First installed in 1997, Lemn Sissay’s poem Flags stretches a little under a mile down Tib street – running from Market Street up toward Swan Street.
Originally part of the Tib Street art trail, created to draw people back into the Northern Quarter when it was in serious decline, Flags has long been a part of the area’s fabric.
Over the years, some of the poem’s stones have disappeared: leaving us to guess the missing letters and marvel at the way a simple act of feet treading the pavement has, over time, changed the meaning of the Chancellor of the University of Manchester’s words.
On his blog, academic Dr. Tony Shaw calls it “living poetry, uncertain poetry” – where “sometimes you have to kick aside cigarette ends to read more clearly, or wait for a momentarily parked car to move.”
And for the past 24 years, that’s exactly how it has been: A piece of urban poetry slowly eroding under our feet, the very meaning of the art changing as stones disappear, wear away or – as artist Tim Rushton notes – are taken home as souvenirs.
In a bold move, the full work has been immortalised in a new ‘cast iron’ rendering – restored on Tib Street in full, with a new version of the poem written especially by Sissay for the occasion.
Supported by Manchester City Council, Bruntwood, and the Arts Council, Sissay was able to work once again with artist Rushton – who designed the original poem’s font back in 1997 – on the new installation.
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Rushton had designed a special font called cypher for the piece back in the ’90s, which is used again on the new rendering.
“In the last couple of years it has become obvious that Lemn Sissay’s poem Flags on Tib Street has finally become past reasonable repair,” said Tim, reflecting on how the poem on the pavement has changed over the years.
“General wear and tear, scaffolding pole drops and souvenir hunting has rendered [the original poem] very patchy.”
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Sissay’s poetry can be found across Manchester. In fact you’ve probably noticed one of his most famous, Rain, painted on a wall above Gemini takeaway near the Oxford Road university campus.
Lemn Sissay’s poem Rain can be found above Gemini Takeaway on the Oxford Road corridor / Image: Gerald England
Now an internationally respected poet with work recognised across the globe, Sissay has come a long way from using his unemployment benefit to self-publish his first poetry pamphlet Perceptions of the Pen.
The official poet of the 2012 London Olympics and Chancellor of the University of Manchester since 2015, for this year’s Manchester International Festival Sissay has also co-curated an exhibition at HOME with Hans Ulrich Obrist.
On display until 30 August, it’s called Poet Slash Artist and is all about forging new links across cultures, continents, languages and generations – joining up poets and visual artists to connect words and images across gallery walls and city streets.
Just like the Tib Street poem, it’s not all found in the gallery: Rather, the new exhibit has spilled out onto the streets of Manchester: creating a new trail that runs from Deansgate to Whitworth Street West.
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A full map of the locations for these new works of living art can be found here.
Flags by Lemn Sissay – the original poem (deciphered by Dr. Tony Shaw) versus the new edition:
The original 1997 poem:
These pavement cracks are the places where Poets pack their warrior words
These pavement cracks are the places where sleeping shadows of moving bridges stole
Where dying dust of dreams slides where the slits silt turns to food
Where home truths trickle home and confide Where the silent forests brood
Where spines bent?? the bridges arches where they vaulted with asice(?) to ? speak
And unity sown on to the sun of alll trades perhaps they’re a script words of the street
Perhaps these pavement cracks are the places awhere flattened flags lies solidified waves
The telling lines within a sea of faces where sufferers take cover of street caves
The telling lines within a sea of faces Where sufferers take cover of street caves
Where wander the wayward and lost Where the runaway can chart his journey back home
Where the water runs as the world defrosts The street breathes beneath this stone
And perhaps the pavement cracks are the pattern of concrete butterflies
Where thoughts carefully cultivated waiting to waken grow wings and fly
Like us they hold the people of a modern earth This world between the windswept flags
Where pavement cracks are the places where sleeping shadows of moving bridges stole
The cold
The updated 2021 poem:
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Pavement cracks are the places
Where poets pack warrior words
Verses to catch the surfeit of faces
Where seeds slip from bitter birds
Trip and fall between the ledges
Where sweeping silent rivers run
Hidden roughened toughened edges
Where darkness swallows the sun
Pavement cracks are the places
Where shadows of bridges roll
Where water falls water races
Heat crouches beneath the cold
The dust of the city slides
And secret silent worries wait
Home truths trickle home
Cracks are the lines of fate
These pavement cracks are patterns
of concrete butterflies
A perfectly positioned parallax
Waiting to wake grow wings and fly
And perhaps these pavement cracks
Hold the Manchester myriad———————————————————————————————————————————————————————————————————————————————
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The cracks the cracks the cracks!
