Some of you might still be nursing a two-day hangover now that the bank holiday is over.
But just because our favourite weekend of the year is all done and dusted, it doesn’t mean the fun has to be.
If you’ve already got the Friday feeling nice and early this week, we’ve got you covered with a stonking selection of events happening in and around the city.
Check them out below.
Sit & Bun at Escape to Freight Island – September 3
Escape to Freight Island
First up on Thursday night is ‘Sit & Bun’ – the little sister of popular Manchester night ‘Hit & Run’.
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The lineup features Manchester-based artists who will bring their hip-hop and soul styles to the Freight Island platform. Finally, we have some long-awaited live music. Literal music to our ears!
The KTNA will take the to the stage at 7.15pm. The twin sisters describe their style as “cosmic soul”. Expect powerful and thought-provoking lyrics, backed by calming soul sounds. Layfullstop takes the 9.15pm slot with her stunning voice and playful fusion of jazz and hip-hop.
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DJ support will also come from Hit & Run’s very own head honcho. He’ll mix up the vibe with some reggae, funk and jazz beats. Come down and support some wholesome Manchester talent.
Craig Charles Funk and Soul Club at Social Avenue – September 4
Craig Charles
Some may know him as Lloyd from Corrie, but Craig Charles is a living legend of the Manchester music scene. His monthly Funk and Soul Club at Band on the Wall has thrived over the years.
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During the summer, he takes his club night to festivals all over the country. Sadly, there was none of that this year. However, you can catch him for a one-off set at Social Avenue.
Anyone who has seen Craig Charles play knows what to expect. If you’re new, well, you’re in for a treat. Enough said.
Live Forever sit down disco at Venue – September 4
Sit down disco at Venue
Parkas at the ready, Venue has returned with a COVID edition of its famous indie night ‘Live Forever’.
As expected, there’s a limited capacity and you’ll be singing into your mate’s face from across a table instead of in their arms. But that’s a small concession to pay for a full night’s worth of indie classics in a club.
James listening party of The Night Before and The Morning After – September 5
James
Calling all James fans, this one is for you.
At 7.30pm on Saturday there’ll be a Twitter listening party of renowned Manchester band James’ albums The Night Before and The Morning After.
This is a great opportunity to learn more about the classic records and talk through the lyrics with other superfans.
A bit of a different one; more info is available here.
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Missile to the Moon at Old Abbey Tap House – September 5
Old Abbey Tap House
You could head down to Old Abbey Tap House for their rescheduled event ‘Missile to the Moon‘ on Saturday.
A selection of Manchester DJs will provide the soundtrack for the evening. It’s the quirkiest little place with booze, vegan food, music, a micro-brewery and even an urban farm where they grow their own food.
They’ve converted their terrace to allow for social distancing and it appears to be under cover should the heavens open. This is Manchester, after all.
The Strokes at Co-op Live, Manchester – actually very hard to explain
Daisy Jackson
Manchester has waited a long, long time for this – The Strokes back on stage in our city.
I’ve been a fan of the band for as long as I can remember, but have never managed to catch them live, partly because they’ve left it TWENTY YEARS between shows here.
But back they are, with an enormous gig at the Co-op Live on their Reality Awaits tour.
The Strokes are known as one of the most solid indie bands of the 2000s, going triple platinum with their debut album Is This It and releasing massive anthems like Last Nite, Reptilia, and Someday.
They’re also known as a bit of an unpredictable live act – some will say they’re one of the best on the circuit, others will say they’re disappointing, and it really can depend on the night.
What they’re not known for is their audience interaction, so when frontman Julian Casablancas tries to have a bit of a chat with the audience, we all sort of stare blankly back at him. He’s speaking to us? What do we do?
“Wow, tough crowd,” he says, which is the first time I’ve ever heard anyone describe a Manchester audience as tough.
Then he turns back to drummer Fabrizio Moretti and says: “This is f*cking hideous, let’s play some songs.”
The setlist seems to get a shake-up every couple of shows, which is a nice surprise for us – and apparently also Julian, who regularly pops over to ask his bandmates what’s up next.
It doesn’t really matter that he’s not done his homework, because the second that drum kicks in, along with the impeccable guitar work of Schiltz, Fraiture and Hammond Jr., he snaps into action.
It’s impressive that their songs still have such singalong quality when Casablancas enunciates like a man with a dislocated jaw. For certain songs he’s so incoherent that if you weren’t a fan you’d walk in this room and wonder what the f*ck was going on.
But then, that’s sort of why us The Strokes fans love them so much. There’s a calamitous beauty to the work they put out and it’s so fun to belt out some words, even if they’re not the right ones.
I was hoping that seeing it live would sell that divisive new album, Reality Awaits, to me, but it didn’t. It’s too autotuney, too languid, and too often the victim of everyone’s toilet breaks.
Their earlier tracks still land best in a live setting, especially Reptilia, an absolute juggernaut in their back catalogue.
Rollercoaster set and tricky crowd interactions aside, we all had a great time – I’m just not sure I could say the same about Julian Casablancas.
Sam Fender describes his own ticket prices as ‘b*llocks’ and demands change for fans
Daisy Jackson
Sam Fender has kicked off about ticket prices for his own tour, ahead of his huge stadium summer next year.
The Geordie star announced his Proper Massive stadium tour last week, which will visit some of the UK’s biggest venues including The O2 in London, Etihad Stadium in Manchester, and St James’ Park in his home city of Newcastle.
But after ticket prices for the tour were announced, Sam Fender surprised us all by joining in with a moan about how expensive they were.
He described the ticketing strategy for his tour as ‘b*llocks’ and said he was ‘not happy’ with ticket prices.
And proving just how much sway an artist can have on ticket prices, Sam Fender then demanded that things be redone.
Sam first appeared in the comments on Gavin Davis’ Instagram account, which frequently shares tour leaks and ticket prices.
There, he wrote: “I’m not happy with these prices, they’re getting changed. It got inflated well more than I’d had in mind, it should only be inflated in relation to the cost of putting the show on.
“The standing will not be split as well, I had no idea about it. I have no idea how this was normalised in gigs.
“It’s bollocks and it won’t be happening on this tour.”
Then later, on his own Instagram stories, Sam Fender posted: “I’ve managed to get Front Standing tickets removed from the UK stadium tour. Whoever buys a standing ticket gets as much chance as anyone to be at the front.
“No more £120 standing tickets either.
“Costs are astronomical compared to two years ago, I can’t control the venue and ticketing fees, that’s a sad reality of today’s industry.
“This is gonna be the biggest and best show we’ve ever put on. Can’t wait to see everyone on the road next summer!”
The ticket prices for the Proper Massive tour are now confirmed by Sam Fender himself as being £85 for GA standing, and £55/£75/£95 for seats.
Hannah Starkie -
1st September 2020 
