A series of incredible independent arts and culture events will span across Greater Manchester over the coming weeks, as Manchester Independents commissions 12 amazing new works.
They are an initiative launched out of the pandemic to support local artists across all 10 boroughs, and give them a platform to showcase their projects, supported by various cultural organisations around the region including Brighter Sound, HOME, Factory International, Contact and many more.
Following on from the success of the 2021 scheme, which saw 23 new commissions, Manchester Independents are ready to present 12 new projects, from walking tours to art exhibitions to theatre.
The vast range of new work includes everything from workshops with Muslim women in Rochdale to film screenings in Levenshulme to AI-generated theatre in the city centre.
Themes will range from celebrations, love and feminism to mental health, chronic illness and dystopian Manchester.
ADVERTISEMENT
You’ll find the new Manchester Independents commissions at venues from theatres (like Contact and 53Two) to parks to galleries to digital spaces.
Events are going to be popping up all over Greater Manchester over the coming weeks – here’s what you need to know.
This six-minute video artwork will blend spoken word, an original soundtrack, and a choral performance of the chorus from Eminem’s ‘Cleaning Out My Closet’ to speak about absence, loss, grief and childhood rebellion.
Dance, contemporary circus, poetry and improvisation will come together in this duet. The piece looks at mysticism, Afrofuturism and Black Feminist Hauntology through our connection with the life giving element, water.
Horticultural Centre at Wythenshawe Park, 30 September
The neglected Horticultural Centre at Wythenshawe Park is going to be brought to life by visual artist Michele Selway. She’ll use Victorian photographic equipment to document the place and the people that are keeping it going, and use the unique 1951 Wet Plate Collodion process to photograph onto large format glass plates, mirroring the materials of the glass house itself.
Four Dholis And A Divorce by Hafsah Aneela Bashir, @redwizz1
ADVERTISEMENT
Rochdale Ukrainian Club, 29 September
This performance explores intergenerational trauma and lived experiences of divorce through five female characters from a South Asian Muslim background.
Portraits of a Poet by Princess Arinola Adegbite (BITEZ), @pabitez
The Whitworth, 5 October
A surrealist work exploring perception and the ways we perform in society for safety, love and acceptance. It begins from the perspective of a black female artist to investigate agency, spectatorship and power.
A theatre piece exploring Sam’s 12 years of visiting Manchester Children’s hospital regularly. This performance plays with comedy, sadness, perceptions and toilet humour often found in discussions amongst young patients.
A fast-moving, comedy drama about life with chronic gynaecological disease.
Cerebral Palsy Graphic Novel by Julian Gray, @juliangrayart
Published online at the end of August – available at www.manchesterindependents.org
Interviews with people with Cerebral Palsy about its representation in media and performance, culminating in an online zine.
The Anxious Photographer’s Handbook by Simon Jones, @simonjones_2000
ADVERTISEMENT
Book launch in September, exhibition in October. Details to be updated on www.manchesterindependents.org
A visually engaging book containing a range of interesting photographic challenges which can be used as a way to connect with the local environment and society. The work is primarily aimed at individuals that have become isolated due to issues such as anxiety and other mental health/social issues.
See www.manchesterindependents.org for latest updates.
Jova and the wave rebranding as yeguachita – EP, graphic identity and video works. yeguachita will be creating a concept album in collaboration with other musicians.
Featured image: Supplied
Art & Culture
A new interactive VR space experience by the Smithsonian is coming to Manchester
Danny Jones
Working in partnership with the Smithsonian Astrophysical Observatory, a new immersive space experience is being brought to life by virtual reality (VR), and it’s coming to Manchester.
You won’t find many other things like this in the entire UK, let alone the North West.
Developed in collaboration with the world-renowned Observatory (SAO) itself, next month, our city is set to take people on a ‘journey through the cosmos’ like never before.
Having already stunned crowds down in London, the ‘Smithsonian Starstruck: An Immersive Experience’ is coming to Manchester for the very first time; here’s a quick glimpse…
Popping up in an otherwise unsuspecting corner of the Northern Quarter, the Smithsonian’s Starstruck exhibition and interactive display is a must-not-miss this August.
Allowing visitors to travel far beyond Earth through the medium of VR goggles, you’ll be able to explore distant galaxies, witness the life cycle of stars, and witness everything from exoplanets, burning suns, even black holes up close and personal.
It’s also worth noting that this has been brought to life using real astronomical data and with help from experts working at the leading science, astronomy and astrophysics centre.
During the experience, Mancs will be transported via the power of humanity’s famous observatories, including the Hubble Space Telescope, the James Webb, the Chandra X‑ray and more, allowing them to not just see and hear but almost feel these far-flung phenomena like never before.
