play from their living rooms, making it the ultimate soundtrack for all generations.
Every round is designed to challenge music enthusiasts by asking them just one simple question – can you name that tune?
“As a massive music lover, my biggest challenge as a host will be trying not to grab the mic and start singing along when one of my all-time favourite tunes comes on,” commented Alison Hammond as she was announced as the host for the reboot.
“And trust me… that will take serious self control.
“I grew up absolutely loving the original show so being part of this now feels like a real full-circle moment. I cannot wait to get into the studio, put the contestants through their paces, and see who really knows their music.”
ITV has told viewers to expect the show to be ‘bigger, louder, and more feel-good than ever’ once it returns in January.
Featured Image – ITV
TV & Showbiz
BBC cancel three hit shows, including legendary stand-up series, Live at the Apollo
Danny Jones
The BBC have reportedly cancelled three of their hit TV shows, including the long-standing Live at the Apollo.
With the company facing even more cuts and the television industry facing the ever-changing obstacles set about by increasingly dominant digital platforms, the hit live stand-up series, which has run for over two decades, is the latest big IP on the chopping block.
But that’s not all: joining them in cancellation after long stints on the box are Celebrity Mastermind and the most recently rebooted version of British favourite, Blankety Blank, brought back with Bradley Walsh as host back in 2020.
With roughly 65 full-length seasons between them, and literally hundreds of episodes under their belt, the unfortunate trio have fallen foul for varying reasons.
At first I read that as Celebrity Masterchef, but that show is immortal.
Really surprised to see Live at the Apollo go. It can't cost much and has been instrumental in giving many comedians their big TV breaks. https://t.co/BrT8k2hoYd
While Walsh announced that he was quitting the programme after three series (the fourth was set to begin recording later this year) largely due to scheduling conflicts, the driving force behind the decision is the aforementioned cutbacks.
In case you hadn’t heard, the BBC has seen an approximately £500 million reduction in annual spending, which has meant that one or more productions were always going to be hit hard as a result.
They are aiming to save upwards of £100m annually, which is set to come in the form of 100-150 hours less originally telly by the end of 2028.
Issuing an official statement, they say: “We are incredibly proud of all three of these much-loved shows and would like to thank everyone involved, both in front of and behind the camera, for bringing them to screen and making them such a success over many years.
“Unfortunately, we have to make some really tough choices in light of our funding challenges, and these savings have been identified from the entertainment genre.”
With Live at the Apollo, in particular, having served as an important proving ground and spotlighting stage for rising comics, the UK mainstay originally hosted by Jack Dee is sadly going the way of Mock the Week by being pulled after 22 years on the air.
As you can see, it’s already been heavily mourned by performers around the comedy circuit and fans alike. It goes without saying that those within the industry know all too well how important it’s been.
Unfortunately, more announcements and cuts are expected throughout the remainder of the year as the BBC‘s entertainment arm tries to regain profitability.
This means that these three likely won’t be the last to be axed; who knows? Given that even the biggest of IPs don’t seem to be safe, maybe even mainline Mastermind could be in trouble…
It’s also worth noting that this news comes not long after the media giants launched their big campaign to reassert their domestic significance and beyond, with more and more people straying away from the TV licence in favour of modern streaming.
You can read the full ‘savings’ update right HERE.
Danny Jones -
12th October 2024 
