TV & Showbiz

US comedian Shane Gillis is coming to Manchester very soon

It's been a while since he was last in Manchester. (this article contains affiliate links)

Danny Jones Danny Jones - 8th January 2025

Popular comedian, writer, producer and actor Shane Gillis is coming back to Manchester for one of his biggest UK shows ever as he prepares to play Co-op Live.

Known for his acclaimed stand-up shows Live In Austin and Beautiful Dogs, as well as sketches on Saturday Night Live and cult-hit Netflix comedy, Tires, he is currently selling out stadiums and huge rooms all across the US – and it won’t be long before he crosses the Atlantic.

The last time the Manc comedy scene saw Shane Gillis’ name on a dressing room door was back in March 2022 when he was playing the second-largest room at the Manchester Academy. Fast forward to this coming spring and he’s now set to sell out the city’s and one of Europe’s biggest indoor arenas.

What a difference a couple of years makes, eh?

As mentioned, his latest tour – simply entitled, Shane Gillis Live – is not just selling out all over North America but is even breaking attendance records at storied venues, surpassing the likes of U2 for most tickets sold and countless other regional feats.

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The 37-year-old from Mechanicsburg, Pennsylvania (yes, that’s actually what it’s called) has become one of the hottest comics on the planet in recent times, returning to SNL to write several popular skits in 2024 – including doing his infamous Donald Trump impression in costume.

Still considered a controversial figure on the circuit for some of his early routines, having initially been fired as a writer on the show for comments made on his podcast back in 2019, his ‘edgy’ brand of stand-up definitely pushes up against the boundaries of what many label ‘offensive’ comedy.

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Nevertheless, he remains one of the most highly-rated contemporary performers in the live stand-up genre, appearing as a guest on the Kill Tony live comedy podcast on multiple occasions and seeing his original sitcom, Tires, renewed for a second season.

The first clip from the latest series, teasing a celebrity guest appearance, dropped in December.

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Fans won’t have to wait long either as Gillis arrives at Co-op Live on Thursday, 20 March, almost three years on from his last visit to Manchester.

General admission tickets go live this Friday, 10 January at 10am, but official Co-op members can access the exclusive pre-sale window from 12 noon on Wednesday (8 Jan).

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If you fancy going along to the show, you can grab tours HERE.

For all the latest news, events and goings on in Greater Manchester, subscribe to The Manc newsletter HERE.

Featured Images — Press Image (supplied)

TV & Showbiz

Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House

Danny Jones Danny Jones A Knight's Tale Manchester musical review

From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.

Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.

At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.

Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.

A Knight’s Tale the musical at Manchester Opera House. (Credit: Press Shot)

A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.

Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.

The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.

Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.

However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.

Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.

The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.

At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.

A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.

But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.

Credit: Supplied

Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.

The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility.
In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.

Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.

Put simply, this is a knight to remember – with a soundtrack that slays.

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Featured Images — Press Images (supplied)

TV & Showbiz

Eurovision 2025 final to be screened live in cinemas across Greater Manchester

Emily Sergeant Emily Sergeant Eurovision 2025 stage

The grand final of the Eurovision Song Contest is to be screened live in cinemas across Greater Manchester next month.

Following the success of the previous two years, initially starting back when the internationally renowned televised event was held on British soil in Liverpool in 2023, cinemas up and down the UK are, once again, set to come together to celebrate 2025’s edition of the major night in the music calendar by hosting the ultimate viewing events.

The epic Eurovision Song Contest Grand Final on Saturday 17 May will be broadcast live on BBC One, and streamed into more than 100 cinemas nationwide – including several in Greater Manchester.

Distributed by CinemaLive, the live stream events will allow Eurovision fans to gather under one roof and share in the unbeatable experience of celebrating the brightest and boldest music party of the year on the big screen.

People in the cinema
The Eurovision 2025 final will be screened live in cinemas across Greater Manchester / Credit: CinemaLive | Krists Luhaers (via Unsplash)

You may remember that Switzerland is hosting Eurovision this year, following the nation’s well-deserved victory at the 2024 contest with the song ‘The Code’ performed by Nemo.

But thanks to these live stream events, you won’t need to make the trip to Basel to get in on the action, as you’ll just need to nip down to your nearest participating cinema instead.

Not only will the long-awaited final of the show be streamed live onto the big screen in 5.1 surround sound, but fans are invited to bring their Eurovision parties from the front room to the cinema instead, as organisers say fancy dress is ‘heavily encouraged’, as are enthusiastic sing-alongs too.

Speaking ahead of the event next month, John Travers from distributors CinemaLive, said: “We’re delighted to be working with the BBC to bring Eurovision’s grand final live into cinemas across the UK for the third year in a row.

“There’s simply no better way to enjoy the biggest night in music than in a cinema.”

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Tickets are now live and available to book at your local cinema here.

Some of the participating Greater Manchester cinemas include Vue Manchester Printworks, Everymans in Manchester city centre and Altrincham, The Light in Stockport, and Cineworld in Didsbury, among others.

Featured Image – EBU

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