A report published this week lists people’s concerns over plans for the 23,500-capacity entertainment hub next to Manchester City’s Etihad Stadium.
Developers Oak View Group (OVG) plan to invest £350 million into the US-style venue. They hope it will attract some of the world’s biggest music and sporting events. But the public consultation has raised more than 580 objections over the 5.5-acre site, from both residents and businesses in the area.
Many locals say they already have enough disturbances on match days. The report highlighted upsets over traffic, illegal parking, noise and light pollution, littering and damage to the local environment.
View of the campus. Image: OVG
Summarised in the report, one Beswick resident said: “The traffic modelling does not properly take into account the impacts nor the impact of other major events at the campus and in the local area.”
Others expressed worries over the environment saying: “It is not clear how this project fits in with carbon objectives for the city and the climate change emergency.”
Proposed landscaping along Ashton Canal. Image: OVG
OVG admits there will be “localised impacts” as a result of the arena, but say they’d be limited to the campus site itself.
In the report, OVG set out how they will tackle the concerns. These include a travel plan and parking strategies to minimise road disruption, landscaping to the nearby Ashton Canal to preserve local ecology, noise monitoring, plus support from a specially appointed community liaison officer who will act as a go-to contact.
But there are also fears for Manchester’s city centre music economy. Some say it will drag customers away from the likes of Academy, the O2 and the newly rebranded AO Arena (formerly Manchester Arena). In March, AO Arena put in its own planning application for renovations.
New AO Arena plans. Image: AO Arena
OVG maintain that the Eastlands Arena will cater for a different crowd, stating: “The pursuit of larger events than those hosted by the [AO Arena] and targeting more genuinely international music and family events, makes a clear differentiation in the planned market focus compared to the existing markets of the [AO Arena].”
Through market research, OVG have put forward a firm case for a second arena. Their findings suggest that over 20 years the two arenas will generate up to £1.5 billion for the UK economy.
But that hasn’t stopped loyal Mancs pointing out the lack of support for the city’s current music scene. One resident said: “There should be, in the wake of the pandemic, support for existing entertainment venues, pubs, bars, restaurants and shops.”
Eastlands Arena from below. Image: OVG
For the public, it seems the jury is out. But the plans go to committee on September 24 where the council will decide if it will get the go ahead.
Audio
Beat-Herder Festival 2025 – a magical weekend of music, madness, miniature worlds and more
Emily Johnson
Some festivals give you good music. Some give you great crowds. And a very rare few create a world so immersive, you forget you’re even at a festival; the cult favourite Beat-Herder Festival does it all – and then some.
Tucked into the Ribble Valley countryside in the Lancashire town of Clitheroe, The Beat-Herder Festival isn’t your average weekend of tents and tunes.
It’s a handcrafted, mind-bending wonderland built by a small crew of dreamers who clearly love what they do and want you to feel the same.
Whether it’s your first time or your fifteenth, the moment you step through the gates, you know you’re in for something special
Then there’s Hotel California, not just an Eagles reference but a site where you could catch a full-on rave in a wild west saloon, as well as The Parish Church: a gothic fairytale where choirs turn into choons and the altar doubles as a DJ booth.
One of the weekend’s highlights came tucked inside The Beat-Herder Working Men’s Club, where The Clone Roses had the entire crowd bouncing with their uncanny tribute to The Stones.
When ‘I Am the Resurrection’ dropped, it was hands-in-the-air euphoria; a true pinch-me moment. Ian Brown might as we have been on the stage, the way the crowd were going wild.
And it wasn’t just music. The Working Men’s also hosted ‘Beat-Herder’s Got Talent’, which is a chaotic and charming mix of poetry, dragon dancing, comedy sketches and more. Heartfelt, hilarious and very Beat-Herder.
Truly immersive worlds
Venture deeper into the wonderful world of Beat-Herder and you’ll find entire miniature towns within the festival. There’s a literal high street, complete with its own tattoo parlour, barbers, a swap shop and even a secret swimming pool.
We’re not going to disclose its location, but let’s just say if you find a dodgy-looking wooden gate and hear splashing on the other side – knock twice and bring a towel…
Late-night mayhem
As the sun went down, the party really came to life. The Beyond Tunnel was your portal to new dimensions, opening out into a maze of secret stages and psychedelic visuals.
From psytrance at The Sunrise Stage, to bassline chaos at The Laundrette and candy-coloured chaos at Bubba Gumma, it was a rabbit hole of sound you never wanted to leave.
Then there was The Temple – a fire-breathing stage that became a haven for breakbeats, jungle, techno and house. Tim Reaper’s set here was a standout for us – fast, furious, and euphoric.
And just when we thought the night was over, we found ourselves at a secret 3am b2b set with Tim Reaper and Samurai Breaks that blew us away – two talented DJs that had the crowd wanting even more despite the sun quite literally rising on the next day.