Besides visiting these various state-of-the-art institutions individually, there’s virtually no other exhibit that offers this kind of access – pardon the pun.
Presented by the award-winning and increasingly popular Fever Events, each VR session is set to last roughly 40 minutes, serving as a great family day out, couples date, or solo experience; and trust us, you’re bound to get lost in time AND space. Ok, that pun we definitely meant.
Credit: Fever Originals (supplied)
Speaking ahead of its arrival, Fever’s Global Director of Production, Alex Winterbottom, said in a statement: “We’re proud to have developed this new immersive experience in collaboration with the Smithsonian Astrophysical Observatory (SAO), the largest astrophysics research centre on the planet.
“This partnership has enabled us to ensure scientific accuracy down to the smallest detail to make the observatory’s incredible research within reach to audiences in Manchester.
“Bringing Starstruck to the Science Museum highlights the project’s ability to educate and engage visitors of all ages, from children to adults, while remaining highly entertaining.”
Starstruck by the Smithsonian lands at Transmission House on Tib Street on Thursday, 6 August, and with tickets starting from just £10.50 for children, students and over 60s, it’s a no-brainer.
Grab yours now while you can right HERE and check out the latest trailer down below.
Featured Images — Publicity pictures (supplied via Fever/We Are Indigo PR)
Art & Culture
Beat-Herder Festival 2026 – the wonderfully weird festival we can’t stop coming back to
Emily Johnson
Another weekend done in the magical, mystical world that is Beat-Herder.
For one weekend every year, a farm in Clitheroe transforms into what the organisers describe as “a place full of beats and barminess” – and honestly, they couldn’t have summed it up any better.
Big enough to keep you discovering something new all weekend, yet small enough that you’ll keep bumping into the same friendly faces, Beat-Herder strikes the balance perfectly.
Every corner has something different going on, every stage has its own personality, and every sound system is absolutely dialled in.
Where else can you go for a swim, get a tattoo, pop into church, visit Paris and dance until sunrise? No, we’re not describing a chaotic stag-do… we’re talking about Beat-Herder.
Every stage deserves a mention, but a few really stood out this year.
Julie’s Barn, a.k.a. ‘Gay Paris’, remains one of the festival’s best-kept secrets. Hidden away in the woods, it’s worth every wrong turn trying to find it.
A glowing dancefloor, disco balls hanging from the trees and a crowd that somehow never seems to leave. We even stumbled across a secret ‘Samurai Breaks SSBB’ set that had the place bouncing all the way through until sunrise.
Credit: The Manc Group
Over at Stumblefunk At The Factory, Breakage delivered one of the sets of the weekend. The bass rattled the roof, the crowd never stopped moving, and the whole place felt like it was about to lift off.
It’s also home to one of Beat-Herder’s many weird little surprises, with hidden missions and the chance to spy on other festival-goers. If you know, you know.
The Garage is another annual favourite. DJs squeezed into the front seat of a car while everyone else danced on the bonnet of old scrapped cars, bouncing to the bass that rattled from White Noise Audio’s soundsystem. It’s those ridiculous little details that make this festival unlike anywhere else.
Then there’s Beat-Herder’s Got Talent, which has become a non-negotiable part of our weekend. The winner earns a slot on the main stage, so every act gives it everything. This year’s line-up featured everything from incredible harmonica performances and live bands to rap duos.
But one contestant completely stole the show.
She walked on stage, admitted she wasn’t sure her talent was quite as impressive as everyone else’s, and the crowd fell silent. No instrument. No backing track. You could hear a pin drop. What on earth was this contestant about to do? And then she proceeded to fit her entire fist in her mouth.
If that doesn’t sum up Beat-Herder, we’re not sure what does. The wonderful woman didn’t win the contest unfortunately, but let’s hope she can get booked for next year, ey?
One of this year’s new additions was The Dub Tub, which quickly became one of our favourite discoveries. Artists like Woody Cook swapped high-energy sets for slower, dub-inspired sessions, creating the perfect place to reset before diving back into the madness.
Oh, and of course, in true Beat-Herder fashion, the DJs were performing in a bathtub, of course.
And speaking of madness… all the classics are still there. The famous tunnel leading to hidden stages, the weird and wonderful walkabout performers, the random discoveries you’ll never find on a map, the hidden swimming pool, fancy dress costumes, and the constant feeling that you’re about to stumble across something completely unexpected.
Massive credit has to go to everyone behind the scenes. From the organisers to the volunteers and crew, everything runs incredibly smoothly, despite how wonderfully chaotic it all feels. Beat-Herder, you’ve done it again; roll on 2027.
Daisy Jackson -
31st August 2023 