The world between the windswept flags
Art & Culture
Local artist Michael J. Browne’s latest exhibition is complete and free to view in town
Danny Jones
Celebrated local artist Michael J. Browne (MJB) has finally assembled his latest exhibition, and it’s now on display for free right in the middle of Manchester.
The Moss Side native has completed a number of eye-catching works over the past year or so, which many of you may have noticed steadily cropping up along Deansgate.
Famed for working with the likes of Eric Cantona and the National Football Museum, as well as a viral piece picturing President Donald Trump pride of place in the city centre, he’s been making waves from a particular corner over the past few months.
That piece, along with multiple follow-ups in the collection, can be viewed in the flesh at no cost – and trust us, they’re worth examining up close and personal…
Entitled, ‘A Portrait of Power’, the new exhibit by Michael J. Browne is uneniably one of his most provocative yet, spotlighting figures like Trump, notable British politicians, the Royal Family and more in a big shop window over at Great Northern Warehouse.
Featuring everything from football-themed nods to the likes of Maradona and Cristiano Ronaldo, to his monumental ‘Sovereign Servant’ oil painting, which sees recognisable Royals, Conservatives and other famous faces aboard HMS Victory in front of the Houses of Parliament, the intricacy is staggering.
You only have to glimpse one of these point-blank to see the sheer level of detail; collectively, the art amounts to thousands of hours of effort and weeks spent covering every inch of the large canvases.
Exhibiting a bold fusion of historical symbolism with contemporary commentary, drawing from key cultural characters that make up the current zeitgeist, Browne is all about capturing the shifting face of ‘British identity’, as ever amorphous and transient as it may be.
Put simply, this installation is “a portrait of power, legacy, and national reflection.”
Known for his incredibly precise and almost microscopic technique, MJB‘s work has been showcased all over the world, including at the National Portrait Gallery, and never fails to stir up a conversation.
The exhibition will be held for a limited time at his current venue within units 291-293 at Great Northern.
Situated right on the corner of the main Deansgate strip and the adjoining Great Bridgewater Street, it’s hard to miss once you’ve seen it.
Private viewings are also available by appointment for the likes of MPs, political party members and accredited media, as well as interested members of the public.
‘Northern Lights’ to be visible in Bolton as popular FREE light art festival returns next month
Emily Sergeant
Bolton’s festival full of fantastic immersive light art installations is set to shine on the town centre next month.
Back by popular demand after proving to be such a success during its inaugural year in 2023, with the first-of-its-kind event attracting more than 50,000 visitors, Put Big Light On Festival is returning for another year of festive magic, and there’s some huge and impressive art installations set to descend on the Greater Manchester town’s centre.
Curated by artistic events company, Things That Go On Things, the festival will take place right across Bolton in late November.
This year’s lineup will feature magical creations from a diverse range of artists.
A free festival of immersive light installations will shine on Bolton again next month / Credit: Bolton Council
Returning in 2025 for what’s said to be ‘the final time’, Dan Acher’s fan-favourite Borealis will illuminate Victoria Square by recreating one of planet Earth’s most incredible natural phenomena, the Northern Lights, in the most immersive way possible.
As beams of light travel through particle clouds, visitors can look up to see the show above their heads, and as the particle clouds are moved by wind, over which there is no control, this means they’ll never see the same pattern twice.
Other installations this year include Mars by the critically-acclaimed artist Luke Jerram, which is a six-metre diameter sculpture featuring high-resolution NASA imagery of the Martian surface, and Submergence by Squidsoup – a walkthrough experience with thousands of suspended lights creating an immersive sense of movement.
Wave by Are You Playing Out, The Garden by Ant Dickinson, Celestial Carousel by Eye of Newt, and Beacon of Hope by Craig Morrison are a handful of the other installations.
As well as the festival itself, there will also be plenty of vibrant street entertainment over the four-day event too, and residents can expect lots of family activities in the run-up to the festive season.
“Put Big Light On is more than just a festival, it’s a celebration of Bolton’s creativity, resilience, and community spirit,” commented Bolton Council’s Executive Cabinet Member for Culture, Cllr Nadeem Ayub.
“We’re proud to welcome world-class artists and local talent to light up our town and bring people together in a truly magical way.