Another hidden gem was The Ring, an intimate open-air arena where we caught Jungle pioneer Goldie, alongside Sheffield’s own Silva Bumpa and Soul Mass Transit System for a bass-heavy b2b set that rattled your bones and lit up the crowd.
Then there’s The Factory – a steel-clad rave bunker pumping out electro, acid and heavy techno deep into the night. Dancing inside while the rain pelted the tin roof added a layer of gritty industrial magic – proper spine-tingling stuff if you’re into that sweaty, underground energy.
And just when you think you’ve seen it all, along comes Fowler’s Garage: a chaotic, petrolhead fever dream of a stage where you can literally dance on top of cars. DJs spin sets from inside the vehicles, cooking up a storm from the front seat while the crowd parties on the roof.
It’s unhinged in the best way possible and one of the most unique spaces you’ll ever rave in.
Power and the people
What really makes Beat-Herder feel different is the people. There’s an unspoken code of friendliness here – everyone’s up for a chat, a laugh, or a spontaneous dance. You could spill your pint and end up making a friend for life. That kind of energy is rare, and Beat-Herder wears it like a badge of honour.
The merch stand has that signature hand-crafted feel. All of the merch is hand-printed, with designs that feel like proper collector’s items rather than throwaway souvenirs. We spotted punters proudly repping Beat-Herder tees from as far back as 2012 – testament to how deep the community pride runs here.
Even on the way out, with vans and cars getting stuck in the mud, everyone mucked in to help push – proof that the Beat-Herder spirit sticks with you long after you’ve left the gates. Just a bunch of lovely people all getting together to have a good time and make memories for life.
Credit: Andrew Whitton
Fantastic fancy dress
Saturday brought the iconic fancy dress theme – this year, the letter G. And wow, did people go for it. Giraffes towered above the crowd, Gnomes danced in groups, Gardeners handed out seed packets, and one hero turned up as ‘Garbage’, wearing an actual dustbin with a lid strapped to his head. We laughed for a full five minutes.
Final thoughts from the fields
Even though Beat-Herder was slightly scaled down this year due to budget cuts, it never once felt like anything was missing. If anything, it brought a tighter, even more magic-filled experience. The attention to detail, the creativity, and the atmosphere are still unmatched – a reminder that this isn’t just a festival. It’s a fully fledged world of its own.
If you’re looking for something different – stick this one at the very top of your list. But be warned: once you’ve been, you’ll never stop going back.
Tickets for next year go on sale on Thursday, 31 July, and you can be ready to grab your tickets HERE.
You can guarantee you’ll see us at back-to-back Beat-Herder Festivals again in 2026.
Classical musician Hauser announces huge arena gig in Manchester later this year
Thomas Melia
Croatian cellist and former member of classical band 2CELLOS, Hauser, has announced a tour including an arena date in Manchester this year.
World-class musician Stjepan Hauser, known professionally as Hauser, is getting ready to pack his cello and cheeky smile as he embarks on ‘The Rebel Is Back’ tour.
Hauser has amassed a worldwide cult following of classical music lovers, by not only respecting the genre, but evolving it too by intertwining his cello skills into modern day pop hits.
The cellist has covered lots of current pop songs while part of musical duo 2CELLOS like ‘We Found Love’, ‘Despacito’, and ‘Viva La Vida’.
You can also expect to hear covers of some of music’s greatest compositions, including the timeless opera classic ‘Nessun Dorma’, and highly-adored ballet piece ‘Swan Lake’.
Recently, Hauser has teamed up with London Symphony Orchestra to reimagine Ennio Morricone’s ‘Le Vent, le cri’, taken from the 1981 French film Le Professionnel.
Hauser has performed in over 40 countries and played at some of the most prestigious venues across the world – including Royal Albert Hall and Sydney Opera House.
He’s also become a social media sensation, capturing people’s attention via his videos playing his cello in a variety of interesting locations like a swimming pool, at the desert, and even on the famous Brooklyn Bridge.
Classical musician Hauser announces huge arena gig in Manchester later this year / Credit: Stefan Brending (via Wikimedia Commons)
You’ll be able to identify a lot of the tracks played out when Hauser visits AO Arena, as his upcoming album titled Cinema, features a wide variety of soundtracks and film theme tunes.
The highly-anticipated LP from Hauser contains ‘What Was I Made For?’ from Barbie, ‘Mission: Impossible’, ‘A Time For Us’ from Romeo and Juliet, alongside lots more motion picture melodies.
The musician is quite familiar with Manchester city city centre too, Hauser studied at Royal Northern College of Music in Manchester before taking the classical world by storm.
Hannah Starkie -
18th September 2020 